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Today's Stichomancy for Stephen Hawking

The first excerpt represents the past or something you must release, and is drawn from A Footnote to History by Robert Louis Stevenson:

necessarily innocent; she was necessarily innocent of proceeding on Mulinuu. Or suppose the diving operations, and the native testimony, and Pelly's chart of the boat's course, and the boat itself, to be all stages of some epidemic hallucination or steps in a conspiracy - suppose even a second TAUMUALUA to have entered Apia bay after nightfall, and to have been fired upon from Grevsmuhl's wharf in the full career of hostilities against Mulinuu - suppose all this, and Becker is not helped. At the time of the first fire, the boat was off Grevsmuhl's wharf. At the time of the second (and that is the one complained of) she was off Carruthers's wharf in Matautu. Was she still proceeding on Mulinuu? I trow not. The

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Early Short Fiction of Edith Wharton by Edith Wharton:

Procurator and the other a grandee of Spain. But my father is a gambler too--oh, such fortunes as are squandered over the arcade yonder! And so--and so--don't turn, I implore you--oh, do you begin to see my meaning?"

She broke off sobbing, and it took all his strength to keep his eyes from her.

"Go on," he said.

"Will you not understand? Oh, I would say anything to save you! You don't know us Venetians--we're all to be bought for a price. It is not only the brides who are marketable--sometimes the husbands sell themselves too. And they think you rich--my father

The third excerpt represents the future or something you must embrace, and is drawn from The Fall of the House of Usher by Edgar Allan Poe:

whom I spoke. The now ghastly pallor of the skin, and the now miraculous lustre of the eye, above all things startled and even awed me. The silken hair, too, had been suffered to grow all unheeded, and as, in its wild gossamer texture, it floated rather than fell about the face, I could not, even with effort, connect its Arabesque expression with any idea of simple humanity.

In the manner of my friend I was at once struck with an incoherence--an inconsistency; and I soon found this to arise from a series of feeble and futile struggles to overcome an habitual trepidancy--an excessive nervous agitation. For something of this nature I had indeed been prepared, no less by

The Fall of the House of Usher