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Today's Stichomancy for Sean Connery

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Secrets of the Princesse de Cadignan by Honore de Balzac:

powers which you give yourselves by the laws you make! But to see you at our feet, saying and doing foolish things,--ah! it is an intoxicating pleasure to feel within our souls that weakness triumphs! But when we triumph, we ought to keep silence, under pain of losing our empire. Beaten, a woman's pride should gag her. The slave's silence alarms the master."

This chatter was uttered in a voice so softly sarcastic, so dainty, and with such coquettish motions of the head, that d'Arthez, to whom this style of woman was totally unknown, sat before her exactly like a partridge charmed by a setter.

"I entreat you, madame," he said, at last, "to tell me how it was

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Waste Land by T. S. Eliot:

O the moon shone bright on Mrs. Porter And on her daughter 200 They wash their feet in soda water _Et, O ces voix d'enfants, chantant dans la coupole!_

Twit twit twit Jug jug jug jug jug jug So rudely forc'd. Tereu

Unreal City Under the brown fog of a winter noon Mr. Eugenides, the Smyrna merchant


The Waste Land
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Historical Lecturers and Essays by Charles Kingsley:

nothing to do with it, and it is this: That man, with all his wonderful and mysterious aspirations, always unfulfilled yet always precious, at once his torment and his joy, his very hope of everlasting life; that man, I say, developed himself, unassisted, out of a state of primaeval brutishness, simply by calculations of pleasure and pain, by observing what actions would pay in the long run and what would not; and so learnt to conquer his selfishness by a more refined and extended selfishness, and exchanged his brutality for worldliness, and then, in a few instances, his worldliness for next-worldliness. I hope I need not say that I do not believe this theory. If I did, I could not be a Christian, I think, nor a

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Poems by T. S. Eliot:

In the beginning was the Word. Superfetation of [Greek text inserted here], And at the mensual turn of time Produced enervate Origen.

A painter of the Umbrian school Designed upon a gesso ground The nimbus of the Baptized God. The wilderness is cracked and browned

But through the water pale and thin Still shine the unoffending feet And there above the painter set