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Today's Stichomancy for Theodore Roosevelt

The first excerpt represents the past or something you must release, and is drawn from The Prince by Nicolo Machiavelli:

open war, he considered that it would be safer and more advantageous to outwit them, and for this reason he did not stop the work of reconciliation.

And that this might be effected the duke concluded a peace with them in which he confirmed their former covenants; he gave them four thousand ducats at once; he promised not to injure the Bentivogli; and he formed an alliance with Giovanni; and moreover he would not force them to come personally into his presence unless it pleased them to do so. On the other hand, they promised to restore to him the duchy of Urbino and other places seized by them, to serve him in all his expeditions, and not to make war against or ally themselves with any


The Prince
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Gambara by Honore de Balzac:

intending to show him the truth by the light he himself would bring down with him.

"Well," said he, pouring him out another bumper of wine and clinking glasses with him, "this German has, you see, written a sublime opera without troubling himself with theories, while those musicians who write grammars of harmony may, like literary critics, be atrocious composers."

"Then you do not like my music?"

"I do not say so. But if, instead of carrying musical principles to an extreme--which takes you too far--you would simply try to arouse our feelings, you would be better understood, unless indeed you have


Gambara
The third excerpt represents the future or something you must embrace, and is drawn from The Circular Staircase by Mary Roberts Rinehart:

understand it, for that matter. But I've been thinking all day that I'd better tell you. Yesterday afternoon, while you and Miss Gertrude were out driving, I had got the car in some sort of shape again after the fire, and I went to the library to call Mr. Innes to see it. I went into the living-room, where Miss Liddy said he was, and half-way across to the library I heard him talking to some one. He seemed to be walking up and down, and he was in a rage, I can tell you."

"What did he say?"

"The first thing I heard was--excuse me, Miss Innes, but it's what he said, `The damned rascal,' he said, `I'll see him in'--


The Circular Staircase