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Today's Stichomancy for Stanley Kubrick

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from On Horsemanship by Xenophon:

skirmishing is the order of the day (at one time charging the enemy right up to the hostile battle-line, and again beating a retreat), under these circumstances it is well to bear in mind that so long as the skirmisher is close to his own party,[12] valour and discretion alike dictate to wheel and charge in the vanguard might and main; but when he finds himself in close proximity to the foe, he must keep his horse well in hand. This, in all probability, will enable him to do the greatest mischief to the enemy, and to receive least damage at his hands.

[12] See "Hipparch," viii. 23.

The gods have bestowed on man, indeed, the gift of teaching man his


On Horsemanship
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Soul of a Bishop by H. G. Wells:

very remiss," he said, as he and Lady Ella stared at the basement "breakfast room" of their twenty-seventh dismal possibility. "It should have insisted far more than it has done upon the landlord's responsibility. No one should tolerate the offer of such a house as this--at such a rent--to decent people. It is unrighteous."

At the house agent's he asked in a cold, intelligent ruling- class voice, the name of the offending landlord.

"It's all the property of the Ecclesiastical Commissioners that side of the railway," said the agent, picking his teeth with a pin. "Lazy lot. Dreadfully hard to get 'em to do anything. Own

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Patchwork Girl of Oz by L. Frank Baum:

Said the owl in a grumbling voice:

"Patchwork Girl has come to life; No one's sweetheart, no one's wife; Lacking sense and loving fun, She'll be snubbed by everyone."

"Quite a compliment! Quite a compliment, I declare," exclaimed the donkey, turning to look at Scraps. "You are certainly a wonder, my dear, and I fancy you'd make a splendid pincushion. If you belonged to me, I'd wear smoked glasses when I looked at you."


The Patchwork Girl of Oz
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Dark Lady of the Sonnets by George Bernard Shaw:

Let me again remind Mr Harris of Oscar Wilde. We all dreaded to read De Profundis: our instinct was to stop our ears, or run away from the wail of a broken, though by no means contrite, heart. But we were throwing away our pity. De Profundis was de profundis indeed: Wilde was too good a dramatist to throw away so powerful an effect; but none the less it was de profundis in excelsis. There was more laughter between the lines of that book than in a thousand farces by men of no genius. Wilde, like Richard and Shakespear, found in himself no pity for himself. There is nothing that marks the born dramatist more unmistakably than this discovery of comedy in his own misfortunes