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Today's Stichomancy for Terry Gilliam

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Drama on the Seashore by Honore de Balzac:

we turned away our heads.

Arriving at the hotel, we noticed a billiard-table, and finding that it was the only billiard-table in Croisic, we made our preparations to leave during the night. The next day we went to Guerande. Pauline was still sad, and I myself felt a return of that fever of the brain which will destroy me. I was so cruelly tortured by the visions that came to me of those three lives, that Pauline said at last,--

"Louis, write it all down; that will change the nature of the fever within you."

So I have written you this narrative, dear uncle; but the shock of such an event has made me lose the calmness I was beginning to gain

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Son of Tarzan by Edgar Rice Burroughs:

recollect where he was, what accounted for the gently rocking motion of the thing upon which he lay, and why the position of the stars changed so rapidly and miraculously. For a while he thought he was dreaming, but when he would have moved to shake sleep from him the pain of his wound recalled to him the events that had led up to his present position. Then it was that he realized that he was floating down a great African river in a native canoe--alone, wounded, and lost.

Painfully he dragged himself to a sitting position. He noticed that the wound pained him less than he had imagined it would. He felt of it gingerly--it had ceased to bleed. Possibly it


The Son of Tarzan
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Master of Ballantrae by Robert Louis Stevenson:

made his part the harder to perform, the men were most inveterate grumblers; Ballantrae's discipline, little as it was, was yet irksome to their love of licence; and what was worse, being kept sober they had time to think. Some of them accordingly would fall to repenting their abominable crimes; one in particular, who was a good Catholic, and with whom I would sometimes steal apart for prayer; above all in bad weather, fogs, lashing rain and the like, when we would be the less observed; and I am sure no two criminals in the cart have ever performed their devotions with more anxious sincerity. But the rest, having no such grounds of hope, fell to another pastime, that of computation. All day long they would he

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Myths and Myth-Makers by John Fiske:

form of a rat or mouse; and in treating of werewolves we noticed the belief that the spirits of dead ancestors, borne along in the night-wind, have taken on the semblance of howling dogs or wolves. "Consistent with these quaint ideas are ceremonies in vogue in China of bringing home in a cock (live or artificial) the spirit of a man deceased in a distant place, and of enticing into a sick man's coat the departing spirit which has already left his body and so conveying it back."[167] In Castren's great work on Finnish mythology, we find the story of the giant who could not be killed because he kept his soul hidden in a twelve-headed snake which he carried


Myths and Myth-Makers