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Today's Stichomancy for Samuel L. Jackson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Scaramouche by Rafael Sabatini:

fearing the worst, he would hope for the best.

And it was very much the worst that he feared as he waited in the wings when the curtain rose on that first performance of theirs at the Theatre Feydau to a house that was tolerably filled by a public whose curiosity the preliminary announcements had thoroughly stimulated.

Although the scenario of "Lee Fourberies de Scaramouche" has not apparently survived, yet we know from Andre-Louis' "Confessions" that it is opened by Polichinelle in the character of an arrogant and fiercely jealous lover shown in the act of beguiling the waiting-maid, Columbine, to play the spy upon her mistress, Climene.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Street of Seven Stars by Mary Roberts Rinehart:

hangs by a very slender thread sometimes. If a wagon had not lumbered by as she reached the lowest step, so that she must wait and thus had time to lower her veil, she would have been recognized at once by the little Georgiev, waiting to ascend. But the wagon was there, Harmony lowered her veil, the little Georgiev, passing a veiled young woman in the gloom, went up the staircase with even pulses and calm and judicial bearing, up to the tiny room a floor or two below Harmony's, where he wrote reports to the Minister of War and mixed them with sonnets--to Harmony.

Harmony went back to the Siebensternstrasse, having accomplished

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Letters of Robert Louis Stevenson by Robert Louis Stevenson:

REMEMBER WHAT THEY WERE, YOU KNOW WHAT THEY MIGHT HAVE BEEN, and they seem to you witty beyond comparison. In my GRANDFATHER I've had (for instance) to give up the temporal order almost entirely; doubtless the temporal order is the great foe of the biographer; it is so tempting, so easy, and lo! there you are in the bog! - Ever yours,

R. L. STEVENSON.

With all kind messages from self and wife to you and yours. My wife is very much better, having been the early part of this year alarmingly ill. She is now all right, only complaining of trifles, annoying to her, but happily not interesting to her friends. I am

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Night and Day by Virginia Woolf:

peacefully now, and she could fancy the rough pathway of silver upon the wrinkled skin of the sea.

"And here we are," she said, half aloud, half satirically, yet with evident pride, "talking about art."

She pulled a basket containing balls of differently colored wools and a pair of stockings which needed darning towards her, and began to set her fingers to work; while her mind, reflecting the lassitude of her body, went on perversely, conjuring up visions of solitude and quiet, and she pictured herself laying aside her knitting and walking out on to the down, and hearing nothing but the sheep cropping the grass close to the roots, while the shadows of the little trees moved very