| The first excerpt represents the past or something you must release, and is drawn from Phaedo by Plato: an existence which she can call her own, as in the pantheistic system of
Spinoza: or as an individual informing another body and entering into new
relations, but retaining her own character? (Compare Gorgias.) Or is the
opposition of soul and body a mere illusion, and the true self neither soul
nor body, but the union of the two in the 'I' which is above them? And is
death the assertion of this individuality in the higher nature, and the
falling away into nothingness of the lower? Or are we vainly attempting to
pass the boundaries of human thought? The body and the soul seem to be
inseparable, not only in fact, but in our conceptions of them; and any
philosophy which too closely unites them, or too widely separates them,
either in this life or in another, disturbs the balance of human nature.
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Moby Dick by Herman Melville: somehow seemed to be thinking to myself, that after all, it was not
much of an insult, that kick from Ahab. 'Why,' thinks I, 'what's the
row? It's not a real leg, only a false leg.' And there's a mighty
difference between a living thump and a dead thump. That's what
makes a blow from the hand, Flask, fifty times more savage to bear
than a blow from a cane. The living member--that makes the living
insult, my little man. And thinks I to myself all the while, mind,
while I was stubbing my silly toes against that cursed pyramid--so
confoundedly contradictory was it all, all the while, I say, I was
thinking to myself, 'what's his leg now, but a cane--a whalebone
cane. Yes,' thinks I, 'it was only a playful cudgelling--in fact,
 Moby Dick |
The third excerpt represents the future or something you must embrace, and is drawn from Tess of the d'Urbervilles, A Pure Woman by Thomas Hardy: evening being occupied in arranging her place in the
bed-chamber. It was a large room over the milk-house,
some thirty feet long; the sleeping-cots of the other
three indoor milkmaids being in the same apartment.
They were blooming young women, and, except one, rather
older than herself. By bedtime Tess was thoroughly
tired, and fell asleep immediately.
But one of the girls who occupied an adjoining bed was
more wakeful than Tess, and would insist upon relating
to the latter various particulars of the homestead into
which she had just entered. The girl's whispered words
 Tess of the d'Urbervilles, A Pure Woman |