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Today's Stichomancy for Sergio Leone

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Around the World in 80 Days by Jules Verne:

The captain, who was really alarmed, did not know what course to take.

Should he send another detachment to the rescue of the first? Should he sacrifice more men, with so few chances of saving those already sacrificed? His hesitation did not last long, however. Calling one of his lieutenants, he was on the point of ordering a reconnaissance, when gunshots were heard. Was it a signal? The soldiers rushed out of the fort, and half a mile off they perceived a little band returning in good order.

Mr. Fogg was marching at their head, and just behind him were Passepartout and the other two travellers, rescued from the Sioux.

They had met and fought the Indians ten miles south of Fort Kearney.


Around the World in 80 Days
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Pellucidar by Edgar Rice Burroughs:

succeeded in his nefarious schemes to abduct her?

Did Abner Perry, the lovable old inventor and pale- ontologist, still live?

Had the federated tribes of Pellucidar succeeded in overthrowing the mighty Mahars, the dominant race of reptilian monsters, and their fierce, gorilla-like sol- diery, the savage Sagoths?

I must admit that I was in a state bordering upon nervous prostration when I entered the -and-Club, in Algiers, and inquired for Mr. Nestor. A moment later I was ushered into his presence, to find myself clasping


Pellucidar
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Herbert West: Reanimator by H. P. Lovecraft:

had come from the detached head as it lay in a shadowy corner of the laboratory. The shell had been merciful, in a way -- but West could never feel as certain as he wished, that we two were the only survivors. He used to make shuddering conjectures about the possible actions of a headless physician with the power of reanimating the dead. West’s last quarters were in a venerable house of much elegance, overlooking one of the oldest burying-grounds in Boston. He had chosen the place for purely symbolic and fantastically aesthetic reasons, since most of the interments were of the colonial period and therefore of little use to a scientist seeking very


Herbert West: Reanimator
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Charmides by Plato:

spirit of Aristotle, how can there be a knowledge of knowledge, and even if attainable, how can such a knowledge be of any use?

The difficulty of the Charmides arises chiefly from the two senses of the word (Greek), or temperance. From the ethical notion of temperance, which is variously defined to be quietness, modesty, doing our own business, the doing of good actions, the dialogue passes onto the intellectual conception of (Greek), which is declared also to be the science of self-knowledge, or of the knowledge of what we know and do not know, or of the knowledge of good and evil. The dialogue represents a stage in the history of philosophy in which knowledge and action were not yet distinguished. Hence the confusion between them, and the easy transition from one to the other.