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Today's Stichomancy for Steven Spielberg

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Frankenstein by Mary Shelley:

When I had concluded my narration I said, "This is the being whom I accuse and for whose seizure and punishment I call upon you to exert your whole power. It is your duty as a magistrate, and I believe and hope that your feelings as a man will not revolt from the execution of those functions on this occasion." This address caused a considerable change in the physiognomy of my own auditor. He had heard my story with that half kind of belief that is given to a tale of spirits and supernatural events; but when he was called upon to act officially in consequence, the whole tide of his incredulity returned. He, however, answered mildly, "I would willingly afford you every aid in your pursuit, but the creature of


Frankenstein
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Two Brothers by Honore de Balzac:

atelier with a group of other friends about two weeks after Agathe's funeral. The servant entered with a letter, brought by an old woman, she said, who was waiting below for the answer.

Monsieur,--To you, whom I scarcely dare to call my brother, I am forced to address myself, if only on account of the name I bear.--

Joseph turned the page and read the signature. The name "Comtesse Flore de Brambourg" made him shudder. He foresaw some new atrocity on the part of his brother.

"That brigand," he cried, "is the devil's own. And he calls himself a man of honor! And he wears a lot of crosses on his breast! And he struts about at court instead of being bastinadoed! And the scoundrel

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The New Machiavelli by H. G. Wells:

suppose it would come to nothing. And yet I feel there is so much to be done for the world, so much one ought to be doing. . . . I want to do something for the world."

I can see her now as she stood there with her brows nearly frowning, her blue eyes looking before her, her mouth almost petulant. "One feels that there are so many things going on--out of one's reach," she said.

I went back in the motor-car with my mind full of her, the quality of delicate discontent, the suggestion of exile. Even a kind of weakness in her was sympathetic. She told tremendously against her background. She was, I say, like a protesting blue flower upon a

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Bunner Sisters by Edith Wharton:

the precise nature of the business carried on within. But that was of little consequence, since its fame was so purely local that the customers on whom its existence depended were almost congenitally aware of the exact range of "goods" to be found at Bunner Sisters'.

The house of which Bunner Sisters had annexed the basement was a private dwelling with a brick front, green shutters on weak hinges, and a dress-maker's sign in the window above the shop. On each side of its modest three stories stood higher buildings, with fronts of brown stone, cracked and blistered, cast-iron balconies and cat-haunted grass-patches behind twisted railings. These houses too had once been private, but now a cheap lunchroom filled