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Today's Stichomancy for Soren Kierkegaard

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Elizabeth and her German Garden by Marie Annette Beauchamp:

her size and years, seized a stick much bigger than herself and went after the cows, the cowherd being nowhere to be seen. She planted herself in front of them <25> brandishing her stick, and they stood in a row and stared at her in great astonishment; and she kept them off until one of the men from the farm arrived with a whip, and having found the cowherd sleeping peacefully in the shade, gave him a sound beating. The cowherd is a great hulking young man, much bigger than the man who beat him, but he took his punishment as part of the day's work and made no remark of any sort. It could not have hurt him much through his leather breeches,

Elizabeth and her German Garden
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Perfect Wagnerite: A Commentary on the Niblung's Ring by George Bernard Shaw:

matter what his dramatic mood may be, he expresses it in exquisite musical verses more easily than a dramatist of ordinary singleness of talent can express it in prose. Accordingly, he too, like Shakespeare and Shelley,leaves versified airs, like Dalla sua pace, or Gluck's Che fare senza Euridice, or Weber's Leise, leise, which are as dramatic from the first note to the last as the untrammelled themes of The Ring. In consequence, it used to be professorially demanded that all dramatic music should present the same double aspect. The demand was unreasonable, since symmetrical versification is no merit in dramatic music: one might as well stipulate that a dinner fork should be

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Great Big Treasury of Beatrix Potter by Beatrix Potter:

thought she saw some white things spread upon the grass.

Lucie scrambled up the hill as fast as her short legs would carry her; she ran along a steep path-way--up and up--until Little-town was right away down below--she could have dropped a pebble down the chimney!

Presently she came to a spring, bubbling out from the hillside.

Some one had stood a tin can upon

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Summer by Edith Wharton:

home, and you want to get away for a while...I have a lady friend in Boston who's looking for a companion...you're the very one to suit her, my dear...."

Charity had reached the door. "I don't want to stay. I don't want to come back here," she stammered, her hand on the knob; but with a swift movement, Dr. Merkle edged her from the threshold.

"Oh, very well. Five dollars, please."

Charity looked helplessly at the doctor's tight lips and rigid face. Her last savings had gone in repaying