| The first excerpt represents the past or something you must release, and is drawn from The Case of the Registered Letter by Grace Isabel Colbron and Augusta Groner: in a business-like tone. "The local authorities in G- have not
asked for our assistance, and we are taking up the case over their
heads, as it were. I shall have to leave that to Muller's diplomacy.
He will come to G- and have an interview with your nephew. Then he
will have to use his own judgment as to the next steps, and as to
how far he may go in opposition to what has been done by the police
there."
"And then I may go back home?" asked Miss Graumann. "Go home with
the assurance that you will help my poor boy?"
"Yes, you may depend on us, Madam. Is there anything we can do for
you here? Are you alone in the city?"
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Passionate Pilgrim by William Shakespeare: He, spying her, bounced in, whereas he stood:
'O Jove,' quoth she, 'why was not I a flood!'
VII.
Fair is my love, but not so fair as fickle;
Mild as a dove, but neither true nor trusty;
Brighter than glass, and yet, as glass is brittle;
Softer than wax, and yet, as iron, rusty:
A lily pale, with damask dye to grace her,
None fairer, nor none falser to deface her.
Her lips to mine how often hath she joined,
Between each kiss her oaths of true love swearing!
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The third excerpt represents the future or something you must embrace, and is drawn from Twilight Land by Howard Pyle: street, he saw a fagot-maker--just such a fagot-maker as he
himself had one time been--driving an ass--just such an ass as he
had one time driven. The fagot-maker carried something under his
arm, and what should it be but the very casket in which the Genie
had once been imprisoned, and which he--the one-time fagot-maker--had seen the Genie kick over the
tree-tops.
The sight of the casket put a sudden thought into his mind. He
shouted to his attendants, and bade them haste and bring the
fagot-maker to him. Off they ran, and in a little while came
dragging the poor wretch, trembling and as white as death; for he
thought nothing less than that his end had certainly come. As
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