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Today's Stichomancy for Sophia Loren

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Alkahest by Honore de Balzac:

silver fish were swimming about. The room was both brilliant and sombre. The ceiling necessarily absorbed the light and reflected none. Although on the garden side all was bright and glowing, and the sunshine danced upon the ebony carvings, the windows on the court-yard admitted so little light that the gold threads in the lapis-lazuli scarcely glittered on the opposite wall. This parlor, which could be gorgeous on a fine day, was usually, under the Flemish skies, filled with soft shadows and melancholy russet tones, like those shed by the sun on the tree-tops of the forests in autumn.

It is unnecessary to continue this description of the House of Claes, in other parts of which many scenes of this history will occur: at

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Ebb-Tide by Stevenson & Osbourne:

the house?

His eyes dwelled upon him with a strange avidity, as though he would read into his soul; and presently the sleeper moved, stirred uneasily, turned suddenly round, and threw him a blinking look. Davis maintained the same dark stare, and Huish looked away again and sat up.

'Lord, I've an 'eadache on me!' said he. 'I believe I was a bit swipey last night. W'ere's that cry-byby 'Errick?'

'Gone,' said the captain.

'Ashore?' cried Huish. 'Oh, I say! I'd 'a gone too.'

'Would you?' said the captain.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Ann Veronica by H. G. Wells:

dawn of the new life drew near to her--a thrilling of the nerves, a secret and delicious exaltation above the common circumstances of existence. Sometimes her straying mind would become astonishingly active--embroidering bright and decorative things that she could say to Capes; sometimes it passed into a state of passive acquiescence, into a radiant, formless, golden joy. She was aware of people--her aunt, her father, her fellow-students, friends, and neighbors--moving about outside this glowing secret, very much as an actor is aware of the dim audience beyond the barrier of the footlights. They might applaud, or object, or interfere, but the drama was her very own. She was going through

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from When the Sleeper Wakes by H. G. Wells:

clutching the guides of the seat, with his grey hair streaming; see the white-faced aeronaut wrenching over the lever that drove the engine along its guides. He heard the apprehensive vague cry of innumerable men below.

Graham clutched the railing before him and gasped. The second seemed an age. The lower van of the aeropile passed within an ace of touching the people, who yelled and screamed and trampled one another below.

And then it rose.


When the Sleeper Wakes