Today's Stichomancy for Sarah Michelle Gellar

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Whirligigs by O. Henry:

the manager made anxious inquiry. Not a trace of the lady had been discovered. The Alcazar could do no more. The personal belongings of the missing lady were stored in the hotel against her possible later reappearance and the opera company continued upon its homeward voyage to New Orleans.

On the camino real along the beach the two saddle mules and the four pack mules of Don Señor Johnny Armstrong stood, patiently awaiting the crack of the whip of the arriero, Luis. That would be the signal for the start on another long journey into the mountains. The

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Russia in 1919 by Arthur Ransome:

Old Professor Pokrovsky came in, blinking through his spectacles, bent a little, in a very old coat, with a small black fur hat, his hands clasped together, just as, so I have been told, he walked unhappily to and fro in the fortress at Brest during the second period of the negotiations. I did not think he would recognize me, but he came up at once, and reminded me of the packing of the archives at the time when it seemed likely that the Germans would take Petrograd. He told me of a mass of material they are publishing about the origin of the war. He said that England came out of it best of anybody, but that France and Russia showed in a very

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Intentions by Oscar Wilde:

journalism may be said to owe almost as much to him as to any man of the early part of this century. He was the pioneer of Asiatic prose, and delighted in pictorial epithets and pompous exaggerations. To have a style so gorgeous that it conceals the subject is one of the highest achievements of an important and much admired school of Fleet Street leader-writers, and this school JANUS WEATHERCOCK may be said to have invented. He also saw that it was quite easy by continued reiteration to make the public interested in his own personality, and in his purely journalistic articles this extraordinary young man tells the world what he had for dinner, where he gets his clothes, what wines he likes, and in

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Second Home by Honore de Balzac:

was an offence, her soulless beauty was monstrous to those who knew her; the mildness of her speech was an irritation: she acted, not on feeling, but on duty.

There are faults which may yield in a wife to the stern lessons of experience, or to a husband's warnings; but nothing can counteract false ideas of religion. An eternity of happiness to be won, set in the scale against worldly enjoyment, triumphs over everything and makes every pang endurable. Is it not the apotheosis of egotism, of Self beyond the grave? Thus even the Pope was censured at the tribunal of the priest and the young devotee. To be always in the right is a feeling which absorbs every other in these tyrannous souls.