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Today's Stichomancy for Steve McQueen

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Amy Foster by Joseph Conrad:

any other man. Children ceased to shout after him. He became aware of social differences, but re- mained for a long time surprised at the bare pov- erty of the churches among so much wealth. He couldn't understand either why they were kept shut up on week days. There was nothing to steal in them. Was it to keep people from praying too often? The rectory took much notice of him about that time, and I believe the young ladies attempted to prepare the ground for his conversion. They could not, however, break him of his habit of cross-


Amy Foster
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Autocrat of the Breakfast-Table by Oliver Wendell Holmes:

remembers Carlyle's famous "Characteristics" article; allow for exaggerations, and there is a great deal in his doctrine of the self-unconsciousness of genius. It comes under the great law just stated. This incapacity of knowing its own traits is often found in the family as well as in the individual. So never mind what your cousins, brothers, sisters, uncles, aunts, and the rest, say about that fine poem you have written, but send it (postage-paid) to the editors, if there are any, of the "Atlantic," - which, by the way, is not so called because it is A NOTION, as some dull wits wish they had said, but are too late.

- Scientific knowledge, even in the most modest persons, has


The Autocrat of the Breakfast-Table
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Astoria by Washington Irving:

of Mr. Astor, whose property he considers at the mercy of a most heterogeneous and wasteful crew.

As to the clerks, he pronounced them mere pretenders, not one of whom had ever been among the Indians, nor farther to the northwest than Montreal, nor of higher rank than barkeeper of a tavern or marker of a billiard-table, excepting one, who had been a school-master, and whom he emphatically sets down for "as foolish a pedant as ever lived."

Then as to the artisans and laborers who had been brought from Canada and shipped at such expense, the three most respectable, according to the captain's account, were culprits, who had fled

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Jolly Corner by Henry James:

keenness - by the tremendous force of analogy. He found himself at moments - once he had placed his single light on some mantel-shelf or in some recess - stepping back into shelter or shade, effacing himself behind a door or in an embrasure, as he had sought of old the vantage of rock and tree; he found himself holding his breath and living in the joy of the instant, the supreme suspense created by big game alone.

He wasn't afraid (though putting himself the question as he believed gentlemen on Bengal tiger-shoots or in close quarters with the great bear of the Rockies had been known to confess to having put it); and this indeed - since here at least he might be frank! -