| The first excerpt represents the past or something you must release, and is drawn from Phantasmagoria and Other Poems by Lewis Carroll: "That Spectre left you on the Third -
Since then you've not been haunted:
For, as he never sent us word,
'Twas quite by accident we heard
That any one was wanted.
"A Spectre has first choice, by right,
In filling up a vacancy;
Then Phantom, Goblin, Elf, and Sprite -
If all these fail them, they invite
The nicest Ghoul that they can see.
"The Spectres said the place was low,
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Shadow out of Time by H. P. Lovecraft: senses did not include that of sight; their mental world being
a strange, non-visual pattern of impressions.
They were, however,
sufficiently material to use implements of normal matter when
in cosmic areas containing it; and they required housing - albeit
of a peculiar kind. Though their senses could penetrate all material
barriers, their substance could not; and certain forms of electrical
energy could wholly destroy them. They had the power of a๋rial
motion, despite the absence of wings or any other visible means
of levitation. Their minds were of such texture that no exchange
with them could be effected by the Great Race.
 Shadow out of Time |
The third excerpt represents the future or something you must embrace, and is drawn from The Vicar of Tours by Honore de Balzac: and strengthened his valor by useful counsel until he entered the
lists, so the sly old fox had said to the baroness at the last moment:
"Don't forget your cue. You are a mediator, and not an interested
party. Troubert also is a mediator. Weigh your words; study the
inflection of the man's voice. If he strokes his chin you have got
him."
Some sketchers are fond of caricaturing the contrast often observable
between "what is said" and "what is thought" by the speaker. To catch
the full meaning of the duel of words which now took place between the
priest and the lady, it is necessary to unveil the thoughts that each
hid from the other under spoken sentences of apparent insignificance.
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