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Today's Stichomancy for Simon Bolivar

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Kidnapped Santa Claus by L. Frank Baum:

together and laid plans to rescue their master from his enemies.

It is possible that Santa Claus was not as merry as usual during the night that succeeded his capture. For although he had faith in the judgment of his little friends he could not avoid a certain amount of worry, and an anxious look would creep at times into his kind old eyes as he thought of the disappointment that might await his dear little children. And the Daemons, who guarded him by turns, one after another, did not neglect to taunt him with contemptuous words in his helpless condition.

When Christmas Day dawned the Daemon of Malice was guarding the prisoner, and his tongue was sharper than that of any of the others.


A Kidnapped Santa Claus
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Door in the Wall, et. al. by H. G. Wells:

towards the sky.

"Certainly you get some fine effects of colour with your furnaces," said Raut, breaking a silence that had become apprehensive.

Horrocks grunted. He stood with his hands in his pockets, frowning down at the dim steaming railway and the busy ironworks beyond, frowning as if he were thinking out some knotty problem.

Raut glanced at him and away again. "At present your moonlight effect is hardly ripe," he continued, looking upward. "The moon is still smothered by the vestiges of daylight."

Horrocks stared at him with the expression of a man who has

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Letters of Robert Louis Stevenson by Robert Louis Stevenson:

towards that; however, there are one or two points of interest which may justify us in printing. The swinging of his stick and not knowing the sailor of Coruiskin, in particular, and the account of how he wrote the lives in the Bell Book particularly please me. I hope my own little introduction is not egoistic; or rather I do not care if it is. It was that old gentleman's blood that brought me to Samoa.

By the by, vols. vii., viii., and ix. of Adams's HISTORY have never come to hand; no more have the dictionaries.

Please send me STONEHENGE ON HORSE, STORIES AND INTERLUDES by Barry Pain, and EDINBURGH SKETCHES AND MEMOIRS by David Masson. THE

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Shadow out of Time by H. P. Lovecraft:

clear to me what I ought to find, and this realisation nearly paralysed my faculties. If the thing were there - and if I were not dreaining - the implications would be quite beyond the power of the human spirit to bear. What tormented me most was my momentary inability to feel that my surroundings were a dream. The sense of reality was hideous - and again becomes so as I recall the scene. At length I tremblingly pulled the book from its container and stared fascinatedly at the well-known hieroglyphs on the cover. It seemed to be in prime condition, and the curvilinear letters


Shadow out of Time