Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Stanley Kubrick

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Sarrasine by Honore de Balzac:

to him that La Zambinella was almost a courtesan, and that he could not hope to enjoy at one and the same time the pure delights which would make a maiden's love so sweet, and the passionate transports with which one must purchase the perilous favors of an actress. He reflected and resigned himself to his fate. The supper was served. Sarrasine and La Zambinella seated themselves side by side without ceremony. During the first half of the feast the artists exercised some restraint, and the sculptor was able to converse with the singer. He found that she was very bright and quick-witted; but she was amazingly ignorant and seemed weak and superstitious. The delicacy of her organs was reproduced in her understanding. When Vitagliani opened

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Jude the Obscure by Thomas Hardy:

to be real sapphires--which they were, indeed, and were much admired as such by the young men who frequented the bar.

"So you pass as having a living husband," he continued.

"Yes. I thought it might be awkward if I called myself a widow, as I should have liked."

"True. I am known here a little."

"I didn't mean on that account--for as I said I didn't expect you. It was for other reasons."

"What were they?"

"I don't care to go into them," she replied evasively. "I make a very good living, and I don't know that I want


Jude the Obscure
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from To-morrow by Joseph Conrad:

proach the iron railings and resume his fatherly and patronising relations.

For all their intimacy, which had lasted some years now, they had never talked without a fence or a railing between them. He described to her all the splendours accumulated for the setting-up of their housekeeping, but had never invited her to an inspection. No human eye was to behold them till Harry had his first look. In fact, nobody had ever been inside his cottage; he did his own housework, and he guarded his son's privilege so jealously that


To-morrow
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Anna Karenina by Leo Tolstoy:

excorting through the crowd. "Ah, yes! The husband." Only now for the first time did Vronsky realize clearly the fact that there was a person attached to her, a husband. He knew that she had a husband, but had hardly believed in his existence, and only now fully believed in him, with his head nad shoulders, and his legs clad in black trousers; especially when he saw this husband calmly take her arm with a sense of property.

Seeing Alexey Alexandrovitch with this Petersburg face and severely self-confident figure, in his round hat, with his rather prominent spine, he believed in him, and was aware of a diagreeable sensation, such as a man might feel tortured by


Anna Karenina