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Today's Stichomancy for Sarah Silverman

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Kwaidan by Lafcadio Hearn:

As she uttered these last words, she fell unconscious.

Nagao married her; and the marriage was a happy one. But at no time afterwards could she remember what she had told him in answer to his question at Ikao: neither could she remember anything of her previous existence. The recollection of the former birth,-- mysteriously kindled in the moment of that meeting,-- had again become obscured, and so thereafter remained.

UBAZAKURA

Three hundred years ago, in the village called Asamimura, in the district called Onsengori, in the province of Iyo, there lived a good man named Tokubei. This Tokubei was the richest person in the district, and the


Kwaidan
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Flower Fables by Louisa May Alcott:

"The Fire-Spirits' home is far, far away, and I cannot guide you there; but Summer is coming behind me," said Spring, "and she may know better than I. But I will give you a breeze to help you on your way; it will never tire nor fail, but bear you easily over land and sea. Farewell, little Spirit! I would gladly do more, but voices are calling me far and wide, and I cannot stay."

"Many thanks, kind Spring!" cried Ripple, as she floated away on the breeze; "give a kindly word to the mother who waits on the shore, and tell her I have not forgotten my vow, but hope soon to see her again."

Then Spring flew on with her sunshine and flowers, and Ripple went swiftly over hill and vale, till she came to the land where Summer


Flower Fables
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Lesser Bourgeoisie by Honore de Balzac:

The house was humid with saltpetre; the walls, sweating moisture, were enamelled all over with large slabs of mould. Standing at the corner of the rue des Postes and rue des Poules, it presented first a ground- floor, occupied partly by a shop for the sale of the commonest kind of wine, painted a coarse bright red, decorated with curtains of red calico, furnished with a leaden counter, and guarded by formidable iron bars. Above the gate of an odious alley hung a frightful lantern, on which were the words "Night lodgings here." The outer walls were covered with iron crossbars, showing, apparently, the insecurity of the building, which was owned by the wine-merchant, who also inhabited the entresol. The widow Poiret (nee Michonneau) kept furnished

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Songs of Travel by Robert Louis Stevenson:

Keep up a ceaseless noise of play, Play in the sun, play in the rain, Nor ever quarrel or complain; - And late at night, in the woods of fruit, Hark! do you hear the passing flute?

I threw one look to either hand, And knew I was in Fairyland. And yet one point of being so I lacked. For, Lady (as you know), Whoever by his might of hand, Won entrance into Fairyland,