| The first excerpt represents the past or something you must release, and is drawn from Awakening & Selected Short Stories by Kate Chopin: here and there, gorgeous in their spring radiance. Some cattle
were grazing off in the distance in spots where the grass was tall
and luscious. At the far end of the meadow was the towering lilac
hedge, skirting the lane that led to Judge Pillier's house, and the
scent of its heavy blossoms met them like a soft and tender embrace
of welcome.
As they neared the house the old gentleman placed an arm
around the girl's shoulders and turning her face up to him he said:
"Do you not think that on a day like this, miracles might happen?
When the whole earth is vibrant with life, does it not seem to you,
Octavie, that heaven might for once relent and give us back our
 Awakening & Selected Short Stories |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Herland by Charlotte Gilman: wings-and-harp-and-halo angel, accustomed to fulfilling divine
missions all over interstellar space. This angel might love the man
with an affection quite beyond his power of return or even of
appreciation, but her ideas of service and duty would be on a
very different scale from his. Of course, if she was a stray angel
in a country of men, he might have had his way with her; but
if he was a stray man among angels--!
Terry, at his worst, in a black fury for which, as a man, I must
have some sympathy, preferred the ant simile. More of Terry and
his special troubles later. It was hard on Terry.
Jeff--well, Jeff always had a streak that was too good for
 Herland |
The third excerpt represents the future or something you must embrace, and is drawn from The Human Drift by Jack London: fondest hope is that it will make you happy, too. Loretta, I love
you -
LORETTA. [Uttering a sharp cry of delight, then moaning.] Too
late!
NED. [Surprised.] Too late?
LORETTA. [Still moaning.] Oh, why did I? [NED somewhat
stiffens.] I was so young. I did not know the world then.
NED. What is it all about anyway?
LORETTA. Oh, I . . . he . . . Billy . . . I am a wicked woman,
Ned. I know you will never speak to me again.
NED. This . . . er . . . this Billy--what has he been doing?
|