The first excerpt represents the past or something you must release, and is drawn from A Passion in the Desert by Honore de Balzac: his capricious companion, whose hunger had so fortunately been
satisfied the day before, he got up to go out of the cave; the panther
let him go out, but when he had reached the summit of the hill she
sprang with the lightness of a sparrow hopping from twig to twig, and
rubbed herself against his legs, putting up her back after the manner
of all the race of cats. Then regarding her guest with eyes whose
glare had softened a little, she gave vent to that wild cry which
naturalists compare to the grating of a saw.
"She is exacting," said the Frenchman, smilingly.
He was bold enough to play with her ears; he caressed her belly and
scratched her head as hard as he could. When he saw that he was
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Eryxias by Platonic Imitator: SOCRATES: But can a bad thing be used to carry out a good purpose?
CRITIAS: I should say not.
SOCRATES: And we call those actions good which a man does for the sake of
virtue?
CRITIAS: Yes.
SOCRATES: But can a man learn any kind of knowledge which is imparted by
word of mouth if he is wholly deprived of the sense of hearing?
CRITIAS: Certainly not, I think.
SOCRATES: And will not hearing be useful for virtue, if virtue is taught
by hearing and we use the sense of hearing in giving instruction?
CRITIAS: Yes.
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The third excerpt represents the future or something you must embrace, and is drawn from Bucolics by Virgil: Harder this clay, this wax the softer grows,
So by my love may Daphnis; sprinkle meal,
And with bitumen burn the brittle bays.
Me Daphnis with his cruelty doth burn,
I to melt cruel Daphnis burn this bay.
"Draw from the town, my songs, draw Daphnis home.
As when some heifer, seeking for her steer
Through woodland and deep grove, sinks wearied out
On the green sedge beside a stream, love-lorn,
Nor marks the gathering night that calls her home-
As pines that heifer, with such love as hers
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