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Today's Stichomancy for Stanley Kubrick

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Herbert West: Reanimator by H. P. Lovecraft:

of his process, if indeed possible, would necessarily involve a lifetime of research. It likewise became clear that, since the same solution never worked alike on different organic species, he would require human subjects for further and more specialised progress. It was here that he first came into conflict with the college authorities, and was debarred from future experiments by no less a dignitary than the dean of the medical school himself -- the learned and benevolent Dr. Allan Halsey, whose work in behalf of the stricken is recalled by every old resident of Arkham.

I had always been exceptionally tolerant of West’s pursuits, and we frequently discussed his theories, whose ramifications


Herbert West: Reanimator
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Taras Bulba and Other Tales by Nikolai Vasilievich Gogol:

handsome moustache peeped through the doorway of another room. Akakiy Akakievitch shook his head and laughed, and then went on his way. Why did he laugh? Either because he had met with a thing utterly unknown, but for which every one cherishes, nevertheless, some sort of feeling; or else he thought, like many officials, as follows: "Well, those French! What is to be said? If they do go in anything of that sort, why--" But possibly he did not think at all.

Akakiy Akakievitch at length reached the house in which the sub-chief lodged. The sub-chief lived in fine style: the staircase was lit by a lamp; his apartment being on the second floor. On entering the vestibule, Akakiy Akakievitch beheld a whole row of goloshes on the


Taras Bulba and Other Tales
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Damnation of Theron Ware by Harold Frederic:

a warm, sympathetic grasp. He closed his eyes at this, and gradually the paroxysmal catch in his breathing lapsed. The daylight strengthened, until at last tiny flecks of sunshine twinkled in the meshes of the further curtains at the window. She fancied him asleep, and gently sought to disengage her hand, but his fingers clutched at it with vehemence, and his eyes were wide open.

"I can't sleep at all," he murmured. "I want to talk."

"There 's nothing in the world to hinder you," she commented smilingly.

"I tell you the solemn truth," he said, lifting his


The Damnation of Theron Ware
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Rescue by Joseph Conrad:

ends of them. They smouldered with amazing energy, emitting now and then a splutter, and in the calm air within the bulwarks sent up very slender, exactly parallel threads of smoke, each with a vanishing curl at the end; and the absorption with which Jorgenson gave himself up to that pastime was enough to shake all confidence in his sanity.

In one half-opened hand he was holding the watch. He was also provided with a scrap of paper and the stump of a pencil. Mrs. Travers was confident that he did not either hear or see her.

"Captain Jorgenson, you no doubt think. . . ."

He tried to wave her away with the stump of the pencil. He did


The Rescue