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Today's Stichomancy for Salma Hayek

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Eighteenth Brumaire of Louis Bonaparte by Karl Marx:

the ministry, the spook of which had been pursuing him since 1830; and what is more, he had the chairmanship in this ministry, although not, as he had imagined under Louis Philippe, the promoted leader of the parliamentary opposition, but with the commission to kill a parliament, and, moreover, as an ally of all his arch enemies, the Jesuits and the Legitimists. Finally he leads the bride home, but only after she has been prostituted. As to Bonaparte, he seemed to eclipse himself completely. The party of Order acted for him.

Immediately at the first session of the ministry the expedition to Rome was decided upon, which it was there agreed, was to be carried out behind I the back of the National Assembly, and the funds for which, it

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Little Rivers by Henry van Dyke:

for prayers, and the Mistress kneeled among her servants, leading them, in her soft Scottish accent, through the old familiar petitions for pardon for the errors of the day, and refreshing sleep through the night and strength for the morrow. It is good to be in a land where the people are not ashamed to pray. I have shared the blessing of Catholics at their table in lowly huts among the mountains of the Tyrol, and knelt with Covenanters at their household altar in the glens of Scotland; and all around the world, where the spirit of prayer is, there is peace. The genius of the Scotch has made many contributions to literature, but none I think, more precious, and none that comes closer to the heart, than the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Altar of the Dead by Henry James:

concert.

This happy advantage now served him anew, enabling him when she finally met his eyes - it was after a fourth trial - to predetermine quite fixedly his awaiting her retreat. He joined her in the street as soon as she had moved, asking her if he might accompany her a certain distance. With her placid permission he went as far as a house in the neighbourhood at which she had business: she let him know it was not where she lived. She lived, as she said, in a mere slum, with an old aunt, a person in connexion with whom she spoke of the engrossment of humdrum duties and regular occupations. She wasn't, the mourning niece, in her

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Moby Dick by Herman Melville:

gentlemen, which had made Steelkilt Charlemagne, had he been born son to Charlemagne's father. But Radney, the mate, was ugly as a mule; yet as hardy, as stubborn, as malicious. He did not love Steelkilt, and Steelkilt knew it.

"Espying the mate drawing near as he was toiling at the pump with the rest, the Lakeman affected not to notice him, but unawed, went on with his gay banterings.

"'Aye, aye, my merry lads, it's a lively leak this; hold a cannikin, one of ye, and let's have a taste. By the Lord, it's worth bottling! I tell ye what, men, old Rad's investment must go for it! he had best cut away his part of the hull and tow it home. The fact is,


Moby Dick