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Today's Stichomancy for Sean Connery

The first excerpt represents the past or something you must release, and is drawn from Frances Waldeaux by Rebecca Davis:

are your children."

"No. That woman is my enemy, Clara," said Mrs. Waldeaux quietly. "I will make no terms with her."

Miss Vance sighed and turned to the stage, but Frances still watched the opposite box. It seemed as if the passion within her had cleared her eyes. They never had seen George as they now saw him.

Was that her son? Was it that little priggish, insignificant fellow that she had made a god of? He was dull, commonplace! Satisfied to sit dumb in the background and take orders from those bourgeois French

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Helen of Troy And Other Poems by Sara Teasdale:

The Nile like flowing fire between, Where Rameses stares forth serene, And Ammon's heavy temple stands.

I saw the rocks where long ago, Above the sea that cries and breaks, Bright Perseus with Medusa's snakes Set free the maiden white like snow.

And many skies have covered me, And many winds have blown me forth, And I have loved the green bright north, And I have loved the cold sweet sea.

The third excerpt represents the future or something you must embrace, and is drawn from Scenes from a Courtesan's Life by Honore de Balzac:

to a ring above the ankle is so great as to induce a limp, which the convict never loses. Being obliged to exert one leg much more than the other to drag this fetter (manicle is the slang name for such irons), the prisoner inevitably gets into the habit of making the effort. Afterwards, though he no longer wears the chain, it acts upon him still; as a man still feels an amputated leg, the convict is always conscious of the anklet, and can never get over that trick of walking. In police slang, he "drags his right." And this sign, as well known to convicts among themselves as it is to the police, even if it does not help to identify a comrade, at any rate confirms recognition.

In Trompe-la Mort, who had escaped eight years since, this trick had