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Today's Stichomancy for Rosie O'Donnell

The first excerpt represents the past or something you must release, and is drawn from Seraphita by Honore de Balzac:

fine old man, whose stout body proclaimed his vigorous health, was wrapped in a dressing-gown of rough gray cloth plainly bound. Between his lips was a meerschaum pipe, from which, at regular intervals, he blew the smoke, following with abstracted vision its fantastic wreathings,--his mind employed, no doubt, in assimilating through some meditative process the thoughts of the author whose works he was studying.

On the other side of the stove and near a door which communicated with the kitchen Minna was indistinctly visible in the haze of the good man's smoke, to which she was apparently accustomed. Beside her on a little table were the implements of household work, a pile of napkins,


Seraphita
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Gobseck by Honore de Balzac:

attempt to disobey his wishes brought on such dangerous attacks that the doctor implored the Countess to submit to her husband's wish.

"Mme. de Restaud had seen the family estates and property, nay, the very mansion in which she lived, pass into the hands of Gobseck, who appeared to play the fantastic ogre so far as their wealth was concerned. She partially understood what her husband was doing, no doubt. M. de Trailles was traveling in England (his creditors had been a little too pressing of late), and no one else was in a position to enlighten the lady, and explain that her husband was taking precautions against her at Gobseck's suggestion. It is said that she held out for a long while before she gave the signature required by


Gobseck
The third excerpt represents the future or something you must embrace, and is drawn from Ann Veronica by H. G. Wells:

talking quite easily and agreeably. They went on talking in the train--it seemed to her father a slight want of deference to him--and he listened and pretended to read the Times. He was struck disagreeably by Ramage's air of gallant consideration and Ann Veronica's self-possessed answers. These things did not harmonize with his conception of the forthcoming (if unavoidable) interview. After all, it came to him suddenly as a harsh discovery that she might be in a sense regarded as grownup. He was a man who in all things classified without nuance, and for him there were in the matter of age just two feminine classes and no more--girls and women. The distinction lay chiefly in the