| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Marvelous Land of Oz by L. Frank Baum: surveyed the beloved, painted features.
But, alas! the face of the Scarecrow and many portions of his body bore
great blotches of putz-pomade; for the Tin Woodman, in his eagerness to
welcome his friend, had quite forgotten the condition of his toilet and had
rubbed the thick coating of paste from his own body to that of his comrade.
"Dear me!" said the Scarecrow dolefully. "What a mess I'm in!"
"Never mind, my friend," returned the Tin Woodman," I'll send you to my
Imperial Laundry, and you'll come out as good as new."
"Won't I be mangled?" asked the Scarecrow.
"No, indeed!" was the reply. "But tell me, how came your Majesty here? and
who are your companions?"
 The Marvelous Land of Oz |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Passion in the Desert by Honore de Balzac: The sky was lit with an Oriental splendor of insupportable purity,
leaving naught for the imagination to desire. Heaven and earth were on
fire.
The silence was awful in its wild and terrible majesty. Infinity,
immensity, closed in upon the soul from every side. Not a cloud in the
sky, not a breath in the air, not a flaw on the bosom of the sand,
ever moving in diminutive waves; the horizon ended as at sea on a
clear day, with one line of light, definite as the cut of a sword.
The Provencal threw his arms round the trunk of one of the palm trees,
as though it were the body of a friend, and then, in the shelter of
the thin, straight shadow that the palm cast upon the granite, he
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Heart of Darkness by Joseph Conrad: absolutely inscrutable. He was a common trader, from his youth
up employed in these parts--nothing more. He was obeyed,
yet he inspired neither love nor fear, nor even respect.
He inspired uneasiness. That was it! Uneasiness. Not a
definite mistrust--just uneasiness--nothing more. You have
no idea how effective such a . . . a. . . . faculty can be.
He had no genius for organizing, for initiative, or for order even.
That was evident in such things as the deplorable state
of the station. He had no learning, and no intelligence.
His position had come to him--why? Perhaps because he was never
ill . . . He had served three terms of three years out there . .
 Heart of Darkness |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Ivanhoe by Walter Scott: to the supposed outlaw, concluding naturally
that to gratify his avarice was to bespeak his favour.
``Take these,'' she said, ``good friend, and for
God's sake be merciful to me and my aged father!
These ornaments are of value, yet are they trifling
to what he would bestow to obtain our dismissal
from this castle, free and uninjured.''
``Fair flower of Palestine,'' replied the outlaw,
``these pearls are orient, but they yield in whiteness
to your teeth; the diamonds are brilliant, but
they cannot match your eyes; and ever since I have
 Ivanhoe |