|The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Sons and Lovers by D. H. Lawrence:
among the young currant-bushes.
"Come here!" she cried.
"What for?" he answered.
"Come and see."
She had been looking at the buds on the currant trees.
Paul went up.
"To think," she said, "that here I might never have seen them!"
Her son went to her side. Under the fence, in a little bed,
was a ravel of poor grassy leaves, such as come from very immature bulbs,
and three scyllas in bloom. Mrs. Morel pointed to the deep blue flowers.
"Now, just see those!" she exclaimed. "I was looking at
Sons and Lovers
|The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Song of Hiawatha by Henry Wadsworth Longfellow:
Robes of fur, and pots and kettles,
And with food that friends had given
For that solitary journey.
"Ay! why do the living," said they,
"Lay such heavy burdens on us!
Better were it to go naked,
Better were it to go fasting,
Than to bear such heavy burdens
On our long and weary journey!"
Forth then issued Hiawatha,
Wandered eastward, wandered westward,
|The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Divine Comedy (translated by Henry Wadsworth Longfellow) by Dante Alighieri:
I, who desirous of obeying was,
Concealed it not, but all revealed to him;
Whereat he raised his brows a little upward.
Then said he: "Fiercely adverse have they been
To me, and to my fathers, and my party;
So that two several times I scattered them."
"If they were banished, they returned on all sides,"
I answered him, "the first time and the second;
But yours have not acquired that art aright."
Then there uprose upon the sight, uncovered
Down to the chin, a shadow at his side;
The Divine Comedy (translated by Henry Wadsworth Longfellow)
|The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Modeste Mignon by Honore de Balzac:
promise you that. And it is a great deal.
This, dear, is no intrigue, no adventure; no gallantry, as you men
say, can come of it, I warn you frankly. It involves my life, and
more than that,--something that causes me remorse for the many
thoughts that fly to you in flocks--it involves my father's and my
mother's life. I adore them, and my choice must please them; they
must find a son in you.
Tell me, to what extent can the superb spirits of your kind, to
whom God has given the wings of his angels, without always adding
their amiability,--how far can they bend under a family yoke, and
put up with its little miseries? That is a text I have meditated