Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Sean Connery

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Twelve Stories and a Dream by H. G. Wells:

and they spoke never a word. After a time it came to the little man on the white horse that the world was very still. He started out of his dream. Besides the little noises of their horses and equipment, the whole great valley kept the brooding quiet of a painted scene.

Before him went his master and his fellow, each intently leaning forward to the left, each impassively moving with the paces of his horse; their shadows went before them--still, noiseless, tapering attendants; and nearer a crouched cool shape was his own. He looked about him. What was it had gone? Then he remembered the reverberation from the banks of the gorge and the perpetual accompaniment of shifting, jostling pebbles. And, moreover--? There was no breeze.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Man in Lower Ten by Mary Roberts Rinehart:

"What!" I sprang from my chair.

"Sure thing. Said she had heard great things of us, and wanted us to handle her case against the railroad."

"I would like to know what she is driving at," I reflected. "Is she trying to reach me through you?"

Richey's flippancy is often a cloak for deeper feeling. He dropped it now. "Yes," he said, "she's after the notes, of course. And I'll tell you I felt like a poltroon - whatever that may be - when I turned her down. She stood by the door with her face white, and told me contemptuously that I could save you from a murder charge and wouldn't do it. She made me feel like a cur. I was just as

The Man in Lower Ten
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Soul of the Far East by Percival Lowell:

are. Certain of comprehension, the thoughts we have never dared breathe to any one before, find a tongue for her who seems fore-destined to understand. The long-closed floodgates of feeling are thrown wide, and our personality, pent up from the time of its inception for very mistrust, sweeps forth in one uncontrollable rush. For then the most reticent becomes confiding; the most self-contained expands. Then every detail of our past lives assumes an importance which even we had not divined. To her we tell them all,--our boyish beliefs, our youthful fancies, the foolish with the fine, the witty with the wise, the little with the great. Nothing then seems quite unworthy, as nothing seems quite worthy

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Meno by Plato:

one of the earliest of them, is proved to have been of a later date by the allusion of Anytus.

We cannot argue that Plato was more likely to have written, as he has done, of Meno before than after his miserable death; for we have already seen, in the examples of Charmides and Critias, that the characters in Plato are very far from resembling the same characters in history. The repulsive picture which is given of him in the Anabasis of Xenophon, where he also appears as the friend of Aristippus 'and a fair youth having lovers,' has no other trait of likeness to the Meno of Plato.

The place of the Meno in the series is doubtfully indicated by internal evidence. The main character of the Dialogue is Socrates; but to the