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Today's Stichomancy for Simon Bolivar

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from An Open Letter on Translating by Dr. Martin Luther:

seriously take this work to heart and faithfully pray to God for a proper understanding of the divine Scriptures towards the improvement and increase of our common Christendom. Amen.

Nuremberg Sept. 15, 1530.

To the Honorable and Worthy N., my favorite lord and friend.

Grace and peace in Christ, honorable, worthy and dear Lord and friend. I received your writing with the two questions or queries requesting my response. In the first place, you ask why I, in the 3rd chapter of Romans, translated the words of St. Paul: "Arbitramur hominem iustificari ex fide absque operibus" as "We hold that the human will be justified without the works of the law

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Facino Cane by Honore de Balzac:

that after a first glance round the room my eyes fell at once upon the blind trio, and the sight of their uniform inclined me from the first to indulgence. As the artists stood in a window recess, it was difficult to distinguish their faces except at close quarters, and I kept away at first; but when I came nearer (I hardly know why) I thought of nothing else; the wedding party and the music ceased to exist, my curiosity was roused to the highest pitch, for my soul passed into the body of the clarionet player.

The fiddle and the flageolet were neither of them interesting; their faces were of the ordinary type among the blind--earnest, attentive, and grave. Not so the clarionet player; any artist or philosopher must

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from An Episode Under the Terror by Honore de Balzac:

necessary for the priest's safety came to them in roundabout ways. Warnings and advice reached them so opportunely that they could only have been sent by some person in the possession of state secrets. And, at a time when famine threatened Paris, invisible hands brought rations of "white bread" for the proscribed women in the wretched garret. Still they fancied that Citizen Mucius Scaevola was only the mysterious instrument of a kindness always ingenious, and no less intelligent.

The noble ladies in the garret could no longer doubt that their protector was the stranger of the expiatory mass on the night of the 22nd of January, 1793; and a kind of cult of him sprung up among them.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Mosses From An Old Manse by Nathaniel Hawthorne:

"Oh, do not tremble, my love," said her husband. "I would not wrong either you or myself by working such inharmonious effects upon our lives; but I would have you consider how trifling, in comparison, is the skill requisite to remove this little hand."

At the mention of the birthmark, Georgiana, as usual, shrank as if a redhot iron had touched her cheek.

Again Aylmer applied himself to his labors. She could hear his voice in the distant furnace room giving directions to Aminadab, whose harsh, uncouth, misshapen tones were audible in response, more like the grunt or growl of a brute than human speech. After hours of absence, Aylmer reappeared and proposed that she should


Mosses From An Old Manse