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Today's Stichomancy for Sarah Michelle Gellar

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Garden Party by Katherine Mansfield:

there wasn't any of her to escape? He wanted to blot out everybody, everything. He wished now he'd turned off the light. That might have brought her nearer. And now those letters from the children rustled in her blouse. He could have chucked them into the fire.

"Janey," he whispered.

"Yes, dear?" She lay on his breast, but so lightly, so remotely. Their breathing rose and fell together.

"Janey!"

"What is it?"

"Turn to me," he whispered. A slow, deep flush flowed into his forehead. "Kiss me, Janey! You kiss me!"

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Give Me Liberty Or Give Me Death by Patrick Henry:

the storm which is now coming on. We have petitioned; we have remonstrated; we have supplicated; we have prostrated ourselves before the throne, and have implored its interposition to arrest the tyrannical hands of the ministry and Parliament. Our petitions have been slighted; our remonstrances have produced additional violence and insult; our supplications have been disregarded; and we have been spurned, with contempt, from the foot of the throne! In vain, after these things, may we indulge the fond hope of peace and reconciliation. There is no longer any room for hope. If we wish to be free-- if we mean to preserve inviolate those inestimable privileges for which we have been so long contending--if we mean not basely to abandon the noble struggle in which we have been so long engaged, and which we have pledged

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Walden by Henry David Thoreau:

substantials. They can do without architecture who have no olives nor wines in the cellar. What if an equal ado were made about the ornaments of style in literature, and the architects of our bibles spent as much time about their cornices as the architects of our churches do? So are made the belles-lettres and the beaux-arts and their professors. Much it concerns a man, forsooth, how a few sticks are slanted over him or under him, and what colors are daubed upon his box. It would signify somewhat, if, in any earnest sense, he slanted them and daubed it; but the spirit having departed out of the tenant, it is of a piece with constructing his own coffin -- the architecture of the grave -- and "carpenter" is but another name for


Walden
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Mayor of Casterbridge by Thomas Hardy:

thinking of him; succeeding fairly well in the former attempt, in the latter not so completely.

Henchard, who had been hurt at finding that Farfrae did not mean to put up with his temper any longer, was incensed beyond measure when he learnt what the young man had done as an alternative. It was in the town-hall, after a council meeting, that he first became aware of Farfrae's coup for establishing himself independently in the town; and his voice might have been heard as far as the town-pump expressing his feelings to his fellow councilmen. These tones showed that, though under a long reign of self-control


The Mayor of Casterbridge