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Today's Stichomancy for Snoop Dogg

The first excerpt represents the past or something you must release, and is drawn from The Wrecker by Stevenson & Osbourne:

"And I'll tell you what," added Carthew, "the breeze is failing fast, and the sun will soon be down. We may get into all kinds of fresh mess in the dark and with nothing but light airs."

"I don't deny it," answered Wicks, and stood awhile as if in thought. "But what I can't make out," he began again, with agitation, "what I can't make out is what you're made of! To stay in this place is beyond me. There's the bloody sun going down--and to stay here is beyond me!"

The others looked upon him with horrified surprise. This fall of their chief pillar--this irrational passion in the practical man, suddenly barred out of his true sphere, the sphere of action--

The second excerpt represents the present or the deciding factor of the moment, and is drawn from An Old Maid by Honore de Balzac:

girl, with gray eyes, a slim waist, and a pretty foot, whom I have occasionally seen, and whose behavior always seemed to me extremely insolent, she is far superior in manners to du Bousquier. Besides, the girl has the nobility of beauty; from that point of view the marriage would be a poor one for her; she might do better. You know how the Emperor Joseph had the curiosity to see the du Barry at Luciennes. He offered her his arm to walk about, and the poor thing was so surprised at the honor that she hesitated to accept it: 'Beauty is ever a queen,' said the Emperor. And he, you know, was an Austrian-German," added the chevalier. "But I can tell you that Germany, which is thought here very rustic, is a land of noble chivalry and fine

The third excerpt represents the future or something you must embrace, and is drawn from Desert Gold by Zane Grey:

distinctly heard a bullet strike Ladd. At the same instant he seemed to hear Thorne cry out and fall, and Lash's boots scrape rapidly away. Ladd fell backward still holding the .405. Gale dragged him into the shelter of his own positoin, and dreading to look at him, took up the heavy weapon. It was with a kind of savage strength that he gripped the rifle; and it was with a cold and deadly intent that he aimed and fired. The first Greaser huddled low, let his carbine go clattering down, and then crawled behind the rim. The second and third jerked back. The fourth seemed to flop up over the crest of lava. A dark arm reached for him, clutched his leg, tried to drag him up. It was in vain.


Desert Gold