|The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Republic by Plato:
Explain the purport of your remark.
Well, I will tell you, although I have always from my earliest youth had an
awe and love of Homer, which even now makes the words falter on my lips,
for he is the great captain and teacher of the whole of that charming
tragic company; but a man is not to be reverenced more than the truth, and
therefore I will speak out.
Very good, he said.
Listen to me then, or rather, answer me.
Put your question.
Can you tell me what imitation is? for I really do not know.
A likely thing, then, that I should know.
|The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Lemorne Versus Huell by Elizabeth Drew Stoddard:
"Put your foot on the stirrup then."
A leaf stuck in the horse's forelock, and I pulled it off and
waved it in token of farewell. A powerful light shot into his eyes
when he saw my hand close on the leaf.
"May I come and see you?" he asked, abruptly. "I will."
"I shall say neither 'No' or 'Yes.'"
He rode on at a quick pace, and I walked homeward forgetting the
sense of liberty I had started with, and proceeded straightway to
"I have not been to church, aunt, but to walk beyond the town;
|The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Great God Pan by Arthur Machen:
happened to those who chanced to meet the Great God Pan, and
those who are wise know that all symbols are symbols of
something, not of nothing. It was, indeed, an exquisite symbol
beneath which men long ago veiled their knowledge of the most
awful, most secret forces which lie at the heart of all things;
forces before which the souls of men must wither and die and
blacken, as their bodies blacken under the electric current.
Such forces cannot be named, cannot be spoken, cannot be
imagined except under a veil and a symbol, a symbol to the most
of us appearing a quaint, poetic fancy, to some a foolish tale.
But you and I, at all events, have known something of the
The Great God Pan
|The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Man in Lower Ten by Mary Roberts Rinehart:
"I - really, Mr. Blakeley, the events of the day were so
engrossing - "
"Well," I said, "I'm not going to see you drop on the floor from
exhaustion. Just wait a minute."
I went back to the pantry, only to be confronted with rows of locked
doors and empty dishes. Downstairs, in the basement kitchen,
however, I found two unattractive looking cold chops, some dry bread
and a piece of cake, wrapped in a napkin, and from its surreptitious
and generally hang-dog appearance, destined for the coachman in the
stable at the rear. Trays there were none - everything but the
chairs and tables seemed under lock and key, and there was neither
The Man in Lower Ten