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Today's Stichomancy for Sigmund Freud

The first excerpt represents the past or something you must release, and is drawn from Poems by T. S. Eliot:

Groan with continual surges; and behind me Make all a desolation. Look, look, wenches!

Paint me a cavernous waste shore Cast in the unstilted Cyclades, Paint me the bold anfractuous rocks Faced by the snarled and yelping seas.

Display me Aeolus above Reviewing the insurgent gales Which tangle Ariadne's hair And swell with haste the perjured sails.

Morning stirs the feet and hands

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Chronicles of the Canongate by Walter Scott:

him before he reached Edinburgh, and march as a prisoner with the party. The soldier added, 'You have known me since I was a child; you know my country and kindred; and you may believe I shall never bring you to any blame by a breach of the promise I now make, to be with you in full time to be delivered up in the Castle.' This was a startling proposal to the officer, who was a judicious, humane man, and knew perfectly his risk and responsibility in yielding to such an extraordinary application. However, his confidence was such, that he complied with the request of the prisoner, who returned to Glasgow at night, settled his business, and left the town before daylight to redeem

The third excerpt represents the future or something you must embrace, and is drawn from Thuvia, Maid of Mars by Edgar Rice Burroughs:

Jav shrugged.

"I do not know," he replied. "Never have I been here before, nor ever have I cared to do so."

"Come," suggested Thuvia, "let us explore. There must be a way out."

Together the three approached the doorway through which Komal had entered the apartment that was to have witnessed their deaths. Beyond was a low-roofed lair, with a small door at the far end.

This, to their delight, opened to the lifting of an ordinary latch, letting them into a circular arena,

Thuvia, Maid of Mars