| The first excerpt represents the past or something you must release, and is drawn from Before Adam by Jack London: never dreamed of cities; nor did a house ever occur in
any of my dreams. Nor, for that matter, did any of my
human kind ever break through the wall of my sleep. I,
who had seen trees only in parks and illustrated books,
wandered in my sleep through interminable forests. And
further, these dream trees were not a mere blur on my
vision. They were sharp and distinct. I was on terms
of practised intimacy with them. I saw every branch
and twig; I saw and knew every different leaf.
Well do I remember the first time in my waking life
that I saw an oak tree. As I looked at the leaves and
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from War of the Worlds by H. G. Wells: been left for a day by the owners, or as if their inhabitants
slept within. The red weed was less abundant; the tall trees
along the lane were free from the red creeper. I hunted for
food among the trees, finding nothing, and I also raided a
couple of silent houses, but they had already been broken
into and ransacked. I rested for the remainder of the day-
light in a shrubbery, being, in my enfeebled condition, too
fatigued to push on.
All this time I saw no human beings, and no signs of the
Martians. I encountered a couple of hungry-looking dogs,
but both hurried circuitously away from the advances I made
 War of the Worlds |
The third excerpt represents the future or something you must embrace, and is drawn from The Secrets of the Princesse de Cadignan by Honore de Balzac: to the other guests, and with accents worthy of the cleverest actress,
were calculated to reach the heart; and they did reach that of
d'Arthez. There was no question of himself in the matter; this woman
was seeking to rehabilitate herself in favor of the dead. She had been
calumniated; and she evidently wanted to know if anything had
tarnished her in the eyes of him who had loved her; had he died with
all his illusions?
"Michel," replied d'Arthez, "was one of those men who love absolutely,
and who, if they choose ill, can suffer without renouncing the woman
they have once elected."
"Was I loved thus?" she said, with an air of exalted beatitude.
|