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Today's Stichomancy for Steven Spielberg

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from All's Well That Ends Well by William Shakespeare:

LAFEU. Uncertain life and sure death.

PAROLLES. Just; you say well: so would I have said.

LAFEU. I may truly say, it is a novelty to the world.

PAROLLES. It is indeed: if you will have it in showing, you shall read it in,--What do you call there?--

LAFEU. A showing of a heavenly effect in an earthly actor.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from What is Man? by Mark Twain:

QUARTERNIONS, a religious convention held every hundred years.

SIBILANT, the state of being idiotic.

CROSIER, a staff carried by the Deity.

In the following sentences the pupil's ear has been deceiving him again:

The marriage was illegible.

He was totally dismasted with the whole performance.

He enjoys riding on a philosopher.

She was very quick at repertoire.

He prayed for the waters to subsidize.


What is Man?
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Red Seal by Natalie Sumner Lincoln:

admitted slowly. "What prompts the question, Ferguson?"

The detective hitched his chair nearer. "I'm going to lay all my cards on the table," he announced. "I need advice and you are the man to give it to me. Listen, Mr. Kent, this Jimmie Turnbull masquerades as a burglar night before last at the McIntyre house, is arrested, a charge brought against him for house-breaking by Miss Helen McIntyre, and shortly after he dies -"

"From angina pectoris," finished Kent, as the detective paused.

"So Mr. Rochester contended," admitted Ferguson. "We'll let that go for a minute. Now, when Miss McIntyre saw Turnbull's body, she demanded an autopsy. Why?"


The Red Seal
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Bureaucracy by Honore de Balzac:

touches. Madame's bedroom was draped in a fabric of true blue and furnished in a rococo manner. Rabourdin's study had inherited the late hangings of the salon, carefully cleaned, and was adorned by the fine pictures once belonging to Monsieur Leprince. The daughter of the late auctioneer had utilized in her dining-room certain exquisite Turkish rugs which her father had bought at a bargain; panelling them on the walls in ebony, the cost of which has since become exorbitant. Elegant buffets made by Boulle, also purchased by the auctioneer, furnished the sides of the room, at the end of which sparkled the brass arabesques inlaid in tortoise-shell of the first tall clock that reappeared in the nineteenth century to claim honor for the