Today's Stichomancy for Shigeru Miyamoto

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Catriona by Robert Louis Stevenson:

I could manage, I am trying the same still, and only vexed that I can do no better. It is a strange thing to me that you can take any pleasure to be hard to me."

"I am not thinking of you," she said, "I am thinking of that man, my father."

"Well, and that way, too!" said I. "I can be of use to you that way, too; I will have to be. It is very needful, my dear, that we should consult about your father; for the way this talk has gone, an angry man will be James More."

She stopped again. "It is because I am disgraced?" she asked.

"That is what he is thinking," I replied, "but I have told you already

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Mayflower Compact:

the eighteenth, and of Scotland, the fiftie-fourth, Anno. Domini, 1620.

Mr. John Carver Mr. Stephen Hopkins Mr. William Bradford Digery Priest Mr. Edward Winslow Thomas Williams Mr. William Brewster Gilbert Winslow Isaac Allerton Edmund Margesson Miles Standish Peter Brown John Alden Richard Bitteridge John Turner George Soule Francis Eaton Edward Tilly

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Pride and Prejudice by Jane Austen:

than they ought, and of associating with people of rank, and were therefore in every respect entitled to think well of themselves, and meanly of others. They were of a respectable family in the north of England; a circumstance more deeply impressed on their memories than that their brother's fortune and their own had been acquired by trade.

Mr. Bingley inherited property to the amount of nearly a hundred thousand pounds from his father, who had intended to purchase an estate, but did not live to do it. Mr. Bingley intended it likewise, and sometimes made choice of his county; but as he was now provided with a good house and the liberty of

Pride and Prejudice

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Myths and Myth-Makers by John Fiske:

those scholars who have not attempted to deny it, a vast amount of profitless discussion might have been avoided. Sooner or later, as Grote says, "the lesson must be learnt, hard and painful though it be, that no imaginable reach of critical acumen will of itself enable us to discriminate fancy from reality, in the absence of a tolerable stock of evidence." We do not know who Homer was; we do not know where or when he lived; and in all probability we shall never know. The data for settling the question are not now accessible, and it is not likely that they will ever be discovered. Even in early antiquity the question was wrapped in an obscurity as

Myths and Myth-Makers