Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Steve Martin

The first excerpt represents the past or something you must release, and is drawn from Tales and Fantasies by Robert Louis Stevenson:

seat and came forward, holding out his hand.

'Good-morning, father,' said he.

Of the contention of feeling that ran high in Mr. Nicholson's starched bosom, no outward sign was visible; nor did he delay long to make a choice of conduct. Yet in that interval he had reviewed a great field of possibilities both past and future; whether it was possible he had not been perfectly wise in his treatment of John; whether it was possible that John was innocent; whether, if he turned John out a second time, as his outraged authority suggested, it was possible to avoid a scandal; and whether, if he went to that extremity,

The second excerpt represents the present or the deciding factor of the moment, and is drawn from End of the Tether by Joseph Conrad:

voice.

"He calls himself a white man," answered the Master- Attendant scornfully; "but if so, it's just skin-deep and no more. I told him that to his face too."

"But who is he, then?"

"He's the chief engineer of her. See THAT, Harry?"

"I see," Captain Whalley said thoughtfully. "The engineer. I see."

How the fellow came to be a shipowner at the same time was quite a tale. He came out third in a home ship nearly fifteen years ago, Captain Eliott remem-


End of the Tether
The third excerpt represents the future or something you must embrace, and is drawn from Sylvie and Bruno by Lewis Carroll:

liberty to put in--" he dropped his voice to a whisper, "to put in 'Uggug,' you know!"

"Uggug, indeed!" I exclaimed, in a burst of indignation I could no longer control. To bring out even that one word seemed a gigantic effort: but, the cry once uttered, all effort ceased at once: a sudden gust swept away the whole scene, and I found myself sitting up, staring at the young lady in the opposite corner of the carriage, who had now thrown back her veil, and was looking at me with an expression of amused surprise.

CHAPTER 5.

A BEGGAR'S PALACE.


Sylvie and Bruno