| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from In a German Pension by Katherine Mansfield: ticked to the watch. He sprang out of bed and went over to the window.
The venetian blind was broken, hung fan-shaped over the upper pane..."That
blind must be mended. I'll get the office boy to drop in and fix it on his
way home to-morrow--he's a good hand at blinds. Give him twopence and
he'll do it as well as a carpenter...Anna could do it herself if she was
all right. So would I, for the matter of that, but I don't like to trust
myself on rickety step-ladders." He looked up at the sky: it shone,
strangely white, unflecked with cloud; he looked down at the row of garden
strips and backyards. The fence of these gardens was built along the edge
of a gully, spanned by an iron suspension bridge, and the people had a
wretched habit of throwing their empty tins over the fence into the gully.
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Travels with a Donkey in the Cevenne by Robert Louis Stevenson: suds disappeared as if by magic in the swift current, and the white
boulders gave one a model for cleanliness. To wash in one of God's
rivers in the open air seems to me a sort of cheerful solemnity or
semi-pagan act of worship. To dabble among dishes in a bedroom may
perhaps make clean the body; but the imagination takes no share in
such a cleansing. I went on with a light and peaceful heart, and
sang psalms to the spiritual ear as I advanced.
Suddenly up came an old woman, who point-blank demanded alms.
'Good,' thought I; 'here comes the waiter with the bill.'
And I paid for my night's lodging on the spot. Take it how you
please, but this was the first and the last beggar that I met with
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