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Today's Stichomancy for Sergio Leone

The first excerpt represents the past or something you must release, and is drawn from Rivers to the Sea by Sara Teasdale:

* * * * * * I am so weak a thing, praise me for this, That in some strange way I was strong enough To keep my love unuttered and to stand Altho' I longed to kneel to you that night You looked at me with ever-calling eyes. Was I not calm? And if you guessed my love You thought it something delicate and free, Soft as the sound of fir-trees in the wind, Fleeting as phosphorescent stars in foam. Yet in my heart there was a beating storm

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Brother of Daphne by Dornford Yates:

"You have taken my breath away," I said, "Kindly return it, and I will deal with you and your interrogatories."

"I suppose you're going to say it was you- "

"It was. I did. I have. But for me you would not. You are. I took the rooms. I drove the car nearly the whole way down. I got you all here. I sent the luggage on in advance."

"With the result that it got here two days after we did, and I had to wear the same tie three days running, and go down to bathe in patent-leather boots, thanks very much," said Berry.

Beyond saying that I was not responsible for the crass and purblind idiocy of railway officials, I ignored this expression


The Brother of Daphne
The third excerpt represents the future or something you must embrace, and is drawn from Flatland: A Romance of Many Dimensions by Edwin A. Abbot:

The first objection is, that a Flatlander, seeing a Line, sees something that must be THICK to the eye as well as LONG to the eye (otherwise it would not be visible, if it had not some thickness); and consequently he ought (it is argued) to acknowledge that his countrymen are not only long and broad, but also (though doubtless in a very slight degree) THICK or HIGH. This objection is plausible, and, to Spacelanders, almost irresistible, so that, I confess, when I first heard it, I knew not what to reply. But my poor old friend's answer appears to me completely to meet it.

"I admit," said he -- when I mentioned to him this objection --


Flatland: A Romance of Many Dimensions