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Today's Stichomancy for Steve McQueen

The first excerpt represents the past or something you must release, and is drawn from Prince Otto by Robert Louis Stevenson:

The Prince waited, drawing his handkerchief quietly through his fingers.

'Your Highness, in this informal manner,' said the old gentleman at last, 'and being unavoidably deprived of documents, it would be difficult, it would be impossible, to do justice to the somewhat grave occurrences which have transpired.'

'I will not criticise your attitude,' replied the Prince. 'I desire that, between you and me, all should be done gently; for I have not forgotten, my old friend, that you were kind to me from the first, and for a period of years a faithful servant. I will thus dismiss the matters on which you waive immediate inquiry. But you have

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Ruling Passion by Henry van Dyke:

real impression of Nature that awakens an ideal feeling in the heart. It does not define everything and say nothing, like so many paintings. It tells no story, but I know it fits into one. There is not a figure in it, and yet it is alive with sentiment; it suggests thoughts which cannot be put into words. Don't you love the pictures that have that power of suggestion--quiet and strong, like Homer Martin's 'Light-house' up at the Century, with its sheltered bay heaving softly under the pallid greenish sky of evening, and the calm, steadfast glow of the lantern brightening into readiness for all the perils of night and coming storm? How much more powerful that is than all the conventional pictures of

The third excerpt represents the future or something you must embrace, and is drawn from The Communist Manifesto by Karl Marx:

to historical change consequent upon the change in historical conditions.

The French Revolution, for example, abolished feudal property in favour of bourgeois property.

The distinguishing feature of Communism is not the abolition of property generally, but the abolition of bourgeois property. But modern bourgeois private property is the final and most complete expression of the system of producing and appropriating products, that is based on class antagonisms, on the exploitation of the many by the few.


The Communist Manifesto