| The first excerpt represents the past or something you must release, and is drawn from The Island of Doctor Moreau by H. G. Wells: I think now that he was the silliest creature I ever met;
he had developed in the most wonderful way the distinctive silliness
of man without losing one jot of the natural folly of a monkey.
This, I say, was in the earlier weeks of my solitude among these brutes.
During that time they respected the usage established by the Law,
and behaved with general decorum. Once I found another rabbit torn
to pieces,--by the Hyena-swine, I am assured,--but that was all.
It was about May when I first distinctly perceived a growing difference
in their speech and carriage, a growing coarseness of articulation,
a growing disinclination to talk. My Monkey-man's jabber multiplied
in volume but grew less and less comprehensible, more and more simian.
 The Island of Doctor Moreau |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Pierre Grassou by Honore de Balzac: A Bachelor's Establishment
A Distinguished Provincial at Paris
A Start in Life
Modeste Mignon
Another Study of Woman
Letters of Two Brides
Cousin Betty
The Member for Arcis
Cardot (Parisian notary)
The Muse of the Department
A Man of Business
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The third excerpt represents the future or something you must embrace, and is drawn from Confidence by Henry James: after breakfast, took a turn in the great square of Siena--
the vast piazza, shaped like a horse-shoe, where the market
is held beneath the windows of that crenellated palace
from whose overhanging cornice a tall, straight tower
springs up with a movement as light as that of a single
plume in the bonnet of a captain. Here he strolled about,
watching a brown contadino disembarrass his donkey, noting the
progress of half an hour's chaffer over a bundle of carrots,
wishing a young girl with eyes like animated agates would let
him sketch her, and gazing up at intervals at the beautiful,
slim tower, as it played at contrasts with the large blue air.
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