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Today's Stichomancy for Soren Kierkegaard

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Alcibiades II by Platonic Imitator:

mentioned by Aristotle, or by any early authority, and have no claim to be ascribed to Plato. They are examples of Platonic dialogues to be assigned probably to the second or third generation after Plato, when his writings were well known at Athens and Alexandria. They exhibit considerable originality, and are remarkable for containing several thoughts of the sort which we suppose to be modern rather than ancient, and which therefore have a peculiar interest for us. The Second Alcibiades shows that the difficulties about prayer which have perplexed Christian theologians were not unknown among the followers of Plato. The Eryxias was doubted by the ancients themselves: yet it may claim the distinction of being, among all Greek or Roman writings, the one which anticipates in the most striking

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Lin McLean by Owen Wister:

gettin' to be. She would cut off his allowance and bring him home, and you would have the runnin' all to yourself."

"I'll fix him yet," muttered Mr. McLean. "Him and his wars."

With that he rose and left us.

The next afternoon he informed me that if I was riding up the creek to spend the night he would go for company. In that direction we started, therefore, without any mention of the Taylors or Miss Peck. I was puzzled. Never had I seen him thus disconcerted by woman. With him woman had been a transient disturbance. I had witnessed a series of flighty romances, where the cow-puncher had come, seen, often conquered, and moved on. Nor had his affairs been of the sort to teach a young man

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The House of Dust by Conrad Aiken:

Would he return to-morrow? Or would he not? And did I want him to--or would I rather Look for another job?--He took my shoulders Between his hands, and looked down into my eyes, And smiled, and said good-night. If he had kissed me, That would have--well, I don't know; but he didn't . . And so I went downstairs, then, half elated, Hoping to close the door before that party In number four should sing that song again-- 'They'll soon be lighting candles round a box with silver handles'-- And sure enough, I did. I faced the darkness.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from On the Duty of Civil Disobedience by Henry David Thoreau:

with the windows open, which were inside the grating. It was to see my native village in the light of the Middle Ages, and our Concord was turned into a Rhine stream, and visions of knights and castles passed before me. They were the voices of old burghers that I heard in the streets. I was an involuntary spectator and auditor of whatever was done and said in the kitchen of the adjacent village inn--a wholly new and rare experience to me. It was a closer view of my native town. I was fairly inside of it. I never had seen its institutions before. This is one of its peculiar institutions; for it is a shire town. I began to comprehend


On the Duty of Civil Disobedience