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Today's Stichomancy for Thomas Jefferson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Lin McLean by Owen Wister:

never realized about his mother and me. We've talked awful open, but that was not pleasant to speak of, and the whole country knew it so long--and I never thought! She don't blame me. She says she understands; but she says I have a wife livin'."

"That is nonsense," I declared.

"Yu' mustn't say that," said he. "She don't claim she's a wife, either. She just shakes her head when I asked her why she feels so. It must be different to you and me from the way it seems to her. I don't see her view; maybe I never can see it; but she's made me feel she has it, and that she's honest, and loves me true--" His voice broke for a moment. "She said she'd wait."

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Lover's Complaint by William Shakespeare:

Catching all passions in his craft of will;

'That he did in the general bosom reign Of young, of old; and sexes both enchanted, To dwell with him in thoughts, or to remain In personal duty, following where he haunted: Consents bewitch'd, ere he desire, have granted; And dialogued for him what he would say, Ask'd their own wills, and made their wills obey.

'Many there were that did his picture get, To serve their eyes, and in it put their mind; Like fools that in the imagination set

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Passion in the Desert by Honore de Balzac:

the throat.

He raised the blade, when the panther, satisfied no doubt, laid herself gracefully at his feet, and cast up at him glances in which, in spite of their natural fierceness, was mingled confusedly a kind of good will. The poor Provencal ate his dates, leaning against one of the palm trees, and casting his eyes alternately on the desert in quest of some liberator and on his terrible companion to watch her uncertain clemency.

The panther looked at the place where the date stones fell, and every time that he threw one down her eyes expressed an incredible mistrust.

She examined the man with an almost commercial prudence. However, this

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Muse of the Department by Honore de Balzac:

This deep and persistent melancholy, though disguised by the Countess, was a perilous malady for which Monsieur de Clagny knew no remedy; for true love is often clumsy, especially when it is not reciprocated. True love takes its expression from the character. Now, this good man loved after the fashion of Alceste, when Madame de la Baudraye wanted to be loved after the manner of Philinte. The meaner side of love can never get on with the Misanthrope's loyalty. Thus, Dinah had taken care never to open her heart to this man. How could she confess to him that she sometimes regretted the slough she had left?

She felt a void in this fashionable life; she had no one for whom to dress, or whom to tell of her successes and triumphs. Sometimes the


The Muse of the Department