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Today's Stichomancy for Scarlett Johansson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Two Brothers by Honore de Balzac:

least sound, and gave way to every sort of conjecture. While the family were thus grieving, Philippe was quietly getting matters in order at his office. He had the audacity to give in his accounts with a statement that, fearing some accident, he had retained eleven hundred francs at his own house for safe keeping. The scoundrel left the office at five o'clock, taking five hundred francs more from the desk, and coolly went to a gambling-house, which he had not entered since his connection with the paper, for he knew very well that a cashier must not be seen to frequent such a place. The fellow was not wanting in acumen. His past conduct proved that he derived more from his grandfather Rouget than from his virtuous sire, Bridau. Perhaps he

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Footnote to History by Robert Louis Stevenson:

to and fro of pleasure and business. He will have encountered many varieties of whites, - sailors, merchants, clerks, priests, Protestant missionaries in their pith helmets, and the nondescript hangers-on of any island beach. And the sailors are sometimes in considerable force; but not the residents. He will think at times there are more signboards than men to own them. It may chance it is a full day in the harbour; he will then have seen all manner of ships, from men-of-war and deep-sea packets to the labour vessels of the German firm and the cockboat island schooner; and if he be of an arithmetical turn, he may calculate that there are more whites afloat in Apia bay than whites ashore in the whole

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Twelve Stories and a Dream by H. G. Wells:

deliberate assurance.

Right and left of the horsemen the pioneers of this strange army passed. At one that rolled along the ground, breaking shapelessly and trailing out reluctantly into long grappling ribbons and bands, all three horses began to shy and dance. The master was seized with a sudden unreasonable impatience. He cursed the drifting globes roundly. "Get on!" he cried; "get on! What do these things matter? How CAN they matter? Back to the trail!" He fell swearing at his horse and sawed the bit across its mouth.

He shouted aloud with rage. "I will follow that trail, I tell you!" he cried. "Where is the trail?"

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Mirror of the Sea by Joseph Conrad:

chair with some sewing, from which she snatched side-glances in his direction, and uttering not a single word during all the time of my call. Even when, in due course, I carried over to her a cup of tea, she only nodded at me silently, with the faintest ghost of a smile on her tight-set lips. I imagine she must have been a maiden sister of Mrs. B- come to help nurse her brother-in-law. His youngest boy, a late-comer, a great cricketer it seemed, twelve years old or thereabouts, chattered enthusiastically of the exploits of W. G. Grace. And I remember his eldest son, too, a newly-fledged doctor, who took me out to smoke in the garden, and, shaking his head with professional gravity, but with genuine


The Mirror of the Sea