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Today's Stichomancy for Shakira

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Black Arrow by Robert Louis Stevenson:

became aware of a confused noise, which rapidly grew louder. It was at first like the rush of a very high gust of wind, but soon it became more definite, and resolved itself into the galloping of horses; and then, in a flash, a whole company of men-at-arms came driving round the corner, swept before the lads, and were gone again upon the instant. They rode as for their lives, in complete disorder; some of them were wounded; riderless horses galloped at their side with bloody saddles. They were plainly fugitives from the great battle.

The noise of their passage had scarce begun to die away towards Shoreby, before fresh hoofs came echoing in their wake, and another

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Mistress Wilding by Rafael Sabatini:

termination of the affair, Vallancey took his leave of him and Blake at the cross-roads, pleading business with Lord Gervase, and left them to proceed without him to Bridgwater.

Blake, whose suspicions of some secret matter to which Vallancey and Richard were wedded, had been earlier excited by Westmacott's indiscretions, was full of sly questions now touching the business which might be taking Vallancey to Scoresby. But Richard was too full of the subject of the fear he had instilled into Wilding to afford his companion much satisfaction on any other score. Thus they came to Lupton House, and as Richard swaggered down the lawn into the presence of the ladies - Ruth and her aunt were occupying the stone bench, Diana

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Georgics by Virgil:

Some forest-trees the layer's bent arch await, And slips yet quick within the parent-soil; No root need others, nor doth the pruner's hand Shrink to restore the topmost shoot to earth That gave it being. Nay, marvellous to tell, Lopped of its limbs, the olive, a mere stock, Still thrusts its root out from the sapless wood, And oft the branches of one kind we see Change to another's with no loss to rue, Pear-tree transformed the ingrafted apple yield, And stony cornels on the plum-tree blush.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Golden Threshold by Sarojini Naidu:

For thy dark altars, balm nor milk nor rice, But mine own soul thou'st ta'en for sacrifice: All the rich honey of my youth's desire, And all the sweet oils from my crushed life drawn, And all my flower-like dreams and gem-like fire Of hopes up-leaping like the light of dawn.

I have no more to give, all that was mine Is laid, a wrested tribute, at thy shrine; Let me depart, for my whole soul is wrung, And all my cheerless orisons are sung; Let me depart, with faint limbs let me creep