| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Smalcald Articles by Dr. Martin Luther: superabundantly rich [and liberal] in His grace [and
goodness]. First, through the spoken Word by which the
forgiveness of sins is preached [He commands to be preached]
in the whole world; which is the peculiar office of the
Gospel. Secondly, through Baptism. Thirdly, through the holy
Sacrament of the Altar. Fourthly, through the power of the
keys, and also through the mutual conversation and consolation
of brethren, Matt. 18, 20: Where two or three are gathered
together, etc.
V. Of Baptism.
Baptism is nothing else than the Word of God in the water,
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Don Quixote by Miquel de Cervantes: Sancho's decision, "but the gentleman has spoken like a saint, and
given judgment like a canon! But I'll be bound the fat man won't
part with an ounce of his flesh, not to say eleven stone."
"The best plan will be for them not to run," said another, "so
that neither the thin man break down under the weight, nor the fat one
strip himself of his flesh; let half the wager be spent in wine, and
let's take these gentlemen to the tavern where there's the best, and
'over me be the cloak when it rains."
"I thank you, sirs," said Don Quixote; "but I cannot stop for an
instant, for sad thoughts and unhappy circumstances force me to seem
discourteous and to travel apace;" and spurring Rocinante he pushed
 Don Quixote |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Little Britain by Washington Irving: courts, of very venerable and debilitated houses, which goes
by the name of LITTLE BRITAIN. Christ Church School and
St. Bartholomew's Hospital bound it on the west; Smithfield and
Long Lane on the north; Aldersgate Street, like an arm of the
sea, divides it from the eastern part of the city; whilst the
yawning gulf of Bull-and-Mouth Street separates it from
Butcher Lane, and the regions of Newgate. Over this little
territory, thus bounded and designated, the great dome of St.
Paul's, swelling above the intervening houses of Paternoster
Row, Amen Corner, and Ave Maria Lane, looks down with an
air of motherly protection.
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Human Drift by Jack London: became afflicted with the same sort of fascination, and for a long
time afterward, whenever they saw me reach for the whip, they
closed their eyes and shielded their heads with their arms.
Here's the problem. Instead of pulling honestly, Prince is
lagging back and manoeuvring for a bite at Milda's neck. I have
four reins in my hands. I must put these four reins into my left
hand, properly gather the whip handle and the bight of the lash in
my right hand, and throw that lash past Maid without striking her
and into Prince. If the lash strikes Maid, her thoroughbredness
will go up in the air, and I'll have a case of horse hysteria on
my hands for the next half hour. But follow. The whole problem
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