Today's Stichomancy for Sergio Leone

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Glimpses of the Moon by Edith Wharton:

knew that what she had to say would hurt his pride, in whatever way she framed her renunciation; and her pen wavered, hating its task. Then she remembered Vanderlyn's words about his wife: "There are some of our old times I don't suppose I shall ever forget--" and a phrase of Grace Fulmer's that she had but half grasped at the time: "You haven't been married long enough to understand how trifling such things seem in the balance of one's memories."

Here were two people who had penetrated farther than she into the labyrinth of the wedded state, and struggled through some of its thorniest passages; and yet both, one consciously, the other

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Duchesse de Langeais by Honore de Balzac:

the part of complacent hypocrites. For women know how to say everything among themselves, and more of them are ruined by each other than corrupted by men.

There came a moment when she discerned that not until a woman is loved will the world fully recognise her beauty and her wit. What does a husband prove? Simply that a girl or woman was endowed with wealth, or well brought up; that her mother managed cleverly that in some way she satisfied a man's ambitions. A lover constantly bears witness to her personal perfections. Then followed the discovery still in Mme de Langeais's early womanhood, that it was possible to be loved without committing

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Life on the Mississippi by Mark Twain:

He don't allow them to have but two hacks now, and sometimes only one.'

'Well,' said I, 'if you are so light-hearted and jolly in ordinary times, what must you be in an epidemic?'

He shook his head.

'No, you're off, there. We don't like to see an epidemic. An epidemic don't pay. Well, of course I don't mean that, exactly; but it don't pay in proportion to the regular thing. Don't it occur to you, why?'

No.

'Think.'

'I can't imagine. What is it?'

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A House of Pomegranates by Oscar Wilde:

slowly behind and plucking the sweet mulberries from the trees as they passed. Once the elder of the two turned round, and smiled at me with an evil smile.

'Then the captain of the guard motioned me towards the entrance of the pavilion. I walked on without trembling, and drawing the heavy curtain aside I entered in.

'The young Emperor was stretched on a couch of dyed lion skins, and a gerfalcon perched upon his wrist. Behind him stood a brass- turbaned Nubian, naked down to the waist, and with heavy earrings in his split ears. On a table by the side of the couch lay a mighty scimitar of steel.