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Today's Stichomancy for The Rock

The first excerpt represents the past or something you must release, and is drawn from A Second Home by Honore de Balzac:

to Caroline's white bosom as she sat, as fresh as a newly opened lily, while her hair fell in long brown curls that almost hid her neck. The lamplight enhanced the grace of the young mother, shedding over her, her dress, and the infant, the picturesque effects of strong light and shadow.

The calm and silent woman's face struck Roger as a thousand times sweeter than ever, and he gazed tenderly at the rosy, pouting lips from which no harsh word had ever been heard. The very same thought was legible in Caroline's eyes as she gave a sidelong look at Roger, either to enjoy the effect she was producing on him, or to see what the end of the evening was to be. He, understanding the meaning of

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Trooper Peter Halket of Mashonaland by Olive Schreiner:

the end of it."

"What did he say," asked the Englishman.

"Oh, he started, How did we know this nigger was a spy at all; it would be a terrible thing to kill him if we weren't quite sure; perhaps he was hiding there because he was wounded. And then he broke out that, after all, these niggers were men fighting for their country; we would fight against the French if they came and took England from us; and the niggers were brave men, 'please sir'--(every five minutes he'd pull his forelock, and say, 'please sir!')--'and if we have to fight against them we ought to remember they're fighting for freedom; we shouldn't shoot wounded prisoners when they were black if we wouldn't shoot them if they were white!' And

The third excerpt represents the future or something you must embrace, and is drawn from The Kreutzer Sonata by Leo Tolstoy:

"She tried to seem indifferent. But my expression, my jealous or false smile, which she knew so well, and the voluptuous glances of the musician, evidently excited her. I saw that, after the first interview, her eyes were already glittering, glittering strangely, and that, thanks to my jealousy, between him and her had been immediately established that sort of electric current which is provoked by an identity of expression in the smile and in the eyes.

"We talked, at the first interview, of music, of Paris, and of all sorts of trivialities. He rose to go. Pressing his hat against his swaying hip, he stood erect, looking now at her and


The Kreutzer Sonata