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Today's Stichomancy for Saddam Hussein

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from 1492 by Mary Johntson:

Again like the Cuban chief this cacique waved his hand to the mountains. ``Cibao!'' and then turning he too pointed to the south. ``Much gold there,'' said Diego Colon. ``Inland, in the mountains,'' quoth the Admiral, ``and evidently, in very great quantity, in some land to the south! This is not Cipango, but I think that Cipango lies to the south.'' He asked who ruled Hayti that we called Hispaniola. We understood that there were a number of caciques, but that for a day's journey every way it was Guacanagari's country.

``A cacique who ruled them all?'' No, there was no such thing.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Flame and Shadow by Sara Teasdale:

Where the poplars grow --

Redbirds, redbirds, Are you singing still As you sang one May day On Saxton's Hill?

Sunset: St. Louis

Hushed in the smoky haze of summer sunset, When I came home again from far-off places, How many times I saw my western city Dream by her river.

Then for an hour the water wore a mantle

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Purse by Honore de Balzac:

asked the mother. "The stairs are dark."

"No, thank you, indeed, madame; I am much better."

"Hold tightly by the rail."

The two women remained on the landing to light the young man, listening to the sound of his steps.

In order to set forth clearly all the exciting and unexpected interest this scene might have for the young painter, it must be told that he had only a few days since established his studio in the attics of this house, situated in the darkest and, therefore, the most muddy part of the Rue de Suresnes, almost opposite the Church of the Madeleine, and quite close to his rooms in the Rue

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Ion by Plato:

as well as lyric, compose their beautiful poems not by art, but because they are inspired and possessed. And as the Corybantian revellers when they dance are not in their right mind, so the lyric poets are not in their right mind when they are composing their beautiful strains: but when falling under the power of music and metre they are inspired and possessed; like Bacchic maidens who draw milk and honey from the rivers when they are under the influence of Dionysus but not when they are in their right mind. And the soul of the lyric poet does the same, as they themselves say; for they tell us that they bring songs from honeyed fountains, culling them out of the gardens and dells of the Muses; they, like the bees, winging their way from flower to flower. And this is true. For the poet is a light and