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Today's Stichomancy for Rose McGowan

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Footnote to History by Robert Louis Stevenson:

of farewell to the consuls of England and America. It is singular that this far from brilliant or dignified monarch, writing in the forest, in heaviness of spirit and under pressure for time, should have left behind him not only one, but two remarkable and most effective documents. The farewell to his people was touching; the farewell to the consuls, for a man of the character of Sewall, must have cut like a whip. "When the chief Tamasese and others first moved the present troubles," he wrote, "it was my wish to punish them and put an end to the rebellion; but I yielded to the advice of the British and American consuls. Assistance and protection was repeatedly promised to me and my government, if I abstained from

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Modeste Mignon by Honore de Balzac:

The peccadillo of a soldier is a crime in a general, and vice- versa. Observances are not alike in all cases. They are not the same for the gleaner in the field, for the girl who sews at fifteen sous a day, for the daughter of a petty shopkeeper, for the young bourgoise, for the child of a rich merchant, for the heiress of a noble family, for a daughter of the house of Este. A king must not stoop to pick up a piece of gold, but a laborer ought to retrace his steps to find ten sous; though both are equally bound to obey the laws of economy. A daughter of Este, who is worth six millions, has the right to wear a broad-brimmed hat and plume, to flourish her whip, press the flanks of her barb, and


Modeste Mignon
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Songs of Innocence and Experience by William Blake:

Rising from unrest, The trembling woman pressed With feet of weary woe; She could no further go.

In his arms he bore Her, armed with sorrow sore; Till before their way A couching lion lay.

Turning back was vain: Soon his heavy mane Bore them to the ground,


Songs of Innocence and Experience
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Perfect Wagnerite: A Commentary on the Niblung's Ring by George Bernard Shaw:

the end of our epoch, and, so far as one can guess, prophesied it rightly. They also brought its industrial history up to the year 1848 far more penetratingly than the academic historians of their time. But they broke off there and left a void between 1848 and the end, in which we, who have to live in that period, get no guidance from them. The Marxists wandered for years in this void, striving, with fanatical superstition, to suppress the Revisionists who, facing the fact that the Social-Democratic party was lost, were trying to find the path by the light of contemporary history instead of vainly consulting the oracle in the pages of Das Kapital. Marx himself was too simpleminded a