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Today's Stichomancy for Stanley Kubrick

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Chessmen of Mars by Edgar Rice Burroughs:

him with this indication of failing mentality by calling his attention to the nth time to that theory, propounded by certain scientists, which is based upon the assertion that phenomenal chess players are always found to be from the ranks of children under twelve, adults over seventy-two or the mentally defective--a theory that is lightly ignored upon those rare occasions that I win. Shea had gone to bed and I should have followed suit, for we are always in the saddle here before sunrise; but instead I sat there before the chess table in the library, idly blowing smoke at the dishonored head of my defeated king.


The Chessmen of Mars
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Tragedy of Pudd'nhead Wilson by Mark Twain:

"No, he couldn't either; he couldn't and not be responsible if the other end died, which it would. In my opinion that man ain't in his right mind."

"In my opinion he hain't _got_ any mind."

No. 3 said: "Well, he's a lummox, anyway."

That's what he is;" said No. 4. "He's a labrick--just a Simon-pure labrick, if there was one."

"Yes, sir, he's a dam fool. That's the way I put him up," said No. 5. "Anybody can think different that wants to, but those are my sentiments."

"I'm with you, gentlemen," said No. 6. "Perfect jackass--yes, and it ain't going too far to say he is a pudd'nhead. If he ain't a pudd'nhead, I ain't no judge, that's all."

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Intentions by Oscar Wilde:

Juliet played by a young man, or give up the advantage of changeable scenery. A great work of dramatic art should not merely be made expressive of modern passion by means of the actor, but should be presented to us in the form most suitable to the modern spirit. Racine produced his Roman plays in Louis Quatorze dress on a stage crowded with spectators; but we require different conditions for the enjoyment of his art. Perfect accuracy of detail, for the sake of perfect illusion, is necessary for us. What we have to see is that the details are not allowed to usurp the principal place. They must be subordinate always to the general motive of the play. But subordination in art does not mean

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Hated Son by Honore de Balzac:

of knowledge and some conventional grandeur, the daughter of the physician eclipsed all that by her beauty, by the loftiness of her sentiments, by the delicacy she gave to their enjoyments. Thus these two white doves flew with one wing beneath their pure blue heaven; Etienne loved, he was loved, the present was serene, the future cloudless; he was sovereign lord; the castle was his, the sea belonged to both of them; no vexing thought troubled the harmonious concert of their canticle; virginity of mind and senses enlarged for them the world, their thoughts rose in their minds without effort; desire, the satisfactions of which are doomed to blast so much, desire, that evil of terrestrial love, had not as yet attacked them. Like two zephyrs