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Today's Stichomancy for Sarah Michelle Gellar

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Great Gatsby by F. Scott Fitzgerald:

five years' taxes on all the neighboring cottages if the owners would have their roofs thatched with straw. Perhaps their refusal took the heart out of his plan to Found a Family--he went into an immediate decline. His children sold his house with the black wreath still on the door. Americans, while occasionally willing to be serfs, have always been obstinate about being peasantry.

After half an hour, the sun shone again, and the grocer's automobile rounded Gatsby's drive with the raw material for his servants' dinner--I felt sure he wouldn't eat a spoonful. A maid began opening the upper windows of his house, appeared momentarily in each, and, leaning from a large central bay, spat meditatively into the garden. It was time I


The Great Gatsby
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Ball at Sceaux by Honore de Balzac:

of the good times of my youth, when adventures were not lacking, any more than duels. We were gay dogs then! Nowadays you think and worry over everything, as though there had never been a fifteenth and a sixteenth century."

"But, monsieur, are we not in the right? The sixteenth century only gave religious liberty to Europe, and the nineteenth will give it political lib----"

"Oh, we will not talk politics. I am a perfect old woman--ultra you see. But I do not hinder young men from being revolutionary, so long as they leave the King at liberty to disperse their assemblies."

When they had gone a little way, and the Count and his companion were

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Daughter of Eve by Honore de Balzac:

No one could ever understand how it happened that Florine, handsome as she was, had remained in obscurity for seven years; but the fact is, Florine was enrolled as a supernumerary at thirteen years of age, and made her debut two years later at an obscure boulevard theatre. At fifteen, neither beauty nor talent exist; a woman is simply all promise.

She was now twenty-eight,--the age at which the beauties of a French woman are in their glory. Painters particularly admired the lustre of her white shoulders, tinted with olive tones about the nape of the neck, and wonderfully firm and polished, so that the light shimmered over them as it does on watered silk. When she turned her head, superb

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Golden Threshold by Sarojini Naidu:

You cry, "I SIT BEHIND THE VEIL, I CANNOT SHOW MY FACE."

Shall any foolish veil divide my longing from my bliss? Shall any fragile curtain hide your beauty from my kiss?

What war is this of THEE and ME? Give o'er the wanton strife, You are the heart within my heart, the life within my life.

AUTUMN SONG

Like a joy on the heart of a sorrow, The sunset hangs on a cloud; A golden storm of glittering sheaves, Of fair and frail and fluttering leaves, The wild wind blows in a cloud.