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Today's Stichomancy for Sergio Leone

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tom Grogan by F. Hopkinson Smith:

fist, and he did not intend to leave until he knew. "Your daughter must have had great experience. I have never seen any one man handle work better," he continued, extending his hand. Then, noticing that Mullins was still standing, "Don't let me take your seat."

Mullins hesitated, glanced at Jennie, and, moving another chair from the window, drew it nearer, and settled slowly beside Babcock.

The room was as clean as bare arms and scrubbing-brushes could make it. Near the fireplace was a cast-iron stove, and opposite this stood a parlor organ, its top littered with photographs. A

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Agnes Grey by Anne Bronte:

secretly prided myself; and by which I had hoped in time to overcome all difficulties, and obtain success at last. I wished to say something in my own justification; but in attempting to speak, I felt my voice falter; and rather than testify any emotion, or suffer the tears to overflow that were already gathering in my eyes, I chose to keep silence, and bear all like a self-convicted culprit.

Thus was I dismissed, and thus I sought my home. Alas! what would they think of me? unable, after all my boasting, to keep my place, even for a single year, as governess to three small children, whose mother was asserted by my own aunt to be a 'very nice woman.'


Agnes Grey
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Two Brothers by Honore de Balzac:

to share in some proposed outrage because a relation was involved. But if the scamps were not at Mere Cognette's every night, they always met during the day, enjoying together the legitimate pleasures of hunting, or the autumn vintages and the winter skating. Among this assemblage of twenty youths, all of them at war with the social somnolence of the place, there are some who were more closely allied than others to Max, and who made him their idol. A character like his often fascinates other youths. The two grandsons of Madame Hochon--Francois Hochon and Baruch Borniche--were his henchmen. These young fellows, accepting the general opinion of the left-handed parentage of Lousteau, looked upon Max as their cousin. Max, moreover, was liberal in lending them money

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Padre Ignacio by Owen Wister:

walked on together toward the Padre's door. The guest was twenty-five, the host sixty.

"And have you been in America long?" inquired Gaston.

"Twenty years."

"And at Santa Ysabel how long?"

"Twenty years."

"I should have thought," said Gaston, looking lightly at the desert and unpeopIed mountains, "that now and again you might have wished to travel."

"Were I your age," murmured Padre Ignacio, "it might be so."

The evening had now ripened to the long after-glow of sunset. The sea was