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Today's Stichomancy for Sofia Vergara

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Bucky O'Connor by William MacLeod Raine:

see her as far as her uncle's ranch.

"I reckon there ain't any use asking you if you seen anything of Wolf Leroy's outfit," said Forbes, a weather-beaten Westerner with a shrewd, wrinkled face.

"No, I reckon there's no use asking me that," returned Collins, with a laugh that deceptively seemed to include the older man in the joke.

"We're after them for rustling a bunch of Circle 33 cows. Well, I'll be moving. Glad you found the lady, Val. She don't look none played out from her little trek across the desert. Funny, ain't it, how she could have wandered that far and her afoot?"

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Court Life in China by Isaac Taylor Headland:

There are three other imperial temples on the same large scale as those just described. The Temple of the Sun east of the city, that of the Moon on the west, and that of the Earth on the north, though it must be confessed that the worship at these has been allowed to lapse. In the Tartar City there are two others, the Lama Temple and the Confucian Temple, in the former of which there is a statue of Buddha seventy-five feet high, and from thirteen to fifteen hundred priests who worship daily at his shrine. This statue is made of stucco, over a framework, and not of wood as some have told us, and as the guide will assure us at the present day. One can ascend to a level with its head by

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from House of Seven Gables by Nathaniel Hawthorne:

flue, we mean, of its wide chimney), partly in complaint at the rude wind, but rather, as befits their century and a half of hostile intimacy, in tough defiance. A rumbling kind of a bluster roars behind the fire-board. A door has slammed above stairs. A window, perhaps, has been left open, or else is driven in by an unruly gust. It is not to be conceived, before-hand, what wonderful wind-instruments are these old timber mansions, and how haunted with the strangest noises, which immediately begin to sing, and sigh, and sob, and shriek,--and to smite with sledge-hammers, airy but ponderous, in some distant chamber, --and to tread along the entries as with stately footsteps,

House of Seven Gables
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tristram Shandy by Laurence Sterne:

their rumps, could not have made so diabolical a scream of it, as I did-- when the accident befel me: it summoned up my mother instantly into the nursery,--so that Susannah had but just time to make her escape down the back stairs, as my mother came up the fore.

Now, though I was old enough to have told the story myself,--and young enough, I hope, to have done it without malignity; yet Susannah, in passing by the kitchen, for fear of accidents, had left it in short-hand with the cook--the cook had told it with a commentary to Jonathan, and Jonathan to Obadiah; so that by the time my father had rung the bell half a dozen times, to know what was the matter above,--was Obadiah enabled to give him a particular account of it, just as it had happened.--I thought as much,