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Today's Stichomancy for Sean Astin

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Door in the Wall, et. al. by H. G. Wells:

about their nightly business, and save for a howling dog here and there, the beast world left the star unheeded.

And yet, when at last the watchers in the European States saw the star rise, an hour later it is true, but no larger than it had been the night before, there were still plenty awake to laugh at the master mathematician--to take the danger as if it had passed.

But hereafter the laughter ceased. The star grew--it grew with a terrible steadiness hour after hour, a little larger each hour, a little nearer the midnight zenith, and brighter and brighter, until it had turned night into a second day. Had it come straight to the earth instead of in a curved path, had it lost no

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Life of the Spider by J. Henri Fabre:

Surprised by this foul play, the Tarantula has no time to release her hold; gripping the spikelet, she is thrown some inches away from the burrow. Her capture now becomes an easy matter. Outside her own house, the Lycosa is timid, as though scared, and hardly capable of running away. To push her with a straw into a paper bag is the affair of a second.

It requires some patience to bring the Tarantula who has bitten into the insidious spikelet to the entrance of the burrow. The following method is quicker: I procure a supply of live Bumble- bees. I put one into a little bottle with a mouth just wide enough to cover the opening of the burrow; and I turn the apparatus thus


The Life of the Spider
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Barnaby Rudge by Charles Dickens:

head before mentioned--for he wore an old tie-wig as bare and frowzy as a stunted hearth-broom--had by this time joined them; and stood a little apart, rubbing his hands, wagging his hoary bristled chin, and smiling in silence. His eyes were closed; but had they been wide open, it would have been easy to tell, from the attentive expression of the face he turned towards them--pale and unwholesome as might be expected in one of his underground existence--and from a certain anxious raising and quivering of the lids, that he was blind.

'Even Stagg hath been asleep,' said the long comrade, nodding towards this person.


Barnaby Rudge
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Symposium by Xenophon:

sparring,[40] an art of which I have a very pretty knowledge.

[40] "Sparring," etc., an art which Quintil. "Inst. Or." i. 11, 17, attributes to Socrates. Cf. Herod. vi. 129 concerning Hippocleides; and Rich, "Dict. of Antiq." s.v. "Chironomia."

That's true, upon my life! (exclaimed the jester). One needs but look at you to see there's not a dram of difference between legs and shoulders.[41] I'll be bound, if both were weighed in the scales apart, like "tops and bottoms," the clerks of the market[42] would let you off scot-free.

[41] Lit. "your legs are equal in weight with your shoulders." Cf. "Od." xviii. 373, {elikes . . . isophoroi boes}, "of equal age and


The Symposium