| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Enoch Arden, &c. by Alfred Tennyson: Strong of his hands, and strong on his legs, but still of
his tongue!
I ought to have gone before him: I wonder he went
so young.
I cannot cry for him, Annie: I have not long to
stay;
Perhaps I shall see him the sooner, for he lived far
away.
V.
Why do you look at me, Annie? you think I am hard
and cold;
|
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Dunwich Horror by H. P. Lovecraft: won't. Grandfather kept me saying the Dho formula last night,
and I think I saw the inner city at the 2 magnetic poles. I shall
go to those poles when the earth is cleared off, if I can't break
through with the Dho-Hna formula when I commit it. They from the
air told me at Sabbat that it will be years before I can clear
off the earth, and I guess grandfather will be dead then, so I
shall have to learn all the angles of the planes and all the formulas
between the Yr and the Nhhngr. They from outside will help, but
they cannot take body without human blood. That upstairs looks
it will have the right cast. I can see it a little when I make
the Voorish sign or blow the powder of Ibn Ghazi at it, and it
 The Dunwich Horror |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Complete Angler by Izaak Walton: make it the apter to turn quick in the water; that done, pull back that
part of your line which was slack when you did put your hook into the
minnow the second time; I say, pull that part of your line back, so that it
shall fasten the head, so that the body of the minnow shall be almost
straight on your hook: this done, try how it will turn, by drawing it
across the water or against a stream; and if it do not turn nimbly, then
turn the tail a little to the right or left hand, and try again, till it turn
quick; for if not, you are in danger to catch nothing: for know, that it is
impossible that it should turn too quick. And you are yet to know, that
in case you want a minnow, then a small loach, or a stickle-bag, or any
other small fish that will turn quick, will serve as well. And you are yet
|
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Ferragus by Honore de Balzac: which serves as a goal and on which the interest of the game must
centre. He leaned against a tree when the /cochonnet/ stopped; then,
with the same attention that a dog gives to his master's gestures, he
looked at the other bowls flying through the air, or rolling along the
ground. You might have taken him for the weird and watchful genii of
the /cochonnet/. He said nothing; and the bowl-players--the most
fanatic men that can be encountered among the sectarians of any faith
--had never asked the reason of his dogged silence; in fact, the most
observing of them thought him deaf and dumb.
When it happened that the distances between the bowls and the
/cochonnet/ had to be measured, the cane of this silent being was used
 Ferragus |