|The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Othello by William Shakespeare:
Enter Brabantio, Othello, Cassio, Iago, Rodorigo, and Officers.
Duke. Valiant Othello, we must straight employ you,
Against the generall Enemy Ottoman.
I did not see you: welcome gentle Signior,
We lack't your Counsaile, and your helpe to night
Bra. So did I yours: Good your Grace pardon me.
Neither my place, nor ought I heard of businesse
Hath rais'd me from my bed; nor doth the generall care
Take hold on me. For my perticular griefe
Is of so flood-gate, and ore-bearing Nature,
That it engluts, and swallowes other sorrowes,
|The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Myths and Myth-Makers by John Fiske:
represented as night-demons. They steal Indra's golden cattle
and drive them by circuitous paths to a dark hiding-place near
the eastern horizon. Indra sends the dawn-nymph, Sarama, to
search for them, but as she comes within sight of the dark
stable, the Panis try to coax her to stay with them: "Let us
make thee our sister, do not go away again; we will give thee
part of the cows, O darling." According to the text of
this hymn, she scorns their solicitations, but elsewhere the
fickle dawn-nymph is said to coquet with the powers of
darkness. She does not care for their cows, but will take a
drink of milk, if they will be so good as to get it for her.
Myths and Myth-Makers
|The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Silverado Squatters by Robert Louis Stevenson:
afternoon declined. But still there was no word of Hanson.
I set to with pick and shovel, and deepened the pool behind
the shaft, till we were sure of sufficient water for the
morning; and by the time I had finished, the sun had begun to
go down behind the mountain shoulder, the platform was
plunged in quiet shadow, and a chill descended from the sky.
Night began early in our cleft. Before us, over the margin
of the dump, we could see the sun still striking aslant into
the wooded nick below, and on the battlemented, pine-
bescattered ridges on the farther side.
There was no stove, of course, and no hearth in our lodging,
|The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Night and Day by Virginia Woolf:
supercilious hostess, if he could not impress her; though he would
have preferred to impress her.
He sat silent, holding the precious little book of poems unopened in
his hands, and Katharine watched him, the melancholy or contemplative
expression deepening in her eyes as her annoyance faded. She appeared
to be considering many things. She had forgotten her duties.
"Well," said Denham again, suddenly opening the little book of poems,
as though he had said all that he meant to say or could, with
propriety, say. He turned over the pages with great decision, as if he
were judging the book in its entirety, the printing and paper and
binding, as well as the poetry, and then, having satisfied himself of