Today's Stichomancy for Sidney Poitier

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Bunner Sisters by Edith Wharton:

Ann Eliza conned her glowing face. "Did you ever hear anything so silly? I didn't know which way to look."

Ann Eliza received this confidence with a sympathetic murmur.

"My bonnet IS becoming, isn't it?" Evelina went on irrelevantly, smiling at her reflection in the cracked glass above the chest of drawers.

"You're jest lovely," said Ann Eliza.

Spring was making itself unmistakably known to the distrustful New Yorker by an increased harshness of wind and prevalence of dust, when one day Evelina entered the back room at supper-time with a cluster of jonquils in her hand.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Silas Marner by George Eliot:

learn the good tunes so quick. Come, Aaron, stan' up and sing the carril to Master Marner, come."

Aaron replied by rubbing his forehead against his mother's shoulder.

"Oh, that's naughty," said Dolly, gently. "Stan' up, when mother tells you, and let me hold the cake till you've done."

Aaron was not indisposed to display his talents, even to an ogre, under protecting circumstances; and after a few more signs of coyness, consisting chiefly in rubbing the backs of his hands over his eyes, and then peeping between them at Master Marner, to see if he looked anxious for the "carril", he at length allowed his head to be duly adjusted, and standing behind the table, which let him

Silas Marner

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Two Poets by Honore de Balzac:

multitude of deficiencies. Nobility of feeling was far more real here than in the lofty world of Paris. You might compare these country Royalists, if the metaphor may be allowed, to old-fashioned silver plate, antiquated and tarnished, but weighty; their attachment to the House of Bourbon as the House of Bourbon did them honor. The very fixity of their political opinions was a sort of faithfulness. The distance that they set between themselves and the bourgeoisie, their very exclusiveness, gave them a certain elevation, and enhanced their value. Each noble represented a certain price for the townsmen, as Bambara Negroes, we are told, attach a money value to cowrie shells.

Some of the women, flattered by M. du Chatelet, discerned in him the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Lesser Hippias by Plato:

the scholar and critic, is of little importance to the general reader.

LESSER HIPPIAS

Plato (see Appendix I above)

Translated by Benjamin Jowett

INTRODUCTION.

The Lesser Hippias may be compared with the earlier dialogues of Plato, in which the contrast of Socrates and the Sophists is most strongly exhibited. Hippias, like Protagoras and Gorgias, though civil, is vain and boastful: he knows all things; he can make anything, including his own clothes; he is a manufacturer of poems and declamations, and also of seal-rings, shoes,