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Today's Stichomancy for Rudi Bakhtiar

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Criminal Sociology by Enrico Ferri:

characteristics of his individuality and of his crime.

But not only is the jury devoid of the qualities attributed to it; it has a fatal defect, which alone is sufficient to condemn this institution of the law.

In the first place, it is not easy to understand how a dozen jurymen, selected at hazard, can actually represent the popular conscience, which indeed frequently protests against their decisions. In any case, the fundamental conception of the jury is that the mere fact of its belonging to the people gives it the right to judge; and as the ancient assemblies are no

longer possible, the essence of the jury is that chance alone must decide

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Amazing Interlude by Mary Roberts Rinehart:

- I'd rather like to think you wanted to go."

That was almost too subtle for Harvey. Something about him was rather reminiscent of Uncle James on mornings when he was determined not to go to church.

"It's not our fight," he said. "And as far as that goes, I'm not so sure there isn't right on both sides. Or wrong. Most likely wrong. I'd look fine going over there to help the Allies, and then making up my mind it was the British who'd spilled the beans. Now let's talk about something interesting - for instance, how much we love each other."

It was always "we" with Harvey. In his simple creed if a girl accepted a man and let him kiss her and wore his ring it was a reciprocal love

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Falk by Joseph Conrad:

seen? Like this.

He dropped on a stool, bowed his powerful neck whose nape was red, and with his hands stitched the air, ludicrous, sublimely imbecile and compre- hensible.

And now he couldn't have her? No! That was too much. After thinking too that . . . What had he done? What was my advice? Take her by force? No? Mustn't he? Who was there then to kill him? For the first time I saw one of his fea- tures move; a fighting teeth-baring curl of the lip.


Falk
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Muse of the Department by Honore de Balzac:

"Pray, why?"

"Oh, I know you, having seen you there," replied the Parisian with perfect gravity. "All the princes' creditors dine there. You know that you recover scarcely ten per cent on debts from these fine gentlemen. I would not give you five per cent on a debt to be recovered from the estate of the late Duc d'Orleans--nor even," he added in a low voice-- "from MONSIEUR."

"So you have come to buy up the bills?" said La Baudraye, thinking himself very clever.

"Buy them!" said his visitor. "Why, what do you take me for? I am Monsieur des Lupeaulx, Master of Appeals, Secretary-General to the


The Muse of the Department