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Today's Stichomancy for Sharon Stone

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Allan Quatermain by H. Rider Haggard:

central hall, from which radiate twelve petal-shaped courts, each dedicated to one of the twelve months, and serving as the repositories of statues reared in memory of the illustrious dead. The width of the circle beneath the dome is three hundred feet, the height of the dome is four hundred feet, and the length of the rays is one hundred and fifty feet, and the height of their roofs three hundred feet, so that they run into the central dome exactly as the petals of the sunflower run into the great raised heart. Thus the exact measurement from the centre of the central altar to the extreme point of any one of the rounded rays would be three hundred feet (the width of the circle itself), or a


Allan Quatermain
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from House of Mirth by Edith Wharton:

Lily felt that Rosedale was taking contemptuous note of the neighbourhood; and before the doorstep at which she finally paused he looked up with an air of incredulous disgust.

"This isn't the place? Some one told me you were living with Miss Farish."

"No: I am boarding here. I have lived too long on my friends."

He continued to scan the blistered brown stone front, the windows draped with discoloured lace, and the Pompeian decoration of the muddy vestibule; then he looked back at her face and said with a visible effort: "You'll let me come and see you some day?"

She smiled, recognizing the heroism of the offer to the point of

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Selected Writings of Guy De Maupassant by Guy De Maupassant:

extravagances of the old girl. She had found a phrase by which to describe her, I know not how, but a phrase assuredly contemptuous, which had sprung to her lips, invented probably by some confused and mysterious travail of soul. She said: 'That woman is a demoniac.' This phrase, as uttered by that austere and sentimental creature, seemed to me irresistibly comic. I, myself, never called her now anything else but 'the demoniac.' feeling a singular pleasure in pronouncing this word on seeing her.

"I would ask Mother Lecacheur: 'Well, what is our demoniac about to-day?' To which my rustic friend would respond, with an air of having been scandalized:

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Sense and Sensibility by Jane Austen:

for poor Willoughby, than an apology for the latter. You are resolved to think him blameable, because he took leave of us with less affection than his usual behaviour has shewn. And is no allowance to be made for inadvertence, or for spirits depressed by recent disappointment? Are no probabilities to be accepted, merely because they are not certainties? Is nothing due to the man whom we have all such reason to love, and no reason in the world to think ill of? To the possibility of motives unanswerable in themselves, though unavoidably secret for a while? And, after all, what is it you suspect him of?"


Sense and Sensibility