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Today's Stichomancy for Ron Howard

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Phoenix and the Turtle by William Shakespeare:

Every fowl of tyrant wing, Save the eagle, feather'd king: Keep the obsequy so strict.

Let the priest in surplice white, That defunctive music can, Be the death-defying swan, Lest the requiem lack his right.

And thou, treble-dated crow, That thy sable gender mak'st With the breath thou giv'st and tak'st, 'Mongst our mourners shalt thou go.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Rig Veda:

strong drink of thee the Warrior-God, His who pours lovely oil as 'twere with yellow drops. Let my songs enter thee whose form hath golden tints.

2 Ye who in concert sing unto the goldhued place, like Bay Steeds driving onward to the heavenly seat, For Indra laud ye strength allied with Tawny Steeds, laud him whom cows content as 'twere with yellow drops.

3 His is that thunderbolt, of iron, goldenhued, gold-coloured,

The Rig Veda
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Cousin Betty by Honore de Balzac:

great lady of whom she had heard so much, had hastily dressed in a black silk gown, a smart little cape, and neat boots. A cap with a cherry-colored bow added to the brilliant effect of her coloring. The child stood in an attitude of artless curiosity, studying the Baroness out of the corner of her eye, for her palsied trembling puzzled her greatly.

Adeline sighed deeply as she saw this jewel of womanhood in the mire of prostitution, and determined to rescue her to virtue.

"What is your name, my dear?"

"Atala, madame."

"And can you read and write?"

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Tapestried Chamber by Walter Scott:

affectation of mystery while he approaches the fearful and wonderful part. It was with such advantages that the present writer heard the following events related, more than twenty years since, by the celebrated Miss Seward of Litchfield, who, to her numerous accomplishments, added, in a remarkable degree, the power of narrative in private conversation. In its present form the tale must necessarily lose all the interest which was attached to it by the flexible voice and intelligent features of the gifted narrator. Yet still, read aloud to an undoubting audience by the doubtful light of the closing evening, or in silence by a decaying taper, and amidst the solitude of a half-