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Today's Stichomancy for Rose McGowan

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Silas Marner by George Eliot:

after-dinner words of his father's to Mr. Lammeter he should be thrown into the embarrassment of being obliged absolutely to decline her when she seemed to be within his reach. He fled to his usual refuge, that of hoping for some unforeseen turn of fortune, some favourable chance which would save him from unpleasant consequences-- perhaps even justify his insincerity by manifesting its prudence. And in this point of trusting to some throw of fortune's dice, Godfrey can hardly be called specially old-fashioned. Favourable Chance, I fancy, is the god of all men who follow their own devices instead of obeying a law they believe in. Let even a polished man of these days get into a position he is ashamed to avow, and his


Silas Marner
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Where There's A Will by Mary Roberts Rinehart:

He was pretty well upset, as he might be, and she stood by and listened to the things he said, which, if they were as bad in English as they sounded in German, I wouldn't like to write down.

And when he cooled down and condensed, as you may say, into English, he said Miss Jennings must have seen the letters, for she would hardly speak to him. And Miss Summers said she hoped Miss Jennings had--she was too nice a girl to treat shamefully.

And after he had left her there alone, I heard a sort of scratching on the door behind Miss Summers' back, and then something being shoved under the door. I stooped down and picked it up. It was a key!

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Daughter of Eve by Honore de Balzac:

the gestures, the attitude of one beloved. The soul then fastens upon absolute nothings. No longer do ideas or even language speak, but things; and these so loudly, that often a man lets another pay the small attentions--bring a cup of tea, or the sugar to sweeten it-- demanded by the woman he loves, fearful of betraying his emotion to eyes that seem to see nothing and yet see all. Raoul, however, a man indifferent to the eyes of the world, betrayed his passion in his speech and was brilliantly witty. The company listened to the roar of a discourse inspired by the restraint put upon him; restraint being that which artists cannot endure. This Rolandic fury, this wit which slashed down all things, using epigram as its weapon, intoxicated

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Country of the Pointed Firs by Sarah Orne Jewett:

the melancholy situation. "She never wanted the sheep after that first season. There wa'n't no proper pasture for sheep after the June grass was past, and she ascertained the fact and couldn't bear to see them suffer; but the chickens done well. I remember sailin' by one spring afternoon, an' seein' the coops out front o' the house in the sun. How long was it before you went out with the minister? You were the first ones that ever really got ashore to see Joanna."

I had been reflecting upon a state of society which admitted such personal freedom and a voluntary hermitage. There was something mediaeval in the behavior of poor Joanna Todd under a