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Today's Stichomancy for T. E. Lawrence

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from At the Mountains of Madness by H. P. Lovecraft:

We wondered whether there were any actually igneous manifestations below, and whether the waters of that sunless sea were hot. Alter a short distance the masonry gave place to solid rock, though the tunnel kept the same proportions and presented the same aspect of carved regularity. Occasionally its varying grade became so steep that grooves were cut in the floor. Several times we noted the mouths of small lateral galleries not recorded in our diagrams; none of them such as to complicate the problem of our return, and all of them welcome as possible refuges in case we met unwelcome entities on their way back from the abyss. The nameless scent of such things was very distinct. Doubtless it was suicidally


At the Mountains of Madness
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Crisis in Russia by Arthur Ransome:

event of a violent change, the Communists would be outlaws with a price on every head, and those who have worked with them, being Russians, know their fellow countrymen well enough to be pretty well convinced that the mere fact that they are without cards of the membership of the Communist Party, would not save them in the orgy of slaughter that would follow any such collapse.

People may think that I underestimate the importance of, the Extraordinary Commission. I am perfectly aware that without this police force with its spies, its prisons and its troops, the difficulties of the Dictatorship would be

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Madame Firmiani by Honore de Balzac:

others as colorless and virtuous as those of Florian. In short, the reader must have known the luxury of tears, must have felt the silent pangs of a passing memory, the vision of a dear yet far-off Shade,-- memories which bring regret for all that earth has swallowed up, with smiles for vanished joys.

And now, believe that the writer would not, for the wealth of England, steal from poesy a single lie with which to embellish this narrative. The following is a true history, on which you may safely spend the treasures of your sensibility--if you have any.

In these days the French language has as many idioms and represents as many idiosyncracies as there are varieties of men in the great family

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Symposium by Plato:

flexile form; for if he were hard and without flexure he could not enfold all things, or wind his way into and out of every soul of man undiscovered. And a proof of his flexibility and symmetry of form is his grace, which is universally admitted to be in an especial manner the attribute of Love; ungrace and love are always at war with one another. The fairness of his complexion is revealed by his habitation among the flowers; for he dwells not amid bloomless or fading beauties, whether of body or soul or aught else, but in the place of flowers and scents, there he sits and abides. Concerning the beauty of the god I have said enough; and yet there remains much more which I might say. Of his virtue I have now to speak: his greatest glory is that he can neither do nor suffer wrong to or from any