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Today's Stichomancy for Steve Jobs

The first excerpt represents the past or something you must release, and is drawn from The Brother of Daphne by Dornford Yates:

I'm afraid that's putting it rather high. But you might have been stung, so I'm thankful I was there. At the same time, I can't help feeling that it is to my company that you owe this- this unwarrantable assault. It's me they're after. They want to swarm on me. Or else they've recognized one of their enemies. They said, 'That's a beer, one of the beers. Let us slay him, and the intoxicants... ' Exactly. Of course, Berry and Daphne are dead. It's really very tiresome. With Jill and Jonah both away, I don't know what on earth we shall do about tennis tomorrow."

"I wish we could have some air," said the girl.

The Brother of Daphne
The second excerpt represents the present or the deciding factor of the moment, and is drawn from War and the Future by H. G. Wells:

most remarkable. With an air of profound wisdom he returns perpetually to his proposition that there are faults on both sides. To say that is his conception of impartiality. I suppose that if a bull gored his sister he would say that there were faults on both sides; his sister ought not to have strayed into the field, she was wearing a red hat of a highly provocative type; she ought to have been a cow and then everything would have been different. In the face of the history of the last forty years, the Genteel Whig struggles persistently to minimise the German outrage upon civilisation and to find excuses for Germany. He does this, not because he has any real passion for falsehood,

The third excerpt represents the future or something you must embrace, and is drawn from Soul of a Bishop by H. G. Wells:

stuff it was! How it wrangled! Was Chasters a religious man? Why did he write these books? Had he really a passion for truth or only a Swift-like hatred of weakly-thinking people? None of this stuff in his books was really wrong, provided it was religious- spirited. Much of it had been indeed destructively illuminating to its reader. It let daylight through all sorts of walls. Indeed, the more one read the more vividly true its acid-bit lines became.... And yet, and yet, there was something hateful in the man's tone. Scrope held the book and thought. He had seen Chasters once or twice. Chasters had the sort of face, the sort of voice, the sort of bearing that made one think of his possibly