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Today's Stichomancy for Ron Howard

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Gulliver's Travels by Jonathan Swift:

soon after, it advanced nearer, and I could see the sides of it encompassed with several gradations of galleries, and stairs, at certain intervals, to descend from one to the other. In the lowest gallery, I beheld some people fishing with long angling rods, and others looking on. I waved my cap (for my hat was long since worn out) and my handkerchief toward the island; and upon its nearer approach, I called and shouted with the utmost strength of my voice; and then looking circumspectly, I beheld a crowd gather to that side which was most in my view. I found by their pointing towards me and to each other, that they plainly discovered me, although they made no return to my shouting. But I


Gulliver's Travels
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Legend of Sleepy Hollow by Washington Irving:

and then in the rear, to quicken their speed or help them over a tall word. Books were flung aside without being put away on the shelves, inkstands were overturned, benches thrown down, and the whole school was turned loose an hour before the usual time, bursting forth like a legion of young imps, yelping and racketing about the green in joy at their early emancipation.

The gallant Ichabod now spent at least an extra half hour at his toilet, brushing and furbishing up his best, and indeed only suit of rusty black, and arranging his locks by a bit of broken looking-glass that hung up in the schoolhouse. That he might make his appearance before his mistress in the true style of a


The Legend of Sleepy Hollow
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Ann Veronica by H. G. Wells:

"Votes for Women." Ann Veronica sat at the foot of the sufferer's bed, while Teddy Widgett, being something of an athlete, occupied the only bed-room chair--a decadent piece, essentially a tripod and largely a formality--and smoked cigarettes, and tried to conceal the fact that he was looking all the time at Ann Veronica's eyebrows. Teddy was the hatless young man who had turned Ann Veronica aside from the Avenue two days before. He was the junior of both his sisters, co-educated and much broken in to feminine society. A bowl of roses, just brought by Ann Veronica, adorned the communal dressing-table, and Ann Veronica was particularly trim in preparation for a call she

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Mayor of Casterbridge by Thomas Hardy:

with a fluted semicircular back, having urns and festoons cast in relief thereon, and the chairs were of the kind which, since that day, has cast lustre upon the names of Chippendale and Sheraton, though, in point of fact, their patterns may have been such as those illustrious carpenters never saw or heard of.

"Sit down--Elizabeth-Jane--sit down," he said, with a shake in his voice as he uttered her name, and sitting down himself he allowed his hands to hang between his knees while he looked upon the carpet. "Your mother, then, is quite well?"


The Mayor of Casterbridge