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Today's Stichomancy for The Rock

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Secret Agent by Joseph Conrad:

been telling me that nothing could touch him. After taking the boy away from under my very eyes to kill him - the loving, innocent, harmless lad. My own, I tell you. He was lying on the couch quite easy - after killing the boy - my boy. I would have gone on the streets to get out of his sight. And he says to me like this: `Come here,' after telling me I had helped to kill the boy. You hear, Tom? He says like this: `Come here,' after taking my very heart out of me along with the boy to smash in the dirt."

She ceased, then dreamily repeated twice: "Blood and dirt. Blood and dirt." A great light broke upon Comrade Ossipon. It was that half-witted lad then who had perished in the park. And the fooling


The Secret Agent
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Woodlanders by Thomas Hardy:

was not without a looseness in its close. Nevertheless, either from his readily appreciative mien, or his reflective manner, or the instinct towards profound things which was said to possess him, his presence bespoke the philosopher rather than the dandy or macaroni--an effect which was helped by the absence of trinkets or other trivialities from his attire, though this was more finished and up to date than is usually the case among rural practitioners.

Strict people of the highly respectable class, knowing a little about him by report, might have said that he seemed likely to err rather in the possession of too many ideas than too few; to be a dreamy 'ist of some sort, or too deeply steeped in some false kind


The Woodlanders
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Garden Party by Katherine Mansfield:

sun beat down, beat down hot and fiery on the fine sand, baking the grey and blue and black and white-veined pebbles. It sucked up the little drop of water that lay in the hollow of the curved shells; it bleached the pink convolvulus that threaded through and through the sand-hills. Nothing seemed to move but the small sand-hoppers. Pit-pit-pit! They were never still.

Over there on the weed-hung rocks that looked at low tide like shaggy beasts come down to the water to drink, the sunlight seemed to spin like a silver coin dropped into each of the small rock pools. They danced, they quivered, and minute ripples laved the porous shores. Looking down, bending over, each pool was like a lake with pink and blue houses

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Treatise on Parents and Children by George Bernard Shaw:

and persecute those who can see and declare the truth, because their sincerity and insight reflects on our delusion and blindness. We are all like Nell Gwynne's footman, who defended Nell's reputation with his fists, not because he believed her to be what he called an honest woman, but because he objected to be scorned as the footman of one who was no better than she should be.

This wretched power of allowing ourselves to be bored may seem to give the fine arts a chance sometimes. People will sit through a performance of Beethoven's ninth symphony or of Wagner's Ring just as they will sit through a dull sermon or a front bench politician saying nothing for two hours whilst his unfortunate country is perishing