| The first excerpt represents the past or something you must release, and is drawn from Through the Looking-Glass by Lewis Carroll: morning! You see, Kitty, it MUST have been either me or the Red
King. He was part of my dream, of course--but then I was part
of his dream, too! WAS it the Red King, Kitty? You were his
wife, my dear, so you ought to know--Oh, Kitty, DO help to
settle it! I'm sure your paw can wait!' But the provoking
kitten only began on the other paw, and pretended it hadn't heard
the question.
Which do YOU think it was?
---
A boat beneath a sunny sky,
Lingering onward dreamily
Through the Looking-Glass |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Bucolics by Virgil: Of the Illyrian main,- will ever dawn
That day when I thy deeds may celebrate,
Ever that day when through the whole wide world
I may renown thy verse- that verse alone
Of Sophoclean buskin worthy found?
With thee began, to thee shall end, the strain.
Take thou these songs that owe their birth to thee,
And deign around thy temples to let creep
This ivy-chaplet 'twixt the conquering bays.
Scarce had night's chilly shade forsook the sky
What time to nibbling sheep the dewy grass
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The third excerpt represents the future or something you must embrace, and is drawn from The Mirror of the Sea by Joseph Conrad: physiognomy of that gale.
Another, strangely, recalls a silent man. And yet it was not din
that was wanting; in fact, it was terrific. That one was a gale
that came upon the ship swiftly, like a parnpero, which last is a
very sudden wind indeed. Before we knew very well what was coming
all the sails we had set had burst; the furled ones were blowing
loose, ropes flying, sea hissing - it hissed tremendously - wind
howling, and the ship lying on her side, so that half of the crew
were swimming and the other half clawing desperately at whatever
came to hand, according to the side of the deck each man had been
caught on by the catastrophe, either to leeward or to windward.
The Mirror of the Sea |
