| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Dreams by Olive Schreiner: it called. The sunlight when it shines upon the merry water is not so
glad; the rosebuds, when they turn back their lips for the sun's first
kiss, are not so ruddy. Its tiny pulses beat quick. It was so warm, so
soft! It never spoke, but it laughed and played in the sunshine: and Love
and Life rejoiced exceedingly. Neither whispered it to the other, but deep
in its own heart each said, "It shall be ours for ever."
Then there came a time--was it after weeks? was it after months? (Love and
Life do not measure time)--when the thing was not as it had been.
Still it played; still it laughed; still it stained its mouth with purple
berries; but sometimes the little hands hung weary, and the little eyes
looked out heavily across the water.
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Around the World in 80 Days by Jules Verne: Sir Francis would have liked to read Phileas Fogg's eyes.
What was this cool Englishman thinking of? Was he planning
to make a rush for the young woman at the very moment
of the sacrifice, and boldly snatch her from her executioners?
This would be utter folly, and it was hard to admit that Fogg
was such a fool. Sir Francis consented, however, to remain
to the end of this terrible drama. The guide led them to the rear
of the glade, where they were able to observe the sleeping groups.
Meanwhile Passepartout, who had perched himself on the lower branches
of a tree, was resolving an idea which had at first struck him like a flash,
and which was now firmly lodged in his brain.
Around the World in 80 Days |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Alexandria and her Schools by Charles Kingsley: outward and physical labour and craft. These to him have no meaning,
except an allegoric one. But has he thrown them away for the sake of
getting a step nearer to Socrates, or Plato, or Aristotle? Surely not.
To them, as to the old Jewish sages, man is most important when regarded
not merely as a soul, but as a man, a social being of flesh and blood.
Aristotle declares politics to be the architectonical science, the
family and social relations to be the eternal master-facts of humanity.
Plato, in his Republic, sets before himself the Constitution of a State,
as the crowning problem of his philosophy. Every work of his, like
every saying of his master Socrates, deals with the common, outward,
vulgar facts of human life, and asserts that there is a divine meaning
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Touchstone by Edith Wharton: passion, and the luxuries it allowed her made him, even then,
dimly aware that she had the secret of an inexhaustible alchemy.
Their relations remained thus negatively tender till she suddenly
wrote him of her decision to go abroad to live. Her father had
died, she had no near ties in Hillbridge, and London offered more
scope than New York to her expanding personality. She was already
famous and her laurels were yet unharvested.
For a moment the news roused Glennard to a jealous sense of lost
opportunities. He wanted, at any rate, to reassert his power
before she made the final effort of escape. They had not met for
over a year, but of course he could not let her sail without
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