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Today's Stichomancy for Simon Bolivar

The first excerpt represents the past or something you must release, and is drawn from Shakespeare's Sonnets by William Shakespeare:

As those whose beauties proudly make them cruel; For well thou know'st to my dear doting heart Thou art the fairest and most precious jewel. Yet, in good faith, some say that thee behold, Thy face hath not the power to make love groan; To say they err I dare not be so bold, Although I swear it to myself alone. And to be sure that is not false I swear, A thousand groans, but thinking on thy face, One on another's neck, do witness bear Thy black is fairest in my judgment's place.

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Scenes from a Courtesan's Life by Honore de Balzac:

At this moment the Baron de Nucingen, who was leaning on his cashier's arm, reached the door of his mansion.

"I am ver' much afrait," said he, as he went in, "dat I hafe done a bat day's vork. Vell, we must make it up some oder vays."

"De misfortune is dat you shall hafe been caught, mein Herr Baron," said the worthy German, whose whole care was for appearances.

"Ja, my miss'ess en titre should be in a position vody of me," said this Louis XIV. of the counting-house.

Feeling sure that sooner or later Esther would be his, the Baron was now himself again, a masterly financier. He resumed the management of his affairs, and with such effect that his cashier, finding him in his

The third excerpt represents the future or something you must embrace, and is drawn from The Duchesse de Langeais by Honore de Balzac:

monarch his appellation of le Bien-aime. Of her past charms of feature, little remained save a remarkably prominent slender nose, curved like a Turkish scimitar, now the principal ornament of a countenance that put you in mind of an old white glove. Add a few powdered curls, high-heeled pantoufles, a cap with upstanding loops of lace, black mittens, and a decided taste for ombre. But to do full justice to the lady, it must be said that she appeared in low-necked gowns of an evening (so high an opinion of her ruins had she), wore long gloves, and raddled her cheeks with Martin's classic rouge. An appalling amiability in her wrinkles, a prodigious brightness in the old lady's eyes, a