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Today's Stichomancy for Shigeru Miyamoto

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Salome by Oscar Wilde:

ce pas?

SECOND SOLDAT. Nous ne comprenons jamais ce qu'il dit, princesse.

SALOME. Oui, il dit des choses monstrueuses d'elle.

UN ESCLAVE. Princesse, le tetrarque vous prie de retourner au festin.

SALOME. Je n'y retournerai pas.

LE JEUNE SYRIEN. Pardon, princesse, mais si vous n'y retourniez pas il pourrait arriver un malheur.

SALOME. Est-ce un vieillard, le prophete?

LE JEUNE SYRIEN. Princesse, il vaudrait mieux retourner. Permettez-moi de vous reconduire.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Pellucidar by Edgar Rice Burroughs:

from the registrations of them all.

On my map I would register so many paces south, so many east, so many west, and so on. When I was ready to return I would then do so by any route that I might choose.

I also strapped a considerable quantity of ammuni- tion across my shoulders, pocketed some matches, and hooked an aluminum fry-pan and a small stew-kettle of the same metal to my belt.

I was ready--ready to go forth and explore a world!

Ready to search a land area of 124,110,000 square

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Alkahest by Honore de Balzac:

say that he possessed over forty thousand silver marks, obtained by the manufacture of sail-cloth for the all-powerful Venetian navy,-- this Claes had a friend in the famous sculptor in wood, Van Huysum of Bruges. The artist had dipped many a time into the purse of the rich craftsman. Some time before the rebellion of the men of Ghent, Van Huysum, grown rich himself, had secretly carved for his friend a wall- decoration in ebony, representing the chief scenes in the life of Van Artevelde,--that brewer of Ghent who, for a brief hour, was King of Flanders. This wall-covering, of which there were no less than sixty panels, contained about fourteen hundred principal figures, and was held to be Van Huysum's masterpiece. The officer appointed to guard

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Summer by Edith Wharton:

who had left them at the door, presently reappeared before the altar in a surplice, and a lady who was probably his wife, and a man in a blue shirt who had been raking dead leaves on the lawn, came in and sat on one of the benches.

The clergyman opened a book and signed to Charity and Mr. Royall to approach. Mr. Royall advanced a few steps, and Charity followed him as she had followed him to the buggy when they went out of Mrs. Hobart's kitchen; she had the feeling that if she ceased to keep close to him, and do what he told her to do, the world