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Today's Stichomancy for Sofia Vergara

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Chance by Joseph Conrad:

impulsively, and then qualified the affirmative by the quaint statement: "To a certain extent."

I became conscious of a languid, exhausted embarrassment, bowed to Mrs. Fyne, and went out of the cottage to be confronted outside its door by the bespangled, cruel revelation of the Immensity of the Universe. The night was not sufficiently advanced for the stars to have paled; and the earth seemed to me more profoundly asleep-- perhaps because I was alone now. Not having Fyne with me to set the pace I let myself drift, rather than walk, in the direction of the farmhouse. To drift is the only reposeful sort of motion (ask any ship if it isn't) and therefore consistent with thoughtfulness. And


Chance
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Plain Tales from the Hills by Rudyard Kipling:

continued to make life a burden to The Worm. The Senior Subaltern meant no harm; but his chaff was coarse, and he didn't quite understand where to stop. He had been waiting too long for his company; and that always sours a man. Also he was in love, which made him worse.

One day, after he had borrowed The Worm's trap for a lady who never existed, had used it himself all the afternoon, had sent a note to The Worm purporting to come from the lady, and was telling the Mess all about it, The Worm rose in his place and said, in his quiet, ladylike voice: "That was a very pretty sell; but I'll lay you a month's pay to a month's pay when you get your step, that I work a

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Tattine by Ruth Ogden [Mrs. Charles W. Ide]:

willing to obey orders. Tattine was in such haste to get back to the house that she hardly heard his answer. What she had tried to tell him was that the five little fledglings, crowded into the tiny nest under the eaves of the porch, had taken it into their heads to try their first flight at that precise moment, and there they were perched on the shafts of the phaeton, lighting, as it seemed, on the first thing they came to, while the father and mother birds were flying about in frantic anxiety to see them in such a perilous situation. How could those tiny little untrained claws keep their hold on that big round, slippery shaft, and if the carriage started down they would surely go under the wheels or under the feet of that merciless little grey mare. But the little fledglings were in better hands than they knew, for, with the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tom Sawyer, Detective by Mark Twain:

IT warn't very cheerful at breakfast. Aunt Sally she looked old and tired and let the children snarl and fuss at one another and didn't seem to notice it was going on, which wasn't her usual style; me and Tom had a plenty to think about without talking; Benny she looked like she hadn't had much sleep, and whenever she'd lift her head a little and steal a look towards her father you could see there was tears in her eyes; and as for the old man, his things stayed on his plate and got cold without him knowing they was there, I reckon, for he was thinking and thinking all the time, and never said a word and never et