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Today's Stichomancy for Sharon Stone

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Footnote to History by Robert Louis Stevenson:

prowess, refused to be bound by it himself. This singular proposition was of course refused: Blacklock remarking that he had no fear of the natives, if these were let alone; de Coetlogon refusing in the circumstances to recognise any neutral territory at all. In vain Knappe amended and baited his proposal with the offer of forty-eight or ninety-six hours' notice, according as his objective should be near or within the boundary of the ELEELE SA. It was rejected; and he learned that he must accept war with all its consequences - and not that which he desired - war with the immunities of peace.

This monstrous exigence illustrates the man's frame of mind. It

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Allan Quatermain by H. Rider Haggard:

station by night. To make matters worse, within an hour of sunrise it came on to rain in torrents, wetting us to the skin, and even necessitating the occasional baling of the canoes, and as the rain beat down the wind we could not use the sails, and had to get along as best as we could with our paddles.

At eleven o'clock we halted on an open piece of ground on the left bank of the river, and, the rain abating a little, managed to make a fire and catch and broil some fish. We did not dare to wander about to search for game. At two o'clock we got off again, taking a supply of broiled fish with us, and shortly afterwards the rain came on harder than ever. Also the river began to get


Allan Quatermain
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Man against the Sky by Edwin Arlington Robinson:

More years to that. He's old enough to be The father of a world, and so he is. "Ben, you're a scholar, what's the time of day?" Says he; and there shines out of him again An aged light that has no age or station -- The mystery that's his -- a mischievous Half-mad serenity that laughs at fame For being won so easy, and at friends Who laugh at him for what he wants the most, And for his dukedom down in Warwickshire; -- By which you see we're all a little jealous. . . .

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Philebus by Plato:

imperfect state they often diverge, and I cannot truly bridge over the difficulty by saying that men will always find pleasure in sacrificing themselves or in suffering for others. Upon the greatest happiness principle it is admitted that I am to have a share, and in consistency I should pursue my own happiness as impartially as that of my neighbour. But who can decide what proportion should be mine and what his, except on the principle that I am most likely to be deceived in my own favour, and had therefore better give the larger share, if not all, to him?

Further, it is admitted that utility and right coincide, not in particular instances, but in classes of actions. But is it not distracting to the conscience of a man to be told that in the particular case they are