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Today's Stichomancy for Sean Connery

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Divine Comedy (translated by H.F. Cary) by Dante Alighieri:

Their circles in the horologe, so work The stated rounds, that to th' observant eye The first seems still, and, as it flew, the last; E'en thus their carols weaving variously, They by the measure pac'd, or swift, or slow, Made me to rate the riches of their joy. From that, which I did note in beauty most Excelling, saw I issue forth a flame So bright, as none was left more goodly there. Round Beatrice thrice it wheel'd about, With so divine a song, that fancy's ear

The Divine Comedy (translated by H.F. Cary)
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Merry Adventures of Robin Hood by Howard Pyle:

I lay my life upon it I am the better man of the two. He an outlaw, forsooth! Why, I hear that he hath never let blood in all his life, saving when he first came to the forest. Some call him a great archer; marry, I would not be afraid to stand against him all the days of the year with a bow in my hand."

"Why, truly, some folk do call him a great archer," said Robin Hood, "but we of Nottinghamshire are famous hands with the longbow. Even I, though but a simple hand at the craft, would not fear to try a bout with thee."

At these words Guy of Gisbourne looked upon Robin with wondering eyes, and then gave another roar of laughter till the woods rang.

The Merry Adventures of Robin Hood
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Parmenides by Plato:

yourself perfectly to the intelligence of the truth.' 'What you are suggesting seems to be a tremendous process, and one of which I do not quite understand the nature,' said Socrates; 'will you give me an example?' 'You must not impose such a task on a man of my years,' said Parmenides. 'Then will you, Zeno?' 'Let us rather,' said Zeno, with a smile, 'ask Parmenides, for the undertaking is a serious one, as he truly says; nor could I urge him to make the attempt, except in a select audience of persons who will understand him.' The whole party joined in the request.

Here we have, first of all, an unmistakable attack made by the youthful Socrates on the paradoxes of Zeno. He perfectly understands their drift, and Zeno himself is supposed to admit this. But they appear to him, as he

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from When the World Shook by H. Rider Haggard:

of Death."

She nodded and replied that doubtless the symbol had come down to them.

"One day you shall take me to see this land which you call so very old. Or I will take you, which would be quicker," she added.

We all bowed and said we should be delighted. Even Bastin appeared anxious to revisit Egypt in such company, though when he was there it seemed to bore him. But what she meant about taking us I could not guess. Nor had we time to ask her, for she went on, watching our faces as she spoke.

"The Lord Oro sends you a message, Strangers. He asks whether

When the World Shook