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Today's Stichomancy for Sean Connery

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Z. Marcas by Honore de Balzac:

so that he does not know whether I am rich or poor. He only knows that I dress well and look decent in the clothes he makes for me. I shall tell him that an uncle of mine has dropped in from the country, and that his indifference in matters of dress is quite a discredit to me in the upper circles where I am trying to find a wife.--It will not be Humann if he sends in his bill before three months."

The Doctor thought this a capital idea for a vaudeville, but poor enough in real life, and doubted my success. But I give you my word of honor, Humann dressed Marcas, and, being an artist, turned him out as a political personage ought to be dressed.

Juste lent Marcas two hundred francs in gold, the product of two

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Communist Manifesto by Karl Marx:

adopt the bourgeois mode of production; it compels them to introduce what it calls civilisation into their midst, i.e., to become bourgeois themselves. In one word, it creates a world after its own image.

The bourgeoisie has subjected the country to the rule of the towns. It has created enormous cities, has greatly increased the urban population as compared with the rural, and has thus rescued a considerable part of the population from the idiocy of rural life. Just as it has made the country dependent on the towns, so it has made barbarian and semi-barbarian countries dependent on the civilised ones, nations of peasants on nations of bourgeois,


The Communist Manifesto
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Treatise on Parents and Children by George Bernard Shaw:

the first result would have been a rapid movement on my part in the direction of the door, and my disappearance there-through.

It may be worth inquiring where I should have gone to. I should say that practically every time I should have gone to a much more educational place. I should have gone into the country, or into the sea, or into the National Gallery, or to hear a band if there was one, or to any library where there were no schoolbooks. I should have read very dry and difficult books: for example, though nothing would have induced me to read the budget of stupid party lies that served as a text-book of history in school, I remember reading Robertson's Charles V. and his history of Scotland from end to end most laboriously.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Mosses From An Old Manse by Nathaniel Hawthorne:

He was about to withdraw when his eyes chanced to fall upon a half-developed figure which lay in a corner of the workshop, surrounded by scattered chips of oak. It arrested him at once.

"What is here? Who has done this?" he broke out, after contemplating it in speechless astonishment for an instant. "Here is the divine, the lifegiving touch. What inspired hand is beckoning this wood to arise and live? Whose work is this?"

"No man's work," replied Drowne. "The figure lies within that block of oak, and it is my business to find it."

"Drowne," said the true artist, grasping the carver fervently by the hand, "you are a man of genius!"


Mosses From An Old Manse