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Today's Stichomancy for Russell Crowe

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Duchess of Padua by Oscar Wilde:

Lady, am I a stranger to your prayers?

DUCHESS

[rising] None but the wretched needs my prayers, my lord.

GUIDO

Then must I need them, lady.

DUCHESS

How is that? Does not the Duke show thee sufficient honour?

GUIDO

Your Grace, I lack no favours from the Duke,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Twelve Stories and a Dream by H. G. Wells:

She was staying at the house of that well-known inquirer, Dr. Wilson Paget, and Mr. Vincey, although he had never met that gentleman before, repaired to him forthwith with the intention of invoking her help. But scarcely had he mentioned the name of Bessel when Doctor Paget interrupted him. "Last night--just at the end," he said, "we had a communication."

He left the room, and returned with a slate on which were certain words written in a handwriting, shaky indeed, but indisputably the handwriting of Mr. Bessel!

"How did you get this?" said Mr. Vincey. "Do you mean--?"

"We got it last night," said Doctor Paget. With numerous interruptions

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Macbeth by William Shakespeare:

Macb. See they encounter thee with their harts thanks Both sides are euen: heere Ile sit i'th' mid'st, Be large in mirth, anon wee'l drinke a Measure The Table round. There's blood vpon thy face

Mur. 'Tis Banquo's then

Macb. 'Tis better thee without, then he within. Is he dispatch'd? Mur. My Lord his throat is cut, that I did for him

Mac. Thou art the best o'th' Cut-throats, Yet hee's good that did the like for Fleans: If thou did'st it, thou art the Non-pareill


Macbeth
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Land of Footprints by Stewart Edward White:

enclosing the head and face, shields of bright heraldry, long glittering spears. These were followed by a dozen of the quaintest solemn dolls of beebees dressed in all the white cowry shells, beads and brass the royal treasury afforded, very earnest, very much on inspection, every little head uplifted, singing away just as hard as ever they could. Each carried a gourd of milk, a bunch of bananas, some sugarcane, yams or the like. Straight to the fire marched the pageant. Then the warriors dividing right and left, drew up facing each other in two lines, struck their spears upright in the ground, and stood at attention. The quaint brown little women lined up to close the