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Today's Stichomancy for Saddam Hussein

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Through the Looking-Glass by Lewis Carroll:

voice as she could manage--and then she scrambled back into the arm-chair, taking the kitten and the worsted with her, and began winding up the ball again. But she didn't get on very fast, as she was talking all the time, sometimes to the kitten, and sometimes to herself. Kitty sat very demurely on her knee, pretending to watch the progress of the winding, and now and then putting out one paw and gently touching the ball, as if it would be glad to help, if it might.

`Do you know what to-morrow is, Kitty?' Alice began. `You'd have guessed if you'd been up in the window with me--only Dinah was making you tidy, so you couldn't. I was watching the boys


Through the Looking-Glass
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from End of the Tether by Joseph Conrad:

carried in a large sampan coming to fetch away in state the Rajah from down the coast cast a sudden ruddy glare into his cabin, over his very person. Mr. Massy did not move. After a few last ponderous turns the engines stopped, and the prolonged clanging of the gong signified that the captain had done with them. A great number of boats and canoes of all sizes boarded the off-side of the Sofala. Then after a time the tumult of splashing, of cries, of shuffling feet, of packages dropped with a thump, the noise of the native passen- gers going away, subsided slowly. On the shore, a


End of the Tether
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Great God Pan by Arthur Machen:

something to show you. You remember my saying that I had found a rather curious sketch amongst the pile of old newspapers at the house in Paul Street? Here it is."

Villiers drew out a small thin parcel from his pocket. It was covered with brown paper, and secured with string, and the knots were troublesome. In spite of himself Clarke felt inquisitive; he bent forward on his chair as Villiers painfully undid the string, and unfolded the outer covering. Inside was a second wrapping of tissue, and Villiers took it off and handed the small piece of paper to Clarke without a word.

There was dead silence in the room for five minutes or


The Great God Pan
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Lady Chatterley's Lover by D. H. Lawrence:

thought life was life and the scribbling fellows were something else. Towards Connie the Squire was always rather gallant; he thought her an attractive demure maiden and rather wasted on Clifford, and it was a thousand pities she stood no chance of bringing forth an heir to Wragby. He himself had no heir.

Connie wondered what he would say if he knew that Clifford's game-keeper had been having intercourse with her, and saying to her 'tha mun come to th' cottage one time.' He would detest and despise her, for he had come almost to hate the shoving forward of the working classes. A man of her own class he would not mind, for Connie was gifted from nature with this appearance of demure, submissive


Lady Chatterley's Lover