| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Chita: A Memory of Last Island by Lafcadio Hearn: Saw the deep kindle countless ghostly candles as for mysterious
night-festival,--and a luminous billowing under a black sky, and
effervescences of fire, and the twirling and crawling of
phosphoric foam;--
Saw the mesmerism of the Moon;--saw the enchanted tides
self-heaped in muttering obeisance before her.
Often she heard the Music of the Marsh through the night: an
infinity of flutings and tinklings made by tiny amphibia,--like
the low blowing of numberless little tin horns, the clanking of
billions of little bells;--and, at intervals, profound tones,
vibrant and heavy, as of a bass viol--the orchestra of the great
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Eugenie Grandet by Honore de Balzac: The death of this man offered no contrast to his life. In the morning
he made them roll him to a spot between the chimney of his chamber and
the door of the secret room, which was filled, no doubt, with gold. He
asked for an explanation of every noise he heard, even the slightest;
to the great astonishment of the notary, he even heard the watch-dog
yawning in the court-yard. He woke up from his apparent stupor at the
day and hour when the rents were due, or when accounts had to be
settled with his vine-dressers, and receipts given. At such times he
worked his chair forward on its castors until he faced the door of the
inner room. He made his daughter open it, and watched while she placed
the bags of money one upon another in his secret receptacles and
 Eugenie Grandet |