| The first excerpt represents the past or something you must release, and is drawn from Secret Adversary by Agatha Christie: wonder they dared to there."
He heard the footsteps of his pursuers behind him, and redoubled
his own pace. Once he got out of these by-ways he would be safe.
There would be a policeman about somewhere--not that he really
wanted to invoke the aid of the police if he could possibly do
without it. It meant explanations, and general awkwardness. In
another moment he had reason to bless his luck. He stumbled over
a prostrate figure, which started up with a yell of alarm and
dashed off down the street. Tommy drew back into a doorway. In a
minute he had the pleasure of seeing his two pursuers, of whom
the German was one, industriously tracking down the red herring!
 Secret Adversary |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Some Reminiscences by Joseph Conrad: It may be pride. There can be nothing more humiliating than to
see the shaft of one's emotion miss the mark either of laughter
or tears. Nothing more humiliating! And this for the reason
that should the mark be missed, should the open display of
emotion fail to move, then it must perish unavoidably in disgust
or contempt. No artist can be reproached for shrinking from a
risk which only fools run to meet and only genius dare confront
with impunity. In a task which mainly consists in laying one's
soul more or less bare to the world, a regard for decency, even
at the cost of success, is but the regard for one's own dignity
which is inseparably united with the dignity of one's work.
 Some Reminiscences |
The third excerpt represents the future or something you must embrace, and is drawn from Chronicles of the Canongate by Walter Scott: execution of the sentence; but the six individuals selected for
that purpose, were friends of the deceased, descended, like him,
from the race of MacDhonuil Dhu; and while they prepared for the
dismal task which their duty imposed, it was not without a stern
feeling of gratified revenge. The leading company of the
regiment began now to defile from the barrier-gate, and was
followed by the others, each successively moving and halting
according to the orders of the adjutant, so as to form three
sides of an oblong square, with the ranks faced inwards. The
fourth, or blank side of the square, was closed up by the huge
and lofty precipice on which the Castle rises. About the centre
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