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Today's Stichomancy for Stanley Kubrick

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Mansion by Henry van Dyke:

to cling only by sufferance to the edge of the splendid city.

"This," said the Keeper of the Gate, standing still and speaking with a low, distinct voice--"this is your mansion, John Weightman."

An almost intolerable shock of grieved wonder and indignation choked the man for a moment so that he could not say a word. Then he turned his face away from the poor little hut and began to remonstrate eagerly with his companion.

"Surely, sir," he stammered, "you must be in error about this. There is something wrong--some other John Weightman--a confusion

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Myths and Myth-Makers by John Fiske:

Sixpence,' his claim would be easily established,--obviously the four-and-twenty blackbirds are the four-and-twenty hours, and the pie that holds them is the underlying earth covered with the overarching sky,--how true a touch of nature it is that when the pie is opened, that is, when day breaks, the birds begin to sing; the King is the Sun, and his counting out his money is pouring out the sunshine, the golden shower of Danae; the Queen is the Moon, and her transparent honey the moonlight; the Maid is the 'rosy-fingered' Dawn, who rises before the Sun, her master, and hangs out the clouds, his clothes, across the sky; the particular blackbird, who so

Myths and Myth-Makers
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Jerusalem Delivered by Torquato Tasso:

VIII As through his channel crooked Meander glides With turns and twines, and rolls now to, now fro, Whose streams run forth there to the salt sea sides Here back return and to their springward go: Such crooked paths, such ways this palace hides; Yet all the maze their map described so, That through the labyrinth they got in fine, As Theseus did by Ariadne's line.

IX When they had passed all those troubled ways,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Spirit of the Border by Zane Grey:

stepped, peering into the branches overhead. A gray flash shot along a limb of a white oak; then the bushy tail of a squirrel flitted into a well-protected notch, from whence, no doubt, a keen little eye watched the hunter's every movement.

The rifle was raised; then lowered. The hunter walked around the tree. Presently up in the tree top, snug under a knotty limb, he spied a little ball of gray fur. Grasping a branch of underbush, he shook it vigorously. The thrashing sound worried the gray squirrel, for he slipped from his retreat and stuck his nose Over the limb. CRACK! With a scratching and tearing of bark the squirrel loosened his hold and then fell; alighting with a thump. As the hunter picked up his quarry a streak of sunshine glinting through the tree top

The Spirit of the Border