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Today's Stichomancy for Ron Howard

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Recruit by Honore de Balzac:

were first instituted, there was little or no discipline. The requirements of the moment did not allow the Republic to equip its soldiers immediately, and it was not an unusual thing to see the roads covered with recruits, who were still wearing citizen's dress. These young men either preceded or lagged behind their respective battalions, according to their power of enduring the fatigues of a long march.

The young man of whom we are now speaking, was much in advance of a column of recruits, known to be on its way from Cherbourg, which the mayor of Carentan was awaiting hourly, in order to give them their billets for the night. The young man walked with a jades step, but

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Twelve Stories and a Dream by H. G. Wells:

confess I have not yet ventured abroad again while under its influence. I may mention, for example, that this story has been written at one sitting and without interruption, except for the nibbling of some chocolate, by its means. I began at 6.25, and my watch is now very nearly at the minute past the half-hour. The convenience of securing a long, uninterrupted spell of work in the midst of a day full of engagements cannot be exaggerated. Gibberne is now working at the quantitative handling of his preparation, with especial reference to its distinctive effects upon different types of constitution. He then hopes to find a Retarder with which to dilute its present rather excessive potency. The Retarder will, of course, have the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Beyond Good and Evil by Friedrich Nietzsche:

its sweetness solely from the intermingled ingredient of cruelty. What the Roman enjoys in the arena, the Christian in the ecstasies of the cross, the Spaniard at the sight of the faggot and stake, or of the bull-fight, the present-day Japanese who presses his way to the tragedy, the workman of the Parisian suburbs who has a homesickness for bloody revolutions, the Wagnerienne who, with unhinged will, "undergoes" the performance of "Tristan and Isolde"--what all these enjoy, and strive with mysterious ardour to drink in, is the philtre of the great Circe "cruelty." Here, to be sure, we must put aside entirely the blundering psychology of former times, which could only teach


Beyond Good and Evil
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Shakespeare's Sonnets by William Shakespeare:

'Tis not enough that through the cloud thou break, To dry the rain on my storm-beaten face, For no man well of such a salve can speak, That heals the wound, and cures not the disgrace: Nor can thy shame give physic to my grief; Though thou repent, yet I have still the loss: The offender's sorrow lends but weak relief To him that bears the strong offence's cross. Ah! but those tears are pearl which thy love sheds, And they are rich and ransom all ill deeds.

XXXV