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Today's Stichomancy for Sidney Poitier

The first excerpt represents the past or something you must release, and is drawn from The War in the Air by H. G. Wells:

greatly uniformed officials in cocked hats struggled in vain to control the crowd. Fists and sticks were shaken. And when Bert saw a man on the outskirts of the crowd run to a haycart and get a brightly pronged pitch-fork, and a blue-clad soldier unbuckle his belt, his rising doubt whether this little town was after all such a good place for a landing became a certainty.

He had clung to the fancy that they would make something of a hero of him. Now he knew that he was mistaken.

He was perhaps ten feet above the people when he made his decision. His paralysis ceased. He leapt up on the seat, and, at imminent risk of falling headlong, released the grapnel-rope

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Macbeth by William Shakespeare:

As Honor, Loue, Obedience, Troopes of Friends, I must not looke to haue: but in their steed, Curses, not lowd but deepe, Mouth-honor, breath Which the poore heart would faine deny, and dare not. Seyton? Enter Seyton.

Sey. What's your gracious pleasure? Macb. What Newes more? Sey. All is confirm'd my Lord, which was reported

Macb. Ile fight, till from my bones, my flesh be hackt. Giue me my Armor


Macbeth
The third excerpt represents the future or something you must embrace, and is drawn from The Exiles by Honore de Balzac:

Doctor Sigier was a tall man in the prime of life. His face, rescued from oblivion by the archives of the University, had singular analogies with that of Mirabeau. It was stamped with the seal of fierce, swift, and terrible eloquence. But the Doctor bore on his brow the expression of religious faith that his modern double had not. His voice, too, was of persuasive sweetness, with a clear and pleasing ring in it.

At this moment the daylight, that was stintingly diffused through the small, heavily-leaded window-panes, tinted the assembly with capricious tones and powerful contrasts from the chequered light and shade. Here, in a dark corner, eyes shone brightly, their dark heads