Today's Stichomancy for Sean Astin

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Young Forester by Zane Grey:

saying he reckoned we would be more comfortable that way. Indeed we were. My wrists were swollen and blistered. Stockton detailed the Mexican to keep guard over us.

"Ken, I've heard of this place," said Dick. "How's that for a spring? Twenty yards wide, and no telling how deep! This is snow-water straight from the peaks. We're not a thousand feet below the snow-line."

"I can tell that. Look at those Jwari pines," I replied, pointing up over the wall. A rugged slope rose above our camp-site, and it was covered with a tangled mass of stunted pines. Many of them were twisted and misshapen; some were half dead and bleached white at the tops. "It's my first sight of such trees," I went on, "but I've studied about them. Up here it's not lack

The Young Forester

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Professor by Charlotte Bronte:

nuisance; I am not of an impatient nature, and influenced by the double desire of getting my living and justifying to myself and others the resolution I had taken to become a tradesman, I should have endured in silence the rust and cramp of my best faculties; I should not have whispered, even inwardly, that I longed for liberty; I should have pent in every sigh by which my heart might have ventured to intimate its distress under the closeness, smoke, monotony and joyless tumult of Bigben Close, and its panting desire for freer and fresher scenes; I should have set up the image of Duty, the fetish of Perseverance, in my small bedroom at Mrs. King's lodgings, and they two should have been my

The Professor

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Lysis by Plato:

Menexenus is very pugnacious, and therefore you must come to the rescue if he attempts to upset me.

Yes, indeed, he said; he is very pugnacious, and that is the reason why I want you to argue with him.

That I may make a fool of myself?

No, indeed, he said; but I want you to put him down.

That is no easy matter, I replied; for he is a terrible fellow--a pupil of Ctesippus. And there is Ctesippus himself: do you see him?

Never mind, Socrates, you shall argue with him.

Well, I suppose that I must, I replied.

Hereupon Ctesippus complained that we were talking in secret, and keeping

Lysis

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from 'Twixt Land & Sea by Joseph Conrad:

that she seemed thoroughly awake now, her eyes gave me no clue whatever. To meet her black stare was like looking into a deep well, and I was totally unprepared for her change of tactics. Instead of trying to tear my hands apart, she flung herself upon my breast and with a downward, undulating, serpentine motion, a quick sliding dive, she got away from me smoothly. It was all very swift; I saw her pick up the tail of her wrapper and run for the door at the end of the verandah not very gracefully. She appeared to be limping a little - and then she vanished; the door swung behind her so noiselessly that I could not believe it was completely closed. I had a distinct suspicion of her black eye

'Twixt Land & Sea