| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Rezanov by Gertrude Atherton: of the few supreme favorites of the forces that
shaped man's life and destiny. Until he had started
from Kronstadt four years before on a voyage that
had humiliated his proud spirit more than once, and
undermined as splendid a physique as ever was
granted to even a Russian, he had rolled the world
under his foot. With an appearance and a personal
magnetism, gifts of mind and manner and charac-
ter that would have commanded attention amid the
general flaccidity of his race and conquered life
without the great social advantages he inherited, he
 Rezanov |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Christ in Flanders by Honore de Balzac: between the young mother and the old soldier. Immediately behind him
sat a peasant and his son, a boy ten years of age. A beggar woman,
old, wrinkled, and clad in rags, was crouching, with her almost empty
wallet, on a great coil of rope that lay in the prow. One of the
rowers, an old sailor, who had known her in the days of her beauty and
prosperity, had let her come in "for the love of God," in the
beautiful phrase that the common people use.
"Thank you kindly, Thomas," the old woman had said. "I will say two
/Paters/ and two /Aves/ for you in my prayers to-night."
The skipper blew his horn for the last time, looked along the silent
shore, flung off the chain, ran along the side of the boat, and took
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