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Today's Stichomancy for Sofia Vergara

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Mansfield Park by Jane Austen:

consideration of times and seasons, a regulation of subject, a propriety, an attention towards everybody which there was not here.

The only interruption which thoughts like these received for nearly half an hour was from a sudden burst of her father's, not at all calculated to compose them. At a more than ordinary pitch of thumping and hallooing in the passage, he exclaimed, "Devil take those young dogs! How they are singing out! Ay, Sam's voice louder than all the rest! That boy is fit for a boatswain. Holla, you there! Sam, stop your confounded pipe, or I shall be after you."


Mansfield Park
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Commission in Lunacy by Honore de Balzac:

brush what Paganini had in his bow--a magnetically communicative power.

Well, I should have to transfer to my style that striking genius, that marvelous knack of the pencil, to depict the upright, tall, lean man dressed in black, with black hair, who stood there without speaking a word. This gentleman had a face like a knife-blade, cold and harsh, with a color like Seine water when it was muddy and strewn with fragments of charcoal from a sunken barge. He looked at the floor, listening and passing judgment. His attitude was terrifying. He stood there like the dreadful broom to which Decamps has given the power of revealing a crime. Now and then, in the course of conversation, the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Ball at Sceaux by Honore de Balzac:

hint that the time had not yet come for settling accounts with the sovereign; that there were bills of much longer standing than his on the books, and there, no doubt, they would remain, as part of the history of the Revolution. The Count prudently withdrew from the venerable group, which formed a respectful semi-circle before the august family; then, having extricated his sword, not without some difficulty, from among the lean legs which had got mixed up with it, he crossed the courtyard of the Tuileries and got into the hackney cab he had left on the quay. With the restive spirit, which is peculiar to the nobility of the old school, in whom still survives the memory of the League and the day of the Barricades (in 1588), he bewailed

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Communist Manifesto by Karl Marx:

bullets with which these same governments, just at that time, dosed the German working-class risings.

While this "True" Socialism thus served the governments as a weapon for fighting the German bourgeoisie, it, at the same time, directly represented a reactionary interest, the interest of the German Philistines. In Germany the petty-bourgeois class, a relic of the sixteenth century, and since then constantly cropping up again under various forms, is the real social basis of the existing state of things.

To preserve this class is to preserve the existing state of things in Germany. The industrial and political supremacy of the


The Communist Manifesto