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Today's Stichomancy for Stanley Kubrick

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Nada the Lily by H. Rider Haggard:

had gone thence to fight, their joy was turned to mourning, and the voice of their weeping went up to heaven.

Umslopogaas greeted Zinita kindly; and yet I thought that there was something lacking. At first she spoke to him softly, but when she learned all that had come to pass, her words were not soft, for she reviled me and sang a loud song at Umslopogaas.

"See now, Slaughterer," she said, "see now what has came about because you listened to this aged fool!"--that was I, my father--"this fool who calls himself 'Mouth'! Ay, a mouth he is, a mouth out of which proceed folly and lies! What did he counsel you to do?--to go up against these Halakazi and win a girl for Dingaan! And what have you


Nada the Lily
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Human Drift by Jack London:

to maintain than it used to cost to conquer an empire. It is more expensive to be ready to kill, than it used to be to do the killing. The price of a Dreadnought would furnish the whole army of Xerxes with killing weapons. And, in spite of its magnificent equipment, war no longer kills as it used to when its methods were simpler. A bombardment by a modern fleet has been known to result in the killing of one mule. The casualties of a twentieth century war between two world-powers are such as to make a worker in an iron-foundry turn green with envy. War has become a joke. Men have made for themselves monsters of battle which they cannot face in battle. Subsistence is generous these days, life is not cheap,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from On Horsemanship by Xenophon:

again unduly sluggish in disposition. The first point to recognise is, that temper of spirit in a horse takes the place of passion or anger in a man; and just as you may best escape exciting a man's ill-temper by avoiding harshness of speech and act, so you will best avoid enraging a spirited horse by not annoying him. Thus, from the first instant, in the act of mounting him, you should take pains to minimise the annoyance; and once on his back you should sit quiet for longer than the ordinary time, and so urge him forward by the gentlest signs possible; next, beginning at the slowest pace, gradually work him into a quicker step, but so gradually that he will find himself at full speed without noticing it.[1] Any sudden signal will bewilder a


On Horsemanship
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Critias by Plato:

take up arms against one another, and they were all to come to the rescue if any one in any of their cities attempted to overthrow the royal house; like their ancestors, they were to deliberate in common about war and other matters, giving the supremacy to the descendants of Atlas. And the king was not to have the power of life and death over any of his kinsmen unless he had the assent of the majority of the ten.

Such was the vast power which the god settled in the lost island of Atlantis; and this he afterwards directed against our land for the following reasons, as tradition tells: For many generations, as long as the divine nature lasted in them, they were obedient to the laws, and well-affectioned towards the god, whose seed they were; for they possessed