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Today's Stichomancy for Sidney Poitier

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Far From the Madding Crowd by Thomas Hardy:

away any -- outside my skin I mane of course." "Ay, ay, Jan Coggan; we know yer meaning." "And so you see 'twas beautiful ale, and I wished to value his kindness as much as I could, and not to be so ill-mannered as to drink only a thimbleful, which would have been insulting the man's generosity -- -- " "True, Master Coggan, 'twould so." corroborated Mark Clark. " -- -- And so I used to eat a lot of salt fish afore going, and then by the time I got there I were as dry as a lime-basket -- so thorough dry that that ale would


Far From the Madding Crowd
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from 1984 by George Orwell:

and soon afterwards they parted.

Winston sighed inaudibly. He picked up his pen again and wrote:

She threw herself down on the bed, and at once, without any kind of preliminary in the most coarse, horrible way you can imagine, pulled up her skirt. I----

He saw himself standing there in the dim lamplight, with the smell of bugs and cheap scent in his nostrils, and in his heart a feeling of defeat and resentment which even at that moment was mixed up with the thought of Katharine's white body, frozen for ever by the hypnotic power of the Party. Why did it always have to be like this? Why could he not have a woman of


1984
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Republic by Plato:

perfect state of communism and philosophy was impossible in his own age, though still to be retained as a pattern. The same doubt is implied in the earnestness with which he argues in the Republic that ideals are none the worse because they cannot be realized in fact, and in the chorus of laughter, which like a breaking wave will, as he anticipates, greet the mention of his proposals; though like other writers of fiction, he uses all his art to give reality to his inventions. When asked how the ideal polity can come into being, he answers ironically, 'When one son of a king becomes a philosopher'; he designates the fiction of the earth-born men as 'a noble lie'; and when the structure is finally complete, he fairly tells you that his Republic is a vision only, which in some sense may have reality, but


The Republic
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Songs of Innocence and Experience by William Blake:

Her light fled, Stony, dread, And her locks covered with grey despair.

'Prisoned on watery shore, Starry jealousy does keep my den Cold and hoar; Weeping o'er, I hear the father of the ancient men.

'Selfish father of men! Cruel, jealous, selfish fear! Can delight,


Songs of Innocence and Experience