| The first excerpt represents the past or something you must release, and is drawn from Story of an African Farm by Olive Schreiner: about her, and waited for his coming. One hand she put in his, and
together they walked on over the glittering sand and pink sea-shells; and
they heard the leaves talking, and they heard the waters babbling on their
way to the sea, and they heard the sea singing to itself, singing, singing.
At last they came to a place where was a long reach of pure white sand;
there she stood still, and dropped on to the sand one by one the shells
that she had gathered. Then she looked up into his face with her beautiful
eyes. She said nothing; but she lifted one hand and laid it softly on his
forehead; the other she laid on his heart.
With a cry of suppressed agony Waldo sprung from the bed, flung open the
upper half of the door, and leaned out, breathing heavily.
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from 1984 by George Orwell: circumstances, did it strike him as very important or interesting.
'Do you know what time of day it is?' he said.
Ampleforth looked startled again. 'I had hardly thought about it. They
arrested me--it could be two days ago--perhaps three.' His eyes flitted
round the walls, as though he half expected to find a window somewhere.
'There is no difference between night and day in this place. I do not see
how one can calculate the time.'
They talked desultorily for some minutes, then, without apparent reason,
a yell from the telescreen bade them be silent. Winston sat quietly, his
hands crossed. Ampleforth, too large to sit in comfort on the narrow
bench, fidgeted from side to side, clasping his lank hands first round one
 1984 |
The third excerpt represents the future or something you must embrace, and is drawn from Gone With the Wind by Margaret Mitchell: vital and electric. All that was Irish in her rose to the
challenge of his black eyes. She decided she was going to take
this man down a notch or two. His knowledge of her secret gave
him an advantage over her that was exasperating, so she would have
to change that by putting him at a disadvantage somehow. She
stifled her impulse to tell him exactly what she thought of him.
Sugar always caught more flies than vinegar, as Mammy often said,
and she was going to catch and subdue this fly, so he could never
again have her at his mercy.
"Thank you," she said sweetly, deliberately misunderstanding his
jibe. "A compliment like that coming from so famous a man as
 Gone With the Wind |