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Today's Stichomancy for Shigeru Miyamoto

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Early Short Fiction of Edith Wharton by Edith Wharton:

forbidden realm of individual freedom: they felt that they had somehow achieved beatitude without martyrdom.

This, as Julia now reviewed the past, she perceived to have been her theoretical attitude toward marriage. It was unconsciously, insidiously, that her ten years of happiness with Westall had developed another conception of the tie; a reversion, rather, to the old instinct of passionate dependency and possessorship that now made her blood revolt at the mere hint of change. Change? Renewal? Was that what they had called it, in their foolish jargon? Destruction, extermination rather--this rending of a myriad fibres interwoven with another's being! Another? But he

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Phaedo by Plato:

there would have been no difficulty in contending that at the approach of the even the odd principle and the number three took their departure; and the same argument would have held good of fire and heat and any other thing.

Very true.

And the same may be said of the immortal: if the immortal is also imperishable, then the soul will be imperishable as well as immortal; but if not, some other proof of her imperishableness will have to be given.

No other proof is needed, he said; for if the immortal, being eternal, is liable to perish, then nothing is imperishable.

Yes, replied Socrates, and yet all men will agree that God, and the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Case of The Lamp That Went Out by Grace Isabel Colbron and Augusta Groner:

now. His words came haltingly and great drops stood out on his forehead.

The painter rose from the sand and he too wiped his face, which was drawn in agony.

"Herbert, Herbert!" cried Adele Bernauer suddenly. "Oh, Herbert, you will live, you will! Promise me, you will not think of suicide, it would kill your wife - "

She lay on her knees before him in the sand. He looked down at her gently and with a gesture which seemed to be a familiar one of days long past, he stroked the face that had grown old and worn in these hours of fear for him.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Hidden Masterpiece by Honore de Balzac:

lies there. Many a painter has triumphed through instinct without knowing this theory of art as a theory.

"Yes," continued the old man vehemently, "you draw a woman, but you do not SEE her. That is not the way to force an entrance into the arcana of Nature. Your hand reproduces, without an action of your mind, the model you copied under a master. You do not search out the secrets of form, nor follow its windings and evolutions with enough love and perseverance. Beauty is solemn and severe, and cannot be attained in that way; we must wait and watch its times and seasons, and clasp it firmly ere it yields to us. Form is a Proteus less easily captured, more skilful to double and escape, than the Proteus of fable; it is