| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Camille by Alexandre Dumas: me.
In the evening she seemed a little calmer, and, making me sit at
the foot of the bed, she told me many times how much she loved
me. She smiled at me, but with an effort, for in spite of herself
her eyes were veiled with tears.
I used every means to make her confess the real cause of her
distress, but she persisted in giving me nothing but vague
reasons, as I have told you. At last she fell asleep in my arms,
but it was the sleep which tires rather than rests the body. From
time to time she uttered a cry, started up, and, after assuring
herself that I was beside her, made me swear that I would always
 Camille |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Around the World in 80 Days by Jules Verne: But now I am ruined."
"I know it, Mr. Fogg," replied Aouda; "and I ask you in my turn,
will you forgive me for having followed you, and--who knows?--for having,
perhaps, delayed you, and thus contributed to your ruin?"
"Madam, you could not remain in India, and your safety could
only be assured by bringing you to such a distance that your
persecutors could not take you."
"So, Mr. Fogg," resumed Aouda, "not content with rescuing me
from a terrible death, you thought yourself bound to secure
my comfort in a foreign land?"
"Yes, madam; but circumstances have been against me.
 Around the World in 80 Days |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Russia in 1919 by Arthur Ransome: Russian factory hands have not, as in other countries, lost
their connection with their native villages. There was always
a considerable annual migration backwards and forwards
between the villages and the town, and great numbers of
workmen have gone home, carrying with them the ideas of
the revolution. It should also be remembered that the bulk
of the earlier formed units of the Red Army is composed of
workmen from the towns who, except in the case of
peasants mobilized in districts which have experienced an
occupation by the counter-revolutionaries, are more
determined and better understand the need for discipline
|
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Secrets of the Princesse de Cadignan by Honore de Balzac: princess charmingly; she changed her box at the opera, leaving the
first tier for a baignoire on the ground-floor, so that Madame de
Cadignan could come to the theatre unseen, and depart incognito. Few
women would have been capable of a delicacy which deprived them of the
pleasure of bearing in their train a fallen rival, and of publicly
being her benefactress. Thus relieved of the necessity for costly
toilets, the princess could enjoy the theatre, whither she went in
Madame d'Espard's carriage, which she would never have accepted openly
in the daytime. No one has ever known Madame d'Espard's reasons for
behaving thus to the Princesse de Cadignan; but her conduct was
admirable, and for a long time included a number of little acts which,
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