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Today's Stichomancy for Snoop Dogg

The first excerpt represents the past or something you must release, and is drawn from Phaedo by Plato:

an existence which she can call her own, as in the pantheistic system of Spinoza: or as an individual informing another body and entering into new relations, but retaining her own character? (Compare Gorgias.) Or is the opposition of soul and body a mere illusion, and the true self neither soul nor body, but the union of the two in the 'I' which is above them? And is death the assertion of this individuality in the higher nature, and the falling away into nothingness of the lower? Or are we vainly attempting to pass the boundaries of human thought? The body and the soul seem to be inseparable, not only in fact, but in our conceptions of them; and any philosophy which too closely unites them, or too widely separates them, either in this life or in another, disturbs the balance of human nature.

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Moby Dick by Herman Melville:

somehow seemed to be thinking to myself, that after all, it was not much of an insult, that kick from Ahab. 'Why,' thinks I, 'what's the row? It's not a real leg, only a false leg.' And there's a mighty difference between a living thump and a dead thump. That's what makes a blow from the hand, Flask, fifty times more savage to bear than a blow from a cane. The living member--that makes the living insult, my little man. And thinks I to myself all the while, mind, while I was stubbing my silly toes against that cursed pyramid--so confoundedly contradictory was it all, all the while, I say, I was thinking to myself, 'what's his leg now, but a cane--a whalebone cane. Yes,' thinks I, 'it was only a playful cudgelling--in fact,


Moby Dick
The third excerpt represents the future or something you must embrace, and is drawn from Tess of the d'Urbervilles, A Pure Woman by Thomas Hardy:

evening being occupied in arranging her place in the bed-chamber. It was a large room over the milk-house, some thirty feet long; the sleeping-cots of the other three indoor milkmaids being in the same apartment. They were blooming young women, and, except one, rather older than herself. By bedtime Tess was thoroughly tired, and fell asleep immediately.

But one of the girls who occupied an adjoining bed was more wakeful than Tess, and would insist upon relating to the latter various particulars of the homestead into which she had just entered. The girl's whispered words


Tess of the d'Urbervilles, A Pure Woman