Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Rose McGowan

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Master of Ballantrae by Robert Louis Stevenson:

door open, gaping on the black interior. At the one end of this small stage lay what seemed the tattered remnants of a man. Without doubt we had arrived upon the scene of Harris's encampment; there were the goods scattered in the panic of flight; it was in yon tent the Master breathed his last; and the frozen carrion that lay before us was the body of the drunken shoemaker. It was always moving to come upon the theatre of any tragic incident; to come upon it after so many days, and to find it (in the seclusion of a desert) still unchanged, must have impressed the mind of the most careless. And yet it was not that which struck us into pillars of stone; but the sight (which yet we had been half expecting) of

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Country of the Pointed Firs by Sarah Orne Jewett:


As I came away on the little coastwise steamer, there was an old sea running which made the surf leap high on all the rocky shores. I stood on deck, looking back, and watched the busy gulls agree and turn, and sway together down the long slopes of air, then separate hastily and plunge into the waves. The tide was setting in, and plenty of small fish were coming with it, unconscious of the silver flashing of the great birds overhead and the quickness of their fierce beaks. The sea was full of life and spirit, the tops of the waves flew back as if they were winged like the gulls themselves, and like them had the freedom of the wind. Out in the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Coxon Fund by Henry James:

it simply because I know him well."

"But isn't it an awful drawback?"

"Awful--quite awful."

"I mean isn't it positively fatal?"

"Fatal to what? Not to his magnificent vitality."

Again she had a meditative moment. "And is his magnificent vitality the cause of his vices?"

"Your questions are formidable, but I'm glad you put them. I was thinking of his noble intellect. His vices, as you say, have been much exaggerated: they consist mainly after all in one comprehensive defect."

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Early Short Fiction of Edith Wharton by Edith Wharton:

the members of the family come and go as they list; but beyond that, far beyond, are other rooms, the handles of whose doors perhaps are never turned; no one knows the way to them, no one knows whither they lead; and in the innermost room, the holy of holies, the soul sits alone and waits for a footstep that never comes."

"And your husband," asked the Spirit, after a pause, "never got beyond the family sitting-room?"

"Never," she returned, impatiently; "and the worst of it was that he was quite content to remain there. He thought it perfectly beautiful, and sometimes, when he was admiring its commonplace