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Today's Stichomancy for Sarah Michelle Gellar

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Blix by Frank Norris:

minutes after seven. "I know the red-headed man spoiled it, after all," murmured Blix. "K. D. B. saw the two of them in here and was frightened." "We could send Captain Jack a telegram from her," suggested Condy. "I'm ready for anything now." "What could you say?" "Oh, that she couldn't come. Make another appointment."

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Chinese Boy and Girl by Isaac Taylor Headland:

packages. "What are in those?" "These are clay insects." They were among the best clay work we have seen in China. There were tumble-bugs, grasshoppers, large beetles, mantis, praying mantis, toads and scorpions, together with others never seen outside of China, and some never seen at all, the legs and feelers all being made of wire.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Case of the Golden Bullet by Grace Isabel Colbron and Augusta Groner:

I banged at the door and called out, but there wasn't a sound. Then I ran to the police station."

Horn was evidently as alarmed as was the young valet. But Muller's cheeks were flushed and a flash of secret joy, of pleasurable expectation, brightened his deep-set, grey eyes. He sat quite motionless, but every nerve in his body was alive and tingling. The humble-looking little man had become quite another and a decidedly interesting person. He laid his thin, nervous hand on the carriage door.

"We are not there yet," said the commissioner.

"No, but it's the third house from here," replied Muller.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Statesman by Plato:

painting or work of art: to the duller sort by works of art.

YOUNG SOCRATES: Very true; but what is the imperfection which still remains? I wish that you would tell me.

STRANGER: The higher ideas, my dear friend, can hardly be set forth except through the medium of examples; every man seems to know all things in a dreamy sort of way, and then again to wake up and to know nothing.

YOUNG SOCRATES: What do you mean?

STRANGER: I fear that I have been unfortunate in raising a question about our experience of knowledge.


STRANGER: Why, because my 'example' requires the assistance of another