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Today's Stichomancy for Ronald Reagan

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Soul of Man by Oscar Wilde:

in what man has, but in what man is.

Private property has crushed true Individualism, and set up an Individualism that is false. It has debarred one part of the community from being individual by starving them. It has debarred the other part of the community from being individual by putting them on the wrong road, and encumbering them. Indeed, so completely has man's personality been absorbed by his possessions that the English law has always treated offences against a man's property with far more severity than offences against his person, and property is still the test of complete citizenship. The industry necessary for the making money is also very demoralising.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Paradise Lost by John Milton:

Not by the sufferance of supernal Power. "Is this the region, this the soil, the clime," Said then the lost Archangel, "this the seat That we must change for Heaven?--this mournful gloom For that celestial light? Be it so, since he Who now is sovereign can dispose and bid What shall be right: farthest from him is best Whom reason hath equalled, force hath made supreme Above his equals. Farewell, happy fields, Where joy for ever dwells! Hail, horrors! hail, Infernal world! and thou, profoundest Hell,


Paradise Lost
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Maid Marian by Thomas Love Peacock:

the fame of his valour without the trouble of fighting for it. What need you of purse or pouch? You may sing before thieves. Pedlars, pedlars: wandering from door to door with the small ware of lies and cajolery: exploits for carpet-knights; honesty for courtiers; truth for monks, and chastity for nuns: a good saleable stock that costs the vender nothing, defies wear and tear, and when it has served a hundred customers is as plentiful and as marketable as ever. But, sirrahs, I'll none of your balderdash. You pass not hence without clink of brass, or I'll knock your musical noddles together till they ring like a pair of cymbals. That will be a new tune for your minstrelships."

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Off on a Comet by Jules Verne:

"If it be correct, I suppose we must conclude that the enormous disc we observed on the night of the catastrophe was the comet itself; and the velocity with which it was traveling must have been so great that it was hardly arrested at all by the attraction of the earth."

"Plausible enough," answered Count Timascheff; "and it is to this comet that our scientific friend here has given the name of Gallia."

It still remained a puzzle to them all why the astronomer should apparently be interested in the comet so much more than in the new little world in which their strange lot was cast.

"Can you explain this?" asked the count.