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Today's Stichomancy for Sarah Michelle Gellar

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Men of Iron by Howard Pyle:

matter, say so and ha' done with it, and I will bethink me of somewhere else to turn."

Then Gascoyne yielded at once, as he always did when his friend lost his temper, and having once assented to it, entered into the scheme heart and soul. Three other lads--one of them that tall thin squire Edmund Wilkes, before spoken of-- were sounded upon the subject. They also entered into the plan of the secret organization with an enthusiasm which might perhaps not have been quite so glowing had they realized how very soon Myles designed embarking upon active practical operations. One day Myles and Gascoyne showed them the strange things that they had discovered


Men of Iron
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Complete Angler by Izaak Walton:

And let me tell you, that I have known a Heron, that did constantly frequent one place, caught with a hook baited with a big minnow or a small gudgeon. The line and hook must be strong: and tied to some loose staff, so big as she cannot fly away with it: a line not exceeding two yards.

The fourth day-continued

Is of nothing, or of nothing worth

Chapter XVI

Piscator, Venator, Peter, Coridon

Piscator. My purpose was to give you some directions concerning ROACH and DACE, and some other inferior fish which make the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Tapestried Chamber by Walter Scott:

a moment the idea that what I saw was anything more than the mortal form of some old woman about the establishment, who had a fancy to dress like her grandmother, and who, having perhaps (as your lordship mentioned that you were rather straitened for room) been dislodged from her chamber for my accommodation, had forgotten the circumstance, and returned by twelve to her old haunt. Under this persuasion I moved myself in bed and coughed a little, to make the intruder sensible of my being in possession of the premises. She turned slowly round, but, gracious Heaven! my lord, what a countenance did she display to me! There was no longer any question what she was, or any thought of her being a

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Dunwich Horror by H. P. Lovecraft:

uniform aspect of age, squalor, and dilapidation. Without knowing why, one hesitates to ask directions from the gnarled solitary figures spied now and then on crumbling doorsteps or on the sloping, rock-strewn meadows. Those figures are so silent and furtive that one feels somehow confronted by forbidden things, with which it would be better to have nothing to do. When a rise in the road brings the mountains in view above the deep woods, the feeling of strange uneasiness is increased. The summits are too rounded and symmetrical to give a sense of comfort and naturalness, and sometimes the sky silhouettes with especial clearness the queer


The Dunwich Horror