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Today's Stichomancy for Shigeru Miyamoto

The first excerpt represents the past or something you must release, and is drawn from A Second Home by Honore de Balzac:

appearance of avarice and mystery, as in a miser's home, and the dank scent of cold incense which gives a chill to the stale atmosphere of a chapel. This methodical meanness, this narrowness of thought, which is visible in every detail, can only be expressed by one word--Bigotry. In these sinister and pitiless houses Bigotry is written on the furniture, the prints, the pictures; speech is bigoted, the silence is bigoted, the faces are those of bigots. The transformation of men and things into bigotry is an inexplicable mystery, but the fact is evident. Everybody can see that bigots do not walk, do not sit, do not speak, as men of the world walk, sit, and speak. Under their roof every one is ill at ease, no one laughs, stiffness and formality

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Awakening & Selected Short Stories by Kate Chopin:

sunlight. Edna plucked all the bright flowers she could find, and went into the house with them, she and the little dog.

Even the kitchen assumed a sudden interesting character which she had never before perceived. She went in to give directions to the cook, to say that the butcher would have to bring much less meat, that they would require only half their usual quantity of bread, of milk and groceries. She told the cook that she herself would be greatly occupied during Mr. Pontellier's absence, and she begged her to take all thought and responsibility of the larder upon her own shoulders.

That night Edna dined alone. The candelabra, with a few


Awakening & Selected Short Stories
The third excerpt represents the future or something you must embrace, and is drawn from The Street of Seven Stars by Mary Roberts Rinehart:

"Thank you for telling me," she said simply. "I think I understand very well because--it's music with me: violin. And my friends have gone, so I am alone, too."

He leaned his elbows on the table and looked out over the crowd without seeing it.

"It's curious, isn't it?" he said. "Here we are, you and I, meeting in the center of Europe, both lonely as the mischief, both working our heads off for an idea that may never pan out! Why aren't you at home to-night, eating a civilized beefsteak and running upstairs to get ready for a nice young man to bring you a box of chocolates? Why am I not measuring out calico in Shipley &