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Today's Stichomancy for Stanley Kubrick

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Court Life in China by Isaac Taylor Headland:

were not congenial in their wedded life, the Empress Dowager made herself a kind of foster-mother to the Princess and banished her husband to Mongolia, an incident which reveals to us another phase of the great Dowager's character--that of dealing with fractious husbands.


The Princesses--Their Schools

The position accorded to woman in Chinese society is strictly a domestic one, and, as is the case in other Eastern countries, she is denied the liberty which threatens to attain such amazing proportions in the West. There is no reason to suppose that woman

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Poems of Goethe, Bowring, Tr. by Johann Wolfgang von Goethe:

My child it is, my child 'twill remain,

So let your questionings cease!



WHERE goest thou? Where? Miller's daughter so fair!

Thy name, pray?--


'Tis Lizzy.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Red Inn by Honore de Balzac:

convenient port to mariners.

"Germany is a beautiful country!" cried one of the two young men, who was named Prosper Magnan, at the moment when he caught sight of the painted houses of Andernach, pressed together like eggs in a basket, and separated only by trees, gardens, and flowers. Then he admired for a moment the pointed roofs with their projecting eaves, the wooden staircases, the galleries of a thousand peaceful dwellings, and the vessels swaying to the waves in the port.

[At the moment when Monsieur Hermann uttered the name of Prosper Magnan, my opposite neighbor seized the decanter, poured out a glass of water, and emptied it at a draught. This movement having attracted

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Deserted Woman by Honore de Balzac:

from which you rescued me has been my protection. To owe your love to your pity! The thought is even more painful to me than the fear of spoiling your life for you. The man who can bring himself to stab his mistress is very charitable if he gives her her deathblow while she is happy and ignorant of evil, while illusions are in full blossom. . . . Yes, death is preferable to the two thoughts which have secretly saddened the hours for several days. To-day, when you asked 'What ails you?' so tenderly, the sound of your voice made me shiver. I thought that, after your wont, you were reading my very soul, and I waited for your confidence to come, thinking that my presentiments had come true, and that I had