| The first excerpt represents the past or something you must release, and is drawn from The Fall of the House of Usher by Edgar Allan Poe: an atmosphere which had no affinity with the air of heaven, but
which had reeked up from the decayed trees, and the grey wall,
and the silent tarn--a pestilent and mystic vapour, dull,
sluggish, faintly discernible, and leaden-hued.
Shaking off from my spirit what must have been a dream,
I scanned more narrowly the real aspect of the building. Its
principal feature seemed to be that of an excessive antiquity.
The discoloration of ages had been great. Minute fungi
overspread the whole exterior, hanging in a fine tangled web-work
from the eaves. Yet all this was apart from any extraordinary
dilapidation. No portion of the masonry had fallen; and there
The Fall of the House of Usher |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Z. Marcas by Honore de Balzac: reflections, maxims, and observations, revealing him as a great
politician, a few questions and answers on both sides as to the
progress of affairs in France and in Europe were enough to prove to us
that he was a real statesman; for a man may be quickly and easily
judged when he can be brought on to the ground of immediate
difficulties: there is a certain Shibboleth for men of superior
talents, and we were of the tribe of modern Levites without belonging
as yet to the Temple. As I have said, our frivolity covered certain
purposes which Juste has carried out, and which I am about to execute.
When we had done talking, we all three went out, cold as it was, to
walk in the Luxembourg gardens till the dinner hour. In the course of
|
The third excerpt represents the future or something you must embrace, and is drawn from The Apology by Xenophon: from the god? The god, at any rate, has foreknowledge, and premonishes
those whom he will of what is about to be. That is a thing which all
the world believes and asserts even as I do. Only, when they describe
these premonitions under the name of birds and utterances, tokens[24]
and soothsayers, I speak of a divinity, and in using that designation
I claim to speak at once more exactly and more reverentially than they
do who ascribe the power of the gods to birds. And that I am not lying
against the Godhead I have this as a proof: although I have reported
to numbers of friends the counsels of heaven, I have never at any time
been shown to be a deceiver or deceived."
[20] Cf. "Mem." I. i. 2.
The Apology |
