The first excerpt represents the past or something you must release, and is drawn from The Wrong Box by Stevenson & Osbourne: scratched his nose.
The train travelled forth into the world, bearing along with it
the customary freight of obliterated voyagers, and along with
these old Joseph, affecting immersion in his paper, and John
slumbering over the columns of the Pink Un, and Morris revolving
in his mind a dozen grudges, and suspicions, and alarms. It
passed Christchurch by the sea, Herne with its pinewoods,
Ringwood on its mazy river. A little behind time, but not much
for the South-Western, it drew up at the platform of a station,
in the midst of the New Forest, the real name of which (in case
the railway company 'might have the law of me') I shall veil
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Return of the Native by Thomas Hardy: for the mobile parts of her countenance could not be seen.
At last she gave up her spying attitude, closed the telescope,
and turned to the decaying embers. From these no appreciable
beams now radiated, except when a more than usually
smart gust brushed over their faces and raised a fitful
glow which came and went like the blush of a girl.
She stooped over the silent circle, and selecting from the
brands a piece of stick which bore the largest live coal
at its end, brought it to where she had been standing before.
She held the brand to the ground, blowing the red coal
with her mouth at the same time; till it faintly illuminated
 Return of the Native |
The third excerpt represents the future or something you must embrace, and is drawn from Maitre Cornelius by Honore de Balzac: drawn upon himself the enmity of Charles, Duke of Burgundy, found
refuge and protection at the court of Louis XI. The king was conscious
of the advantages he could gain from a man connected with all the
principal commercial houses of Flanders, Venice, and the Levant; he
naturalized, ennobled, and flattered Maitre Cornelius; all of which
was rarely done by Louis XI. The monarch pleased the Fleming as much
as the Fleming pleased the monarch. Wily, distrustful, and miserly;
equally politic, equally learned; superior, both of them, to their
epoch; understanding each other marvellously; they discarded and
resumed with equal facility, the one his conscience, the other his
religion; they loved the same Virgin, one by conviction, the other by
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