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Today's Stichomancy for Sergio Leone

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from La Grande Breteche by Honore de Balzac:

the middle square of the chess-board: she was at the very centre of the interest and of the truth; she appeared to me to be tied into the knot of it. It was not a case for ordinary love-making; this girl contained the last chapter of a romance, and from that moment all my attentions were devoted to Rosalie. By dint of studying the girl, I observed in her, as in every woman whom we make our ruling thought, a variety of good qualities; she was clean and neat; she was handsome, I need not say; she soon was possessed of every charm that desire can lend to a woman in whatever rank of life. A fortnight after the notary's visit, one evening, or rather one morning, in the small hours, I said to Rosalie:


La Grande Breteche
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Collection of Antiquities by Honore de Balzac:

influence of an usher of the Royal cabinet, backstairs influence, it is true, but still sufficient, since it had brought him his first appointment as justice of the peace, and the second as examining magistrate. At the time of his marriage, his father only settled an income of six thousand francs upon him (the amount of his mother's fortune, which he could legally claim), and as Mlle. Thirion brought him no more than twenty thousand francs as her portion, the young couple knew the hardships of hidden poverty. The salary of a provincial justice of the peace does not exceed fifteen hundred francs, while an examining magistrate's stipend is augmented by something like a thousand francs, because his position entails

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Glimpses of the Moon by Edith Wharton:

"Susy, Susy, then--my Susy--Susy! And you've only said mine once, you know."

"Nick!" she sighed, at peace, as if the one syllable were a magic seed that hung out great branches to envelop them.

"Well, then, Susy, be reasonable. Come!"

"Reasonable--oh, reasonable!" she sobbed through laughter.

"Unreasonable, then! That's even better."

She freed herself, and drew back gently. "Nick, I swore I wouldn't leave them; and I can't. It's not only my promise to their mother--it's what they've been to me themselves. You don't, know ... You can't imagine the things they've taught me.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Travels with a Donkey in the Cevenne by Robert Louis Stevenson:

humanity. The perverse little devil, since she would not be taken with kindness, must even go with pricking.

It was bleak and bitter cold, and, except a cavalcade of stride- legged ladies and a pair of post-runners, the road was dead solitary all the way to Pradelles. I scarce remember an incident but one. A handsome foal with a bell about his neck came charging up to us upon a stretch of common, sniffed the air martially as one about to do great deeds, and suddenly thinking otherwise in his green young heart, put about and galloped off as he had come, the bell tinkling in the wind. For a long while afterwards I saw his noble attitude as he drew up, and heard the note of his bell; and