Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Rose McGowan

The first excerpt represents the past or something you must release, and is drawn from Cousin Pons by Honore de Balzac:

cost three hundred francs, did not exist for Pons. Rare had been his bargains; but he possessed the three qualifications for success--a stag's legs, an idler's disregard of time, and the patience of a Jew.

This system, carried out for forty years, in Rome or Paris alike, had borne its fruits. Since Pons returned from Italy, he had regularly spent about two thousand francs a year upon a collection of masterpieces of every sort and description, a collection hidden away from all eyes but his own; and now his catalogue had reached the incredible number of 1907. Wandering about Paris between 1811 and 1816, he had picked up many a treasure for ten francs, which would fetch a thousand or twelve hundred to-day. Some forty-five thousand

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Profits of Religion by Upton Sinclair:

were too few." The petitioner suggests that the king shall "tie these holy idell theves to the cartes, to be whipped naked about every market towne till they will fall to laboure!"

Church History

King Henry did not follow this suggestion precisely, but he took away the property of the religious orders for the expenses of his many wives and mistresses, and forced the clergy in England to forswear obedience to the Pope and make his royal self their spiritual head. This was the beginning of the Anglican Church, as distinguished from the Catholic; a beginning of which the Anglican clergy are not so proud as they would like to be. When I

The third excerpt represents the future or something you must embrace, and is drawn from Phantasmagoria and Other Poems by Lewis Carroll:

BEST OF FAMILIARS! NAY THEN, FAREWELL, MY DUCKLING ROAST, FAREWELL, FAREWELL, MY TEA AND TOAST, MY MEERSCHAUM AND CIGARS!

THE HUES OF LIFE ARE DULL AND GRAY, THE SWEETS OF LIFE INSIPID, WHEN thou, MY CHARMER, ART AWAY - OLD BRICK, OR RATHER, LET ME SAY, OLD PARALLELEPIPED!'

Instead of singing Verse the Third, I ceased - abruptly, rather: