| The first excerpt represents the past or something you must release, and is drawn from Pagan and Christian Creeds by Edward Carpenter: mass-Man, then the reign of individuality begins--a false
and impossible individuality of course, but the only means
of coming to the consciousness of the true individuality."
And further, "Thus this divinity in each creature, being
that which constitutes it and causes it to cohere together,
was conceived of as that creature's saviour, healer--healer
of wounds of body and wounds of heart--the Man within
the man, whom it was not only possible to know, but whom
to know and be united with was the alone salvation. This,
I take it, was the law of health--and of holiness--as
accepted at some elder time of human history, and by
 Pagan and Christian Creeds |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Collected Articles by Frederick Douglass: and many similar proscriptions, which I was destined to meet in
New Bedford and elsewhere on the free soil of Massachusetts.
For instance, though colored children attended the schools,
and were treated kindly by their teachers, the New Bedford Lyceum
refused, till several years after my residence in that city,
to allow any colored person to attend the lectures delivered in its
hall. Not until such men as Charles Sumner, Theodore Parker,
Ralph Waldo Emerson, and Horace Mann refused to lecture in their
course while there was such a restriction, was it abandoned.
Becoming satisfied that I could not rely on my trade in New
Bedford to give me a living, I prepared myself to do any kind of
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The third excerpt represents the future or something you must embrace, and is drawn from The Rape of Lucrece by William Shakespeare: I know repentant tears ensue the deed,
Reproach, disdain, and deadly enmity;
Yet strike I to embrace mine infamy.'
This said, he shakes aloft his Roman blade,
Which, like a falcon towering in the skies,
Coucheth the fowl below with his wings' shade,
Whose crooked beak threats if he mount he dies:
So under his insulting falchion lies
Harmless Lucretia, marking what he tells
With trembling fear, as fowl hear falcon's bells.
'Lucrece,' quoth he, 'this night I must enjoy thee:
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