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Today's Stichomancy for Rush Limbaugh

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Voice of the City by O. Henry:

an hour or two' kind of business, now, Dele."

"I'll be ready," said his wife, calmly.

At seven she descended the stone steps in the Pom- peian bowling alley at the side of "Big Jim" Dough- erty. She wore a dinner gown made of a stuff that the spiders must have woven, and of a color that a twilight sky must have contributed. A light coat with many admirably unnecessary capes and adorably inutile ribbons floated downward from her shoulders. Fine feathers do make fine birds; and the only re- proach in the saying is for the man who refuses to


The Voice of the City
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Koran:

the well-known day.'

Then ye, O ye who err! who say it is a lie! shall eat of

the Zaqqum tree! and fill your bellies with it! and

drink thereon of boiling water! and drink as drinks

the thirsty camel.

This is their entertainment on the judgment day!

We created you, then why do ye not credit?

Have ye considered what ye emit?

Do we create it, or are we the creators?

We have decreed amongst you death; but we are not

forestalled from making the likes of you in exchange,


The Koran
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Mirror of the Sea by Joseph Conrad:

and space as no effect of an art can be. It is an occupation which a man not desperately subject to sea-sickness can be imagined to follow with content, without enthusiasm, with industry, without affection. Punctuality is its watchword. The incertitude which attends closely every artistic endeavour is absent from its regulated enterprise. It has no great moments of self-confidence, or moments not less great of doubt and heart-searching. It is an industry which, like other industries, has its romance, its honour and its rewards, its bitter anxieties and its hours of ease. But such sea-going has not the artistic quality of a single-handed struggle with something much greater than yourself; it is not the


The Mirror of the Sea
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Moll Flanders by Daniel Defoe:

I told her she seemed to be so perfectly sensible of my condition, that I had nothing to ask of her but this, that as I had told her that I had money sufficient, but not a great quantity, she would order it so that I might be at as little superfluous charge as possible.

She replied that she would bring in an account of the expenses of it in two or three shapes, and like a bill of fare, I should choose as I pleased; and I desired her to do so.

The next day she brought it, and the copy of her three bills was a follows:--

1. For three months' lodging in her house, including


Moll Flanders