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Today's Stichomancy for Shaquille O'Neal

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Burning Daylight by Jack London:

advised; "but they won't bother none or last long. What you must do immediately is to save everybody--the men that have been letting their wages ride with me, all the creditors, and all the concerns that have stood by. There's the wad of land that New Jersey crowd has been dickering for. They'll take all of a couple of thousand acres and will close now if you give them half a chance. That Fairmount section is the cream of it, and they'll dig up as high as a thousand dollars an acre for a part of it. That'll help out some. That five-hundred acre tract beyond, you'll be lucky if they pay two hundred an acre."

Dede, who had been scarcely listening, seemed abruptly to make up

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Cratylus by Plato:

the letters; and when we have well considered all this, we shall know how to apply them to what they resemble--whether one letter is used to denote one thing, or whether there is to be an admixture of several of them; just, as in painting, the painter who wants to depict anything sometimes uses purple only, or any other colour, and sometimes mixes up several colours, as his method is when he has to paint flesh colour or anything of that kind--he uses his colours as his figures appear to require them; and so, too, we shall apply letters to the expression of objects, either single letters when required, or several letters; and so we shall form syllables, as they are called, and from syllables make nouns and verbs; and thus, at last, from the combinations of nouns and verbs arrive at language, large

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Chouans by Honore de Balzac:

catch--"

Just then a lady to whom the young sailor turned with every sign of outward respect, entered the kitchen of the inn.

"My dear mamma," he said. "I am glad you've come. I have recruited some guests in your absence."

"Guests?" she replied; "what folly!"

"It is Mademoiselle de Verneuil," he said in a low voice.

"She perished on the scaffold after the affair of Savenay; she went to Mans to save her brother the Prince de Loudon," returned his mother, rather brusquely.

"You are mistaken, madame," said Corentin, gently, emphasizing the


The Chouans
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tom Grogan by F. Hopkinson Smith:

therefore had his hair cropped close to his scalp, showing here and there a white scar, the record of some former scrimmage. Reaching to the edge of each ear was a collar as stiff as pasteboard. His derby was tilted over his left eyebrow, shading a face brimming over with fun and expectancy. Below this was a vermilion-colored necktie and a black coat and trousers. His shoes sported three coats of blacking, which only partly concealed the dust-marks of his profession.

"Hully gee, Carl! but de circus's a-goin' ter be a dandy," he called out in delight, as he patted a double shuffle with his feet. "I see de picters on de fence when I come from de ferry.