Today's Stichomancy for Sarah Michelle Gellar

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Ancient Regime by Charles Kingsley:

two of the earliest professors of picturesque art, have never been since surpassed. For indeed, they drew from life. The rags and the ruins, material, and alas! spiritual, were all around them; the lands and the creeds alike lay waste. There was ruffianism and misery among the masses of Europe; unbelief and artificiality among the upper classes; churches and monasteries defiled, cities sacked, farmsteads plundered and ruinate, and all the wretchedness which Callot has immortalised--for a warning to evil rulers--in his Miseres de la Guerre. The world was all gone wrong: but as for setting it right again--who could do that? And so men fell into a sentimental regret for the past, and its beauties, all exaggerated

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from An Ideal Husband by Oscar Wilde:

you.' So she has found out everything! Poor woman! Poor woman! [ Pulls out watch and looks at it.] But what an hour to call! Ten o'clock! I shall have to give up going to the Berkshires. However, it is always nice to be expected, and not to arrive. I am not expected at the Bachelors', so I shall certainly go there. Well, I will make her stand by her husband. That is the only thing for her to do. That is the only thing for any woman to do. It is the growth of the moral sense in women that makes marriage such a hopeless, one- sided institution. Ten o'clock. She should be here soon. I must tell Phipps I am not in to any one else. [Goes towards bell]

[Enter PHIPPS.]

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Cratylus by Plato:

been lost in the lapse of ages; names have been so twisted in all manner of ways, that I should not be surprised if the old language when compared with that now in use would appear to us to be a barbarous tongue.

HERMOGENES: Very likely.

SOCRATES: Yes, very likely. But still the enquiry demands our earnest attention and we must not flinch. For we should remember, that if a person go on analysing names into words, and enquiring also into the elements out of which the words are formed, and keeps on always repeating this process, he who has to answer him must at last give up the enquiry in despair.

HERMOGENES: Very true.

SOCRATES: And at what point ought he to lose heart and give up the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Sophist by Plato:

they are most slippery things. Nevertheless, let us assume that the Sophists are the men. I say this provisionally, for I think that the line which divides them will be marked enough if proper care is taken.

THEAETETUS: Likely enough.

STRANGER: Let us grant, then, that from the discerning art comes purification, and from purification let there be separated off a part which is concerned with the soul; of this mental purification instruction is a portion, and of instruction education, and of education, that refutation of vain conceit which has been discovered in the present argument; and let this be called by you and me the nobly-descended art of Sophistry.

THEAETETUS: Very well; and yet, considering the number of forms in which