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Today's Stichomancy for Rush Limbaugh

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Lysis by Plato:

want to be seen by Lysis; so upon second thoughts I refrained.

In the meantime Menexenus came back and sat down in his place by Lysis; and Lysis, in a childish and affectionate manner, whispered privately in my ear, so that Menexenus should not hear: Do, Socrates, tell Menexenus what you have been telling me.

Suppose that you tell him yourself, Lysis, I replied; for I am sure that you were attending.

Certainly, he replied.

Try, then, to remember the words, and be as exact as you can in repeating them to him, and if you have forgotten anything, ask me again the next time that you see me.


Lysis
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Resurrection by Leo Tolstoy:

at him, then cast down her eyes.

"You know that a mitigation has come?"

"Yes, the jailer told me."

"So that as soon as the original document arrives you may come away and settle where you like. We shall consider--"

She interrupted him hurriedly. "What have I to consider? Where Valdemar Simonson goes, there I shall follow." In spite of the excitement she was in she raised her eyes to Nekhludoff's and pronounced these words quickly and distinctly, as if she had prepared what she had to say.

"Indeed!"


Resurrection
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Dreams & Dust by Don Marquis:

Will fall on silence, song and singer Both be mute.

Our gods from our desires we fashion. . . . Exalt our baffled lives, And dream their vital bloom and passion Still survives;

But when we're done with mirth and weeping, With myrtle, rue, and rose, Shall Death take Life into his keeping? . . . No man knows.

What heart hath not, through twilight places,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Through the Looking-Glass by Lewis Carroll:

arm-chair, taking the kitten and the worsted with her, and began winding up the ball again. But she didn't get on very fast, as she was talking all the time, sometimes to the kitten, and sometimes to herself. Kitty sat very demurely on her knee, pretending to watch the progress of the winding, and now and then putting out one paw and gently touching the ball, as if it would be glad to help, if it might.

`Do you know what to-morrow is, Kitty?' Alice began. `You'd have guessed if you'd been up in the window with me--only Dinah was making you tidy, so you couldn't. I was watching the boys getting in sticks for the bonfire--and it wants plenty of


Through the Looking-Glass